This is written by Du Fu.

During the Three Kingdoms period, you made unparalleled achievements, and you gained a permanent reputation by invading.

This river won't divert the stones from your disposal, and you will always regret that you will destroy Wu's unwise.

This is a poem written by the author in memory of Zhuge Liang when he first arrived in Kuizhou. Written in the first year of Dali (766). "Eight-array map" refers to the array map of military drills and operations composed of eight formations: sky, earth, wind, cloud, dragon, tiger, bird and snake. This is Zhuge Liang's creation, which embodies his outstanding military talent.

"The Three Kingdoms, torn apart, have been bound by his greatness, and the Eight Pavilions are built on his fame", these two sentences praised Zhuge Liang's great achievements. The first sentence is written from the general aspect, saying that Zhuge Liang made the most outstanding achievements in the process of establishing the situation that Wei Shuwu was divided into three parts. Of course, there are many factors for the coexistence of the three countries, and Zhuge Liang's assistance to Liu Bei in establishing the foundation of Shu from scratch should be said to be one of the important reasons. Du Fu's highly generalized praise objectively reflected the historical truth of the Three Kingdoms period. The second sentence is written from a specific aspect, saying that Zhuge Liang created an eight-array map to make him more famous. The ancients praised this point repeatedly. For example, the inscription of Wuhou Temple in Chengdu reads: "The combination of economy and strategy is not rewarded, and the layout is sincere." "The river is at war, the picture is in the column, and there is glory in the industry." Du Fu's poems praised Zhuge Liang's military achievements more intensively and concisely.

The first two songs are written in antithetical sentences, and the overall contribution of the "Three Kingdoms" and "Eight Arrays" to the military is ingenious and natural. Structurally, the first sentence really mentioned, cut to the chase; After the period, I wrote a poem to further praise the achievements, and also paved the way for the memorial relics behind.

"Next to this ever-changing river, there stands a stone, which is his sadness that he failed to conquer the State of Wu." These two sentences express their feelings about the site of "Eight Arrays". The site of "Eight Arrays Map" is located on the flat sand in front of Yong 'an Palace in southwest Kuizhou. According to Liu Yuxi's "Jingzhou Painting Vice" and "Jia", the eight arrays here are all made of fine stones, five feet high and sixty yards around, arranged in sixty-four piles, which remain unchanged. Even if it is flooded in summer, everything will be lost in winter, but the eight stone piles will remain unchanged for 600 years. The first sentence writes the magic of the relic very concisely. "Stones don't turn", use the poem "My heart is full of stones, so I can't turn" in The Book of Songs White Boat. In the author's view, this magical color is intrinsically related to Zhuge Liang's spiritual mind: his loyalty to the Shu-Han regime and the great cause of reunification is firm and unshakable. At the same time, the existence of this scattered and recovered eight-array stone pile, which has remained unchanged for many years, seems to symbolize Zhuge Liang's regret for his dying ambition. Therefore, the last sentence written by Du Fu was "saying that he never conquered Wu", saying that Liu Bei's swallowing Wu was a mistake, which destroyed Zhuge Liang's fundamental strategy of resistance and made the great cause of reunification fall by the wayside, which became an eternal regret.

Of course, this poem is not so much "lingering hatred" for Zhuge Liang as Du Fu's regret for Zhuge Liang, and this regret is permeated with Du Fu's depressed feelings of "self-mutilation and death" (Huang).

This quatrain of nostalgia has the characteristics of integrating discussion into poetry. But this argument is not empty and abstract, but vivid and lyrical. The poet combines nostalgia with narration, giving people a feeling of endless hatred and meaning.