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Top Ten Famous Dances of Shaanxi Opera
The ranking of the top ten masters of Shaanxi Opera is: Li Mei, Li Juan, Qi Aiyun, Dou,,, Li, Hui.

1, Li Mei

Li Mei is good at being a dutiful son, and can skillfully use skills such as Qin opera, eyebrow bowl and wrist, so she is called "three-door hug". Li Mei is also a national first-class actress in China. He was awarded the 13th Plum Blossom Award for Chinese Drama in Shaanxi, and served as the vice president of youth experiment in Shaanxi Academy of Shaanxi Opera. He has starred in Yang Qiniang, Ghost Hatred Murder, Idleness, West Lake Regret, Farewell Truth, Late Rose, Western Scenery, etc.

2. Li Juan

Li Juan 1980 was admitted to the Shaanxi Opera Research Institute, where he studied for eight years. Later 1987, he and the whole class set up the College Youth Experimental Troupe, where he worked as an actor. Li Juan's founders, Beijing Opera Blues and Zheng Dan, are also familiar with Shaanxi Opera, Hu Mei Opera and Wan Wan Qiang Opera, and have starred in dramas such as Stealing Grass, Yang Qiniang, Killing Sister-in-law, and The Butcher's Champion.

3. Qi Aiyun

Qi Aiyun, 1968, a native of Chang 'an District, Xi City, Shaanxi Province. 1980 was admitted to the performance class of Shaanxi Art School, where he studied the skills of Shaanxi Opera under the famous Shaanxi Opera performance artist Ma. 1987 graduated with excellent results and was assigned to Anwuyi Troupe, where he has been working ever since. He once starred in Zheng Yingjiao, the sword of Yin and Yang, played the Hall of God and swam across the West Lake.

4. Liu Ping

Liu Ping, male, 1967, from Longde County, Ningxia Hui Autonomous Region. She is a member of the Chinese Dramatists Association and the winner of the 19th Chinese Drama Plum Blossom Award. She is Xiao Dan, the heroine of Ningxia Yinchuan Qinqiang Opera Troupe in Guyuan. He has appeared in many films, such as "Playing God and Telling Temple" and "Chopping Qin Ying", and is a national first-class actor.

Cultural Features As a local culture, the most striking feature of Shaanxi Opera is that the so-called singing is based on Shaanxi Guanzhong dialect, and at the same time, it incorporates some poems and songs of China during the Han and Tang Dynasties. The combination of these linguistic features and musical features forms the unique vocal style of Shaanxi Opera, namely, high pitch, stiff pronunciation and firm timbre.

The language rhythm of Qin opera lyrics is also very rich. The structure of lyrics is eternal, and the sentences of lyrics are long or short according to the needs of expressing ideological content, but the sentence patterns can basically be summarized as cross sentences, seven sentences, five sentences and prose sentences. There are cross sentences and seven sentences commonly used, that is, the words in the whole drama are arranged neatly like a Kubinashi rhyme poem.

Shaanxi Opera is a kind of plate variation, that is, taking a tune as the keynote, a series of different plates are formed through the changes of beat, rhythm, melody and speed. The aria of Shaanxi Opera consists of "Lu Ban" and "Colorful Opera". There are six basic types of Luban, namely, 26 boards, flexible boards, arrow boards, 2 boards, ribbon boards and coiled boards.

Color cavity, commonly known as "two tones", has an octave pitch and is often used in places where characters are emotional and the plot is ups and downs. Shaanxi Opera is sung in falsetto, and the drawl must be attributed to the rhyme of "An", which makes a sentence sound full and hearty, which is also the difference between Shaanxi Opera and other local operas.