Liu Baorui (1915-196810.06), a Beijinger, is the sixth generation actor of China crosstalk, and studied under Zhang Shouchen.
Liu Baorui's crosstalk works draw lessons from and absorb the advantages of sister arts such as monologue, storytelling, film and drama, and boldly innovate and create, forming a unique artistic style with sound, capacity, emotion and spirit. He is especially good at stand-up crosstalk and is known as the "king of stand-up crosstalk".
2. Cunzhu Zhang
Cunzhu Zhang, crosstalk performer, famous stand-up crosstalk performer, master of ceremonies in Jinan, national first-class actor, deputy head of Jinan Quyi Troupe (retired), director of Jinan Quyi Association. Expert consultant of Qushan Art Network of Shandong Quyi Artists Association. China Four Gates embraced the adopted son of Jin Wensheng, a master of Quyi. Mr. Yuan Peilou, the master of cross talk. Now Jinan Chenguang Tea House, Furong Pavilion and Mingqu Pavilion are all performing. He made great contributions to the spread of cross talk.
3. Fang Qingping
Fang Qingping,1born in Beijing on August 5th, 970, is a cross talk and sketch actor in China. Founder of Beijing Qingmen Shanghai School.
1983, 13 years old, Fang Qingping began to learn cross talk, and then began to talk with Fu Qiang, but his career was not smooth. Since 2000, Fang Qingping has been behind the scenes, studying under the cross talk writer Lian Chunming, and co-writing New Night Tour, Sorry, Life is Beautiful, etc.
Extended data
There is no regulation on the length of stand-up crosstalk. Some people can talk for several days, some people can talk for twenty or thirty minutes or even three or five minutes, and many small paragraphs can be finished in half a day. So stand-up crosstalk is different from "big joke" and "small joke". A "big joke" is organized by many "small jokes", which is a bit like a chapter.
Many of the contents of this form are adapted from historical legends (especially in the Qing Dynasty), and some are adapted from long stories circulated by the people, such as Jiangnan Wei, Wu Sanhan's resistance to grain and Ma Shou. After the Republic of China, "big jokes" cooperated with various acrobatic performances, the pace of social life gradually accelerated, the number of people telling big jokes gradually decreased, and "small jokes" became increasingly active.
The expression of "Xiaoduanzi" is flexible and reflects life in time, so the selection of "Xiaoduanzi" is very extensive, such as bureaucratic politicians, customs, laws and regulations at that time, which have a direct impact on people's lives at that time. Unreasonable ones have realistic reflection and sharp irony.