Current location - Education and Training Encyclopedia - Resume - Brief introduction and detailed information of the first kind of danger
Brief introduction and detailed information of the first kind of danger
The basic information "The First Danger" tells the story of how two ignorant students get out of control step by step. The three main characters in this film are all students. ? Two classmates love making explosives, so they met a girl who is also obsessed with explosives. Three people accidentally bombed the cinema and took away huge sums of money. However, this huge sum of money was paid by American arms dealers, so the three men embarked on the road of no return.

Basic information about the first kind of danger ◎ Chinese name: the first kind of danger

◎ English name: the first kind of dangerous encounter

◎ Issue date: 1980

◎ Director: Tsui Hark

◎ Screenwriter:

Situ Zhuohan Situ Juehan

Xu ke Xu ke

◎ actor:

Lo Lieh

Chenchi Lin

Paul Che

Albert Au

Tianshenglong

Ray Lui

◎ Region: Hong Kong

◎ The film is 95 minutes long.

The story tells that three young people got into trouble for driving without a license, so a girl who was witnessed as a treasure had to obey her instructions. They stumbled upon a huge sum of money, but didn't know that it was used by American veterans to buy arms, so they got involved in a dispute between right and wrong. Finally, three people died and one was crazy. ...

Behind-the-scenes tidbits This film is one of the representative works of Hong Kong's "New Wave" and also the masterpiece of genius Tsui Hark. However, because the film was too violent and gloomy, it was forced to be cut when it was released, and another completely different ending was filmed. What we can see now is the final version that has been trimmed and reshaped. Originally, there was a street explosion in the film, but it was changed to four people playing firecrackers, and the explosion scenes were all edited, which made Tsui Hark very angry and dissatisfied at that time. The film uses a lot of unedited techniques, and the lens is simple and close to the documentary. In this film, we can already see that Tsui Hark's films are consistent in bringing forth the old and bringing forth the new. The setting and grasping of characters and story lines can jump out of the general mode, while the portrayal of contemporary teenagers' psychology is incisive, although exaggerated, but it can give people a sense of shock. Tsui Hark's exposition of "the first danger" is as follows. According to the law promulgated by 1956, explosives belong to the first category of dangerous goods, and people carrying such goods will cause "the first category of danger" to society. The film also begins with three young people playing a prank and throwing bombs in public places. In the end, the tragedy snowballed to the point where they couldn't imagine, and even they themselves became rats in cages. Just being played and instigated, they have been unable to control the whereabouts and results of the incident. The film reveals a strong non-Marxist temperament, and the pessimism about society and humanity has reached an unmanageable addictive level. On behalf of the forces at all levels in Hong Kong, such as the police, foreigners and the people, manpower is not only unfriendly and inactive, but also pushes the incident to an irreversible tragedy, and at the same time forms a huge whirlpool, pulling everyone into an irreversible and dangerous situation. [The first kind of danger] can be called the darkest movie in Hong Kong, and it is the most sorrowful scream that Hong Kong can make as a colony.