There are 629 existing words, the largest number in the Song Dynasty. With a wide range of themes and diverse styles, generous and tragic patriotic words are its main theme. Among these words, there are Gu Beiting Pavilion in Huaigu Jingkou, Deng Jiankang Pavilion in Water, Fu Zhuang Ci by Chen Tongfu in Breaking the Array, and Jiangxi Zhukou Wall in Bodhisattva Man. The number of words about leisure life is the largest, and these words often show helplessness in leisure, and their spirit is still in line with their patriotic words. Such as (Qinyuanchun) "A new house with a lake will be built", (Water turns around) "Meng Ou" and many other words all contain this emotion. Some words describing rural life are fresh and simple, and the language is simple, such as (Qingpingle) village house, (Partridge Day) drama village house, (Xijiangyue) night trip on Huangsha Road, and (Huanxisha) Changshan Road, all of which are vivid rural customs paintings. There are also love stories in Xin Qiji's poems, such as "falling asleep on a spring night", which is touching. There are 133 poems written by Xin Qiji today, and the content and style are basically the same as his ci. There are 17 pieces of Xin Qiji's works today, most of which are applied words such as recitation and open letters, which can quite show Xin Qiji's ideas and strategies.
There are many versions of Xin Qiji's ci in Song Dynasty, mainly including four volumes and 12 volumes. Formerly known as Jia, the four-volume edition is divided into four episodes: A, B, C and D. The engraved edition of the Song Dynasty no longer exists, and there are two existing editions: The Shadow by Ji Google and The Hundred Poems by famous writers in Tang and Song Dynasties. Volume 12, whose real name is Jia Ji's short sentence, was not circulated in the Song Dynasty, but there are four printed editions that have been circulated so far. 1962, the Shanghai Editorial Institute of Zhonghua Book Company published Deng Guangming's Annotations on the Chronology of Jiaxuan Ci. 1975 school-based version of Jia Ji's Short Sentences published by Shanghai People's Publishing House.
During his tenure, Xin Qiji actively took measures to recruit refugees, train the army, reward farming, crack down on corruption, and attach importance to stability and people's livelihood. He persisted in resisting gold all his life. In the notes of Ten Comments on Meiqin and Nine Comments, the political and military situation at that time was analyzed in detail, which strongly refuted the fallacy of exaggerating the strength of nomadic people and advocating compromise and surrender. It is required to strengthen operational preparations and boost morale in order to restore the Central Plains. His anti-gold suggestion was not adopted and was hit by the peace faction. I have left my post for a long time and lived in Shangrao and Lead Mountain in Jiangxi.
I used it in my later years and soon died of illness. His ci tries to restore the patriotic enthusiasm of national reunification, pour out the grief and indignation of hard-to-pay ambition, and expose and criticize the humiliating surrender of the upper ruling group in the Southern Song Dynasty. There are also many works that praise the rivers and mountains of the motherland. The artistic style is diverse, mainly bold. Passionate, generous and tragic, vigorous brushwork, and Su Shi are also called "Su Xin". Xin Ci inherited Su Shi's bold and unconstrained ci style and the fighting tradition of patriotic poets in the early Southern Song Dynasty, further opened up the realm of Ci and expanded the theme of Ci, almost reaching the point of nothing. It also creatively synthesizes the advantages of poetry, prose, ci and fu, enriches the forms of expression of ci, and forms the unique style of symphonic ci. Words are bold and unconstrained, but eclectic, gloomy, bright, inspirational and charming. He is good at using concrete techniques and strange imagination to endow the mountains, water, wind, moon, grass and wood in nature with emotion and character, and place some hopes on them. He is also good at absorbing folk spoken language, especially at using allusions, using things and quoting poems and sentences of predecessors, and often makes a little transformation and creates new ideas. But some works are obscure and boring because of too many allusions and arguments. The summary of the catalogue of Sikuquanshu said: "His words are generous and arrogant, and he can stand out because of the sudden change of tone of the musicians." Wu's Lotus Poem says: Xin Jiaxuan's solo poems, regardless of ancient and modern times, show profound brushwork, such as Lun, Meng, Preface of Poetry, Zuo's Spring and Autumn Period, Southland, Li Sao, History Book, Han, Shi Shuo, Metaphysics, Li and Du Fu. "
Famous for breaking the array, Chen Tongfu gave Zhuang words to recall the past, Yong Yule, Jingkou, Gu Beiting, Shuilongyin, Deng Jiankang, Shangxin Pavilion and Bodhisattva Man, and wrote a wall in Jiangxi. However, some works also reveal negative emotions caused by unfulfilled ambitions. And "Jia He's Short Sentence". Modern people compiled Notes on Xin Jiaxuan's Poems.
Xin Qiji is "the pride of my life." Conceited by integrity, confident by achievement "(Preface to Fan Kai Jiaxuan). Like Lu You, he was a representative figure who insisted on resuming the Northern Expedition after crossing the south. He can also treat the Northern Expedition with people-oriented thought. He said: "Restoration is only for ancestors, for the country and for the people. This also shows that the Lord and the wise and brave people in the world are shared, regardless of my husband and my personal interests! " ("Nine Discussions") He can also put forward three principles of defending the enemy and saving the country from the perspective of a military strategist according to the actual situation of both sides: "One day, you should not rush, the second day should be judged first, and the third day can be defeated." ("Nine Discussions")
Although Xin Qiji did not leave a systematic and clear literary proposition, some of his literary tendencies can be seen from some words. He said, "There are thousands of hatreds today and in the past. Should we break up? Jiangtou is not a storm, and there is no place on earth where it is difficult to walk. " (Partridge Sky) shows that he not only attaches importance to the emotional function of literary works, but also emphasizes that literature should reflect meaningful social content. He also said: "Poetry is in a bleak business" ("Partridge Sky"), "Poetry has life, and Sun Moon has a new job." (Water turns around) shows that he advocates a serious writing attitude. He also said: "I am interested in beauty, but I have no intention of being smart." ("Linjiang Xian") shows that he especially respects the bold and unconstrained style. He also deeply admired Tao Yuanming's arrogance in silence. This aesthetic taste also directly influenced his ci style.