Resume:

Fu Yao, whose name is Qinshan, was born in the middle of the river (now Yongji West, Shaanxi Province) and grew up in Qiantang (now Hangzhou, Zhejiang Province). Great-grandfathers Ben, Zu Xingzu, Father, Uncle Gong Xian and Brother Kui all painted in the Academy. Guangzong and Master Ning (1 190- 1224) are far from inheriting their family studies and have been waiting for a letter from the Academy.

Related comments:

Taking mountains and rivers from Li Tang, you can have new ideas, write neatly and vigorously, take Jiao Mo as a tree stone, and the branches and leaves are sandwiched with pens, full of twists and turns; All the stones are hard and angular, with ink axe and nail head and rat tail. There are not many places in the whole country, or small or steep peaks go straight up without seeing the top, or steep cliffs go straight down without seeing the feet, or the mountains are near the sky and the mountains are far and low, or they sit alone on the boat on the moon. Most of them are a "corner" and "half" scenery with unique composition, which is called "horse corner". Later generations think that this is a portrayal of local security in the Southern Song Dynasty. Most exhibition halls use boundary paintings to increase contrast, which is extremely clever. He is also good at painting water and figures, flowers and birds, and is magnificent. Later generations called him "Ma Xia" with Xia Gui, and "Four Masters of Southern Song Dynasty" with Li Tang, Liu Songnian and Xia Gui.

Representative works:

Trample on songs, water, and Deng Hua Shi Yan.