Liu Yong (17 19 ~ 1804) Liu Yong's Chinese name: Liu Yong's information.

Nicknames: Confucianism, Shi An

Word: Chongru

Nationality: Qing Dynasty

Ethnic group: Han nationality

Birthplace: Tugezhuang, Zhucheng (now Gaomi), Shandong Province

Date of birth: 17 19 (58th year of Kangxi)

Date of death: 1804 (9th year of Jiaqing)

Occupation: painter, official

Main achievements: editing Sikuquanshu, calligraphy art.

Representative Works: Shi 'an Poems

Literary and artistic works: Premier Liu

Liu Yong (17 19 ~ 1804), a great scholar of Liu Yong during the Qianlong period of Qing Dynasty, was named Shi 'an, as well as Qingyuan, Xiang Yan, Wu Dong, Mu An, Huaying, Taoist Ri Guanfeng and other famous painters and politicians in Qing Dynasty. Tugezhuang, Zhucheng (now Gaomi), Shandong Province, was born in Fengxian County, Xuzhou, Jiangsu Province. In the 16th year of Qianlong (175 1), he was the second Jinshi of Dimethyl and the son of Liu Tongxun. From an official to a cabinet college student, being an official is clean and honest, which has the style of his father. Liu Yong is a scholar in Qianlong for sixteen years. He worked as a minister in the official department, a college student in Tiren Pavilion, and a calligrapher, especially in small letters. Most calligraphy works handed down are running scripts. Jiaqing died in Beijing on December 25th. Shi Wenqing, aged 85.

Liu Yong is good at calligraphy and calligraphy, especially in small letters. His books are thick, magnificent and unique in style. He was a calligrapher of the Qing Dynasty, just like Yan Zhenqing and Su Shi. His calligraphy began in Zhao Mengfu in Yuan Dynasty, and he was unique in middle age. He took Wei and Jin as his teacher, and his brushwork was ancient and thick. He, Weng Fanggang and Prince Cheng are also called the four great calligraphers in Qing Dynasty.

When Liu Yong wrote Du Fu's poems, these books were very unique with water-red paper and golden flowers. The first poem, titled "Tie a Chicken", is about a servant who tied a chicken and sold it in the city, which aroused the poet's feelings for people, chickens and insects. The content is quite interesting. As for calligraphy, round and euphemistic fonts seem to be soft and boneless, but in fact, there is strength hidden under the rich appearance, which is quite introverted. The predecessors commented that Liu Yong's calligraphy is a needle hidden in a cotton bag, which should be what it means.

After the age of 70, he devoted himself to the inscription calligraphy of the Northern Dynasties. His calligraphy is full of ink and color, but the skeleton structure is very rigid, both rigid and flexible, and unique.