Three years later, he was transferred to Shandong Film and Television Center and began his career as an independent director. The TV series that have been filmed successively include Businessman and Sunrise Every Day, but what is even more amazing is that Tang also filmed a musical scenery film "Quiet Lotus Mountain" during this period; Perhaps the director is naturally sensitive to music and acoustics, and this film with only two episodes won him the "Golden Bell Award" again. Since then, it has been out of control. Tapp's filming, "A Man named Yao" and "Saint Zu" all won the "Flying Award" of the outstanding TV series of that year. Among them, "A Woman named Yao" won the "Golden Eagle Award" that year-this is a TV series adapted from real people. The prototype is Yao, director of Andry neighborhood Committee in Dongcheng District. She has struggled silently in this ordinary post of neighborhood Committee for more than ten years. "Leading the old sisters to build a community from scratch doesn't even have a penny of office expenses, and the workload is also great. Until today, in our country, TV is still an important tool for publicity and education, so it is not very rare to make TV dramas based on typical life and educate the audience-but TV dramas that really interest the audience and make innovations in artistic creation are rare. A woman named Yao is indeed a small climax in Tang's career as a director.
But what really pushed him to hundreds of millions of viewers was a few years later. 1995, the Ministry of Public Security of China filmed The Big Case of China, which is a documentary TV series with the theme of exposing crimes. It consists of three cases: the first kidnapping case in the Ninth Five-Year Plan, Nightfall in Xi 'an and Notes on the Detection of aslin. Among them, ten episodes of An Ye Luo were filmed by Tang. The whole drama pursues major cases from a documentary perspective, publicizes the purge of social criminal groups by the public security system during the "strike hard" period, reveals the sinister nature of criminal groups, and at the same time raises the vigilance of the whole society on crime prevention. What is commendable is that many "cast members" in the play are policemen who go deep into criminal gangs. There is no doubt about the authenticity and the tension is comparable to that of Infernal Affairs today. After the new Millennium, it is also a productive and bumper harvest season for Tang. In just a few years, I almost got angry.
The broadcast of 200 1 "The Restoration of Skynet" on CCTV 1 not only triggered a viewing craze, but also caused some questioning voices. Many people find it hard to see such an "alternative" TV series: in fact, from the perspective of theme selection, "The Restoration of Skynet" has not deviated from the main theme category (which is also related to its being broadcast on CCTV 1), and it is a TV work to fight corruption and promote honesty, but at the same time it is obviously different from other similar themes from the inhuman perspective, from the perspective of judicial justice; At the same time, the shooting technique is obviously different from the director's previous works. In this "unusual" TV series, you can even see the depth of field shots, long shots and complex close-ups that can only be seen frequently in movies. Even the lighting arrangement and light treatment are very particular, and the appearance of characters is also "dramatic", which is not only clean, but also deliberately keeps a distance from life. Its lines are equally surprising, and long monologues can be accompanied by the words of Daming Palace. If all these treatments are due to the director's style, it is incomprehensible to downplay the plot of the TV series-even a movie with a completely different audience will risk losing the audience. An incomplete story means that appreciation is greatly reduced. However, the plot of the TV series "Skynet is slow but not leaking" makes people wonder: the character Zhou Shijie was arrested and the police murdered. These plots, which can completely catch the audience's appetite, are not unfolded, which makes people unknown so. In this regard, director Tang believes: "Although these can be made very attractive and fully developed, they have all been omitted by me, and even the original plot description of the script has been removed by me. The purpose of this is to guide the audience to think. "
In the director's own words, from scenery films to documentary TV dramas, to TV dramas that downplay the plot, this is from one extreme to the other: "Because TV dramas are covered with the coat of life, this practice sometimes makes me very painful. When I am old, I want to return to my true colors. "
Speaking of the original work of The Justice, the director is full of praise, which is a very rare and good script. As I said before, the lines in TV series are very distinctive and there are many monologues, which is also a respect for the original intention of the screenwriter, because the importance of lines is not insignificant if TV series is to be brilliant-unlike movies, TV series relies more on the information content of the picture itself than on dialogue. As a result, the director decisively retained the lines of the original script with few changes. Respect for the script, here in Tang, is to respect the original intention of the playwright.
After Justice, Director of the National People's Congress has also achieved good ratings. The Director of the National People's Congress is adapted from the novel of the same name by writer Liu Ru, and it is called Contemporary Officialdom. Bao Guoan, Yang Lixin, Tian Hairong, Xi Meijuan and other famous actors joined in, adding a lot of color to this anti-corruption TV series. The TV series Dry Wharf started shooting in 2006. This is the first costume TV series that Tang took over. The shooting location was selected in Zhoucun, Shandong Province, and "Big Dyeing Workshop" and "Alive" were filmed. Due to the huge investment (654.38+0.5 million), starring ZhangFeng yi, this commercial war drama attracted the interest of large and small media for a time.
When it comes to commercial TV dramas, there are many successful precedents: Baiyin Valley, Dyeing House and Qiao Family Courtyard ... So it is inevitable that some people will question whether Tang Daolai is following the trend. Is it a follow-up work? Tang's own statement is that he is optimistic about a good book, a big actor and a big investment. As for whether it is a commercial plagiarism, in the final analysis, it depends on whether the work has an audience. Let the market test the work itself.
Tang, the screenwriter of Dry Wharf and Dyeing House, is very optimistic about this play, which is closely related to his optimism about Chen's screenwriter. In tangdao's eyes, Chen Jie is a very excellent playwright, brilliant, good at learning and familiar with the way of doing business. Some people say that TV plays are the art of writers, stage plays are the art of actors, and movies are the art of directors. Although we go to extremes, none of us can ignore the role of screenwriters in TV dramas. In a sense, an excellent TV director must be a visionary director. He is very partial to certain types of screenwriters and can respect their creations to the greatest extent.
To a great extent, Dry Wharf is a story about the commercial development history of Zhoucun. From a small perspective, it tells the personal history of a China businessman like Yang Ruiqing. Paying attention to history and caring about individuals at the same time is the charm of art and TV series. Yang Ruiqing is played by the famous actor ZhangFeng yi. In the play, ZhangFeng yi plays a typical businessman in China, who is diligent and persistent.