Kuang Wei, formerly known as Kuang Weiting. /Kloc-0 was born in jiaozhou city, Shandong Province in 1967./Kloc-0 was admitted to the Calligraphy Art Research Office of the Central Academy of Fine Arts in 1992. He studied under Wang Yong, Chen Ping, Tamia Liu and Liu Shaogang and held a calligraphy exhibition in Shandong Art Museum. His works were selected for the 5th China Young Calligraphers Calligraphy and Seal Cutting Exhibition. He is currently a doctor of the Central Academy of Fine Arts, a teacher of the Central Academy of Fine Arts, a member of the Youth Committee of China Calligraphers Association, a visiting professor of calligraphy at Shandong Art Institute and a consultant of Shandong Calligraphers Association. 1993 works were selected for the 5th China middle-aged calligrapher calligraphy and seal cutting exhibition; 1994 works selected for the 3rd Newcomer Exhibition; 1997 was selected for the 7th National Exhibition of Calligraphy and Seal Carving by Middle-aged Calligraphers and won the third prize; 1998 was invited by Weifang International Kite Festival in China to hold a personal calligraphy exhibition and publish it. In 2000, his works were selected into the winning works collection of China Zhongqing Exhibition. In 2004, Kuang Wei's Calligraphy Collection was published. In 2007, he participated in the international touring exhibition of China's top ten contemporary painters and calligraphers. In 2008 10, I participated in the "Hanyi Shen Fei-Invitational Exhibition of Ten Doctoral Paintings and Calligraphy". In July, 2009, an exhibition of Kuang Wei's calligraphy works was held in Laiwu, Shandong Province, and his personal works were published. In September 2009, Kuang Wei's Collection of Yan Fu's Personal Calligraphy was published in Beijing. 20 10 April, famous contemporary painters invited an exhibition to discuss converse calligraphy. He is a doctor of calligraphy in Chen Zhongkang Central Academy of Fine Arts and a professional calligrapher in China Academy of Fine Arts. It is hard to imagine how a traditional calligrapher can live independently in a strange "overseas". As a "returnee" who has lived in Australia for more than ten years, converse's experience has made me understand a lot. It stands to reason that going abroad in the prime of life is an era that is easily changed by world values, and the contemporary world cultural context abroad is very easy for people to give up their insistence on traditional culture. However, after years of elutriation, Converse has not developed in the direction we usually imagine, but has become more and more obsessed with the pure traditional calligraphy, and the overseas life situation is in sharp contrast with its inner traditional cultural aesthetic appeal. There are not a few calligraphers like Kuang Wei, and his experience is a case worth studying ... Dr. Zhou Xunjun, School of Humanities, Central Academy of Fine Arts: There is an obvious and almost casual fluency in Kuang Wei's works. Even though he deliberately changed his writing style in rhythm and space at some time, this sense of fluency was well preserved. This is one of the strongest impressions left by his works. In addition, there is an indifferent attitude towards writing. In most of Kuang Wei's works, we can't spy on a kind of research-oriented writing with poor history, but more of an indifferent attitude. This makes his writing slightly different from some people's writing in sense of history, which is manifested in the abandonment of some skills in form. Kuang Wei's works bring a simple elegance and simplicity ... Zheng Xuefeng, deputy director of the editorial department of China Painting and Calligraphy Magazine: What day is it today? What is ancient? I'm afraid the debate is so complicated that it's hard to draw a conclusion. But on the whole, the ancients were simple and gentle, and today they are vigorous. The ancients were righteous, but today people are still strange. The ancients paid attention to letting nature take its course, but today people pursue subjective initiative. Kuang Wei is an aristocratic scholar and an ancient scholar in today's book world. He studied in the Central Academy of Fine Arts in his early years, and he also had a "hero" complex. With the sudden emergence of calligraphy style, he went to Australia and meditated. He found himself, "feeling that today was right and yesterday was wrong" and began to express himself naturally. I don't know the early converse. He began to naturally express his prestige, peace, few words, calm demeanor, handsome and heavy, just like his book style. I can't imagine Kuang Wei's early calligraphy style, but I'm really glad for him. Now I can write myself easily from my inner desire, and I don't have to rack my brains for external factors such as form and paper color ... Wu Chuanhuai, a famous calligraphy theorist: converse's calligraphy has a different form from the times, a stubborn personality and a conscious choice. Control your talents and return to tradition. Under the seemingly ordinary appearance, there is deep strength hidden. This is my deep impression of Kuang Wei's calligraphy. I think this is also a wise and plain choice for converse in today's bustling book world. He chose a combination of styles, paying attention to every point and even breath, being close to tradition, constantly observing and immersing himself in tradition, and highlighting himself in calm tolerance. ...