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Brief introduction of Pang Xueqin
Pang Xueqin, 1929, is from Dongkan Town, Fudong County, Jiangsu Province. 1944 joined the army and worked as a cultural teacher, a member of the art troupe and an artillery instructor in the army. Film actor. His representative works include The Storm of the Sino-Japanese War, Youth in War, Enemy at the Gates, Fire Enduring Life, No.5 Garden Street, etc. 20 15, died in Zhuhai.

This morning (1June 12), according to Yu Yong, a famous Weibo film critic, Pang Xueqin died in Zhuhai at the age of 86. He used to be the deputy director of changchun film studio, and his masterpieces include The Storm of Sino-Japanese War, Youth in War, Enemy at the Gates, Fire Forever, No.5 Garden Street, Beacon in Border Village, etc. 1962 was selected as "Top 22 Movie Stars" in New China. In 2005, he won the honorary title of national outstanding contribution film artist; Golden rooster lifetime achievement award in 20 14; 20 15 was awarded the commemorative medal of the 70th anniversary of the Anti-Japanese War by the state. 1929, Pang Xueqin was born in a peasant family in Dongkan Town, Fudong County, Jiangsu Province. /kloc-joined the revolution at the age of 0/5, went south with the army, advanced into Dabie Mountain, and participated in the Huaihai Campaign. 65438-0947, joined the People's Liberation Army and worked as an actor in the Subei Military Region Cultural and Art Troupe. 1952 entered the performance class of Beijing Film Academy. 1954 to 1956, with changchun film studio as the actors. Pang Xueqin first appeared on the screen on 1956, and served as a frontier defense instructor in the film "Bells of the Ancient Temple" directed by Lin Nong. 1958 With the help of Li, the director of War Youth, Wang Yi, the security captain who went deep into the tiger's den to spy on the enemy, became famous. What really became famous was "Enemy at the Gates", 1959, in which he played Lei Zhenlin, the platoon leader, which ignited the determination of a large number of enthusiastic young people to join the army. Since then, many well-known classic figures have been created, such as Li Zhongmin, the leader of the underground party who sneaked behind enemy lines, Song Toh Peng, the husband of Jie Jiang in the Sino-Japanese War, and Wang Guocheng, a sailor in Sisters on Ice. Pang Xueqin often said: "No talented actor understands the whole play so thoroughly as the director does;" No talented director is as concrete and vivid as an actor imagining his role. "The love between Pang Xueqin and his wife Yang Guang is also a much-told story in the film circle. They met in the actor class of the art department of the Central Academy of Film Arts and fell in love when they were studying. Later, they were assigned to Changying together and got married at 1958. The latter is well known to the audience with films such as Young People in Our Village and No.5 Garden Street. Unfortunately, on 1959, when Pang Xueqin's career was just starting, Yang Guang, who was shooting three films at the same time, was diagnosed as having developed from "eye disease caused by tip strain" to "glass barrier bleeding" because of work pressure. However, Pang Xueqin never gave up. He said: "since fate is combined, he should live forever." "1965 and 1970, their two sons, Pang Hao and Pang Yue, were born one after another, and Yang Guang also focused on the enrollment and teaching of the troupe and participated in the dubbing of several translations. On June 15, 2004, Yang Guang died of a sudden heart attack in Zhuhai at the age of 72. Today, Pang Hao, the son of Pang Xueqin, accepted an exclusive interview with our reporter. In the interview, Pang Hao told reporters that he was surprised when he learned the news of his father's death this morning. " My father has always been in good health, does not smoke or drink, and his living habits are healthy. I can't believe it (my father died). "Pang said he would fly from Beijing to Zhuhai tomorrow." I want to take my father (ashes) back and bury him with my mother. Pang told reporters that Pang Xueqin was transferred to Zhuhai to take charge of the United front work after filming "Sunshine Catcher" and worked in Zhuhai for more than 20 years. Just two days ago, my father and son spoke on the phone. "When my father talked to me on the phone two days ago, he was friendly and quick-witted. I always thought it was okay for him to live to ninety. His white teeth are all his own and he is in good health. Pang said, "My father died in his sleep. He is innocent. In Pang Hao's view, my father is strict father who has a high sense of responsibility for his family. " My mother used to have bad eyes, fundus bleeding and blindness. My father always takes care of her. Later, my mother woke up, but there was no way to act. Her mental state has always been bad, and her father has always been around to take care of her. At the same time, he has to take care of this family, which has a great influence on my father's health. "Although he was the first generation of" Xing Er "in China, Pang Hao recalled that his father was very strict with his childhood education. It was not until he went to middle school that he knew that his father was an actor. "In fact, I am still very afraid of him. I can't believe when I

Pang Hao graduated from the Performance Department of Beijing Film Academy and was Wang's classmate, but Pang Xueqin didn't approve of his son's film and television work at first. "My father wanted me to be a soldier. He feels that being an actor has a mission. Being an actor doesn't necessarily mean that you can get as much reward for your hard work, so he doesn't want me to do this. " What impressed Pang Hao most was his father's education of being indifferent to fame and fortune. The day before he was admitted to the Film Academy, his father called him seriously. "My father told me seriously that you are going to enter the entertainment circle. You will see flowers and applause here, but you have to work hard. You must first be honest and act seriously. " After being admitted to Beijing Film Academy, Pang Hao became a director. He said that his father would watch every piece of his work carefully in front of the TV. "Sometimes when he sees my film, he will tell me that you can't shoot well like this. This scene should be a TV play instead of a movie. He will tell me a lot. I will also argue with him. Others say that I am a sharpshooter, and my father will say that my father will not lie to you. " Pang Xueqin's last film was Youth in War directed by his son (199 1). Pang can say that his father is very logical in acting, likes to chat with people, has a good eloquence and likes to create. And his father's favorite work is Youth in War. "In characterization, I like my father's Enemy at the Gates best. The handsome word is still 0 1030 10. " Pang said that his father always likes to say that he is a soldier, a soldier, an actor and a soldier. The true nature of a soldier is an important background of his life. "My father often told me that acting should experience life. He is a soldier, and he loves acting.

