One sentence can understand a hundred meanings. A generation of "great poet" Liu Yuxi not only created tens of thousands of Tang poems, but also emerged a large number of famous poets because of the relatively prosperous poetry culture in the Tang Dynasty. Among the poets of the Tang Dynasty in Starlight Glimmer, besides the famous poet Fairy, Poet Saint, Shi Fo, Poet Magician and others, there is also a poet named Liu Yuxi. If you don't know much about Liu Yuxi's life story, I believe there are immortals when the mountain is not high. The water is not deep, and the dragon is the spirit. "These poems will definitely make everyone suddenly realize. This is the classic sentence written by Liu Yuxi at the beginning of the article "Humble Room Ming". Among many famous poets in the Tang Dynasty, Liu Yuxi's sense of existence is really not high. The reason for this phenomenon is not only related to Liu Yuxi's repeated political condemnation, but also his poetic style, which is absolutely different in the Tang Dynasty. Compared with other Tang poetry works in the same period, in Liu Yuxi's poetry works, we can deeply understand the original philosophical thought contained in it. Especially in his articles, the tendency of materialism is more distinct. This style of writing not only has nothing to do with unrestrained and free-spirited, but also has a strict difference with the pastoral style. Although Liu Yuxi was not the founder of ancient philosophy, he can tell you responsibly that Liu Yuxi was definitely the first person to write poems with philosophy and materialism in the Tang Dynasty. In order to prove his point of view, he argued with Liu Zongyuan and Han Yu. Three Essays on Heaven is a famous philosophical work of Liu Yuxi. In Tian Lun, he clearly pointed out that when "Ming" and "Ignorance" appear at the same time, people will not put everything into "destiny". This was not only unacceptable to people in the Tang