If the future doesn't come, the back is always there, which will harm the acacia dust.

Who waits for who comes back, it rains at night and turns on the autumn lights.

Light up the empty stage, no one likes to wait.

Come if you want, and don't come if you should.

If you want to love, there is love, and if you don't love, there is love.

Who's here and who's not, and who's here is not.

This song sounds like a few simple sounds, step by step, sometimes the voice is in front, sometimes it is behind. Through reverberation, vibrato and other methods, the sense of conflict is reflected in narrative stories, arrangement and post-production, and a sense of time and space is emphasized.

In time, it reflects the intersection of the past and the present.

In space, through the arrangement and later period of music, the sense of emptiness of "previous life" and "empty station" is reflected.

Extended data

Background story

Once upon a time, there was a diva who sang Kunqu opera in Tsing Yi. She fell in love with a rich boy who often came to the opera. Encountered secular opposition. The old lady thinks that Tsing Yi confused and seduced the young master in order to make him give up and join a good family. The old lady framed Tsing Yi and made the young master misunderstand that she was unfaithful. The heartbroken Tsing Yi has only one death to prove his innocence.

The young master who learned the truth regretted it and finally escaped into an empty door. Tsing Yi, because of deep resentment and attachment, and her sudden death, became a lonely soul. Every night, on the empty stage where she once sang opera, there will be a hideous female ghost singing, which is the song of Shangbeizi.