Besides the top 22 movie stars in the 1960s, what other actors impressed you?

1962 the top 22 movie stars in China were selected from the lists submitted by the four major film studios at that time. However, due to various reasons, the film studio did not report all the best actors, which led to many stars regretting being out. Therefore, this choice is unfair.

The first is about the choice of movie stars in New China, who were brilliant before liberation, but died or did nothing after the founding of the People's Republic of China.

Brand movie stars don't count. This is no problem. After all, we chose new China movie stars.

Ruan, who died before the founding of the People's Republic of China, is definitely excluded, but famous actors such as Zhou Xuan, Zhang Fa are also excluded, which is really a pity. For example, 1959, Blue Horse also appeared in the film "Wan Shui Qian Shan" reflecting the theme of the Red Army's Long March.

At that time, the Ministry of Culture announced the selection results, including Zhao Dan, Bai Yang, Zhang Ruifang, Sun Daolin, Qin Yi, Wang and Zhu from Shanghai Film Factory, Chen Qiang, Zhang Ping, Yu Lan, Xie Fang, Bird, Pang Xueqin and Jin Di from Beijing Film Factory.

These 22 actors really represent the development of new China movies to a great extent. From the present point of view, these actors are both acting skills and idols. There is an upright protagonist and a supporting role who is willing to be a green leaf.

But the choice of some actors is full of controversy, such as Zhu, who only played a red women soldiers, and Di Chin only played a young man from our village. Bird created many characters, but these films didn't have much influence, and these characters didn't leave a deep impression on people. Their shortlist also diluted the appeal of "Top 22 Movie Stars".

Because all film companies are influenced by the idea of "ZQ", many actors who have made great contributions in the film field are not qualified to be on the list. For example:

Puke of Changying Factory, from the founding of the People's Republic to 1962, is the leading actor or main actor in a series of classic movies. These films include: luliang heroes, Silent Mountain Forest, Ten o'clock National Day, Xu Qiuying Case, Underground Warrior, Bell of Ancient Temple, and Storm of Sino-Japanese War, but they were excluded because they worked in the "Full Shadow" during the Japanese occupation.

Han Fei, a famous actor, is a rare comic genius. In addition to playing a supporting role in more than ten films such as Nie Er and Lin Zexu, he also appeared in rare costume comedies such as Old Joe Getting on the Bus, The icing on the cake and the three-dimensional comedy The Magician's Adventure. It's no exaggeration to say that he was Stephen Chow in the 1950s.

Kangtai always feels a bit like ChristianRandPhillips. His elegance and handsomeness can kill all the small fresh meat at the moment. What is even more commendable is that his acting skills are also outstanding among the older generation of artists. Do you remember Zhou Changxi who drove his car to the enemy in Crossing the River? Remember the * * * person Lu Jiachuan in Song of Youth?

Unfortunately, Guo Zhenqing, from a worker's family, was not selected. As early as 1952, he played the leading role in Gate Six, reflecting the life of Tianjin Wharf. Two years later, he created the heroic image of Li Xiangyang with two guns in Guerrilla in the Plain, which has influenced it to this day. Remember his double guns? One had a sight, and the other saw it off?

Liu Jiyun, an old revolutionary, joined the Eighth Route Army in 1938. It's just that most of the images created are bad people. For example, Han Laoliu in Storm, Yuan Lin the Thief, the big spy in Secret Drawings, Cui in Die Hard Rowen, Yin Zhan and War in Shanghai. This time, Liu Yi rebelled. This is a good man. Classic movie, deeply rooted in people's hearts, unfortunately out.

Gao Baocheng also participated in the revolution of 1938, and created a positive image. For example, Ge Zhenlin, one of the five strong men in Langya Mountain, and Zhao in the storm, especially his heroic company commander in Shangganling, touched countless people. Unfortunately, this is also a loser.

Many people are not familiar with the name Feng. He is a resourceful and brave battalion commander in Northern War, an experienced political commissar Li Zheng in Flying Tigers, a resolute and resolute monitor Zhong Yongsheng in Chasing Bandits in the Desert, and a handsome scout Wang Lian in Yangcheng Anshao. Yan value and acting skills are perfectly integrated, and such actors are always stars.

In addition, Zhang Yongshou, the company commander of Surprise in China, and Liu Qiong, the veteran actress of the No.5 women's basketball team, also lost the election. And those short-listed actors didn't get an extra penny because they were selected, and even many people didn't know they were elected. More people know that they are shortlisted from the large photos hung in major theaters.

I have to say, it seems that there are many classic films, all of which were made in that era of material shortage. Neither capital nor technology can be compared with the present. But the films of that era had a unique temperament, which we modern people lacked.