In terms of talent construction, since the establishment of the theater, it has brought together Xian, a descendant of Liu School, Xin Cuixia, an old artist, and Hong, who is six years old, as well as famous drama critics with different artistic styles such as Tsing Yi and Hua Dan. Li, Xiao, Yang Lanfen, Lian Xiaojun, Xiaohua Yulan, Xiaoxian Lingxia, and outstanding actors such as jing xing, Ugly Star Kong Guangshan, Shan, Wang, Xiao Yueqiao, etc. It can be described as brilliant, diverse and strong in performance. Since the reform and opening up, a number of outstanding performers, directors, dancers and music accompanists have emerged in theaters, including Ma Shuhua, Cui Lianrun, Wang Youcai, Gao Jinyuan, Guo Meimei, Li, Zhao, Zhao Deming, Zhao Shi, Zheng Bowen and Nan Shaoqing. Among them, Ma Shuhua, Cui Lianrun,, and have successively won the Plum Blossom Award in Chinese Drama, becoming the "Four Outstanding Plum Blossoms" among the well-known operas in Guinness.

With the development of Pingju art, the theater also pays attention to cultivating cross-century artistic talents. 1In July, 995, the Communist Youth League was established. Taking the graduates of the 77th and 90th drama evaluation classes of Tianjin Art School as the main targets, we try our best to promote their success by means of "centralized training, sending them to school, inviting famous teachers to help them, and combining drama with performance". In more than two years, we rehearsed 20 plays with different themes and different types, and Jiang Hui, Zhao Bin, Li Jianmin, Wang Guanli, Zhang Liyun, Han Xiuquan and Zaizai emerged. Formed a more powerful group of young artistic talents.

Facing the 2 1 century, drama groups are facing both opportunities and difficulties. Facing the increasingly fierce competition in the performance market, the theater has stepped up its efforts to open up the performance market. The first troupe must take people by drama. Only with a good troupe can it have vitality and expectation. To survive, we must strengthen the awareness of fine products. Second, actively cultivate the market and explore the market. If there is a good program, people will watch it. If the troupe doesn't perform, it will lose its audience and its survival value. Therefore, we should strengthen market awareness, actively consolidate the original market and regain the lost market. Third, raise awareness, keep in mind the function of revolutionary literature and art, strive to find the best combination of spiritual civilization and material civilization, set off social and economic benefits, innovate ideas and concepts, and produce excellent works suitable for the new century, so as to make the theater invincible.