Wang Siqing's Wang Siqing Art Resume
Works of art have been published in People's Daily, Anhui Daily, China Calligraphy and Painting Newspaper, Art Newspaper, World Art Collection, Thirty Years of Contemporary Art, Award-winning Postcards of China Post, and Desk Calendar of Contemporary Masters with Most Collection Potential, etc. His works have been published in People's Daily, Guangming Daily, Anhui Daily, Contemporary Young and Middle-aged Prose (Essays) and other publications. Resumes and comments have been compiled into more than 20 large-scale classic works, such as Biography of World Artists, Who's Who of World Artists and Contemporary Entrepreneurial Talents in China. More than 0/00 news media in China reported the achievements of work, creation and entrepreneurship. There are more than ten kinds of magazines published, such as Wang Siqing's Painting Collection, Wang Siqing's Prose Collection and Siqing Garden. 1983 taught himself Chinese painting after graduating from middle school; 1in the spring of 984, I went to Jingdezhen City, Jiangxi Province to learn porcelain painting techniques. Over the past ten years, more than a thousand Chinese paintings and porcelain paintings have been created in urban and rural areas and overseas, and more than 20 large-scale porcelain murals have been created for institutions, factories and mines, which has played a good social effect. In recent years, he has devoted himself to the creation of landscape paintings in China. His works have participated in many provincial exhibitions, and his works of art, aesthetic articles and photographs have been published in national, provincial and municipal newspapers. 1996 Since the second half of the year, two large-scale creative activities have been held to welcome the return of Hong Kong. He created a series of Chinese paintings, namely, The Meaning of Chairman Mao's Ci and The Motherland. The painting is broad, grand and profound, which has been fully affirmed by experts. Since 1994, he has created dozens of Chinese paintings representing Jiuhua Mountain, a holy place of Buddhism, and successfully integrated Buddhism into mountains and rivers, and his works are full of Zen. What can better express its style is the meteorological landscape of the four seasons, which organically integrates natural meteorology such as clouds, fog, rain and snow with Qian Shan's thousands of waters, and its snow landscape has its own unique expression techniques, such as layered dyeing, appropriate shades, glacial undercurrent and so on. Yao tree in Wuxiang; Snow-capped mountains are as clean as virgins and cold; The cold forest is inlaid with jade, and the state of things is strict, just like three winters in sight. His brushwork is natural and unrestrained, and his charm is good, which fully shows his landscape painting personality. Every painting is a poem and a love, and he deliberately pursues an unfathomable artistic conception and ethereal beauty. He dabbled in literature, folk literature and photography, worshiped nature as a teacher, and inherited "learning from foreign teachers' nature and getting it from China's initial heart"; Seriously copy the famous works of past dynasties and learn the excellent techniques of the ancients; Discuss the successful works of modern landscape masters. He started from tradition, but he didn't stick to tradition. Instead, he applied his skills to his creation and drew his own style in a unique way. In his view, China's landscape paintings should not only be displayed as landscapes, but also reveal the inner beauty and profound artistic conception of the motherland's mountains and rivers. 20 10 works participated in the "20 10 Korea world paekche hall, the third return to Korea and China-Japan international art exchange exhibition" hosted by the Fuyu county government of Chungcheongnam-do, South Korea. His landscape work "Huang Shanyun Yong" won the gold medal, and his work "Longshan Fengshui" was collected by the National Museum of Korea, and he was invited to attend the opening ceremony of the Baekje Culture Festival and Exhibition in Korea. His main works are: Porcelain Painting "Snow Moon in Yingjiang", "Huangshan Mountain", "Eight Scenes of Ancient Anqing" and "Spring Dawn in Longshan". Traditional Chinese paintings include Jinggangshan, Morning Bell in Wanghua Temple, Jade Screen with Silver Embedding, Demon after Snow in Huangshan Mountain, Eight Screens of Landscape Quotations from Chairman Mao, Series of Motherland, Nine Flowers in Four Seasons, Longjinguan and so on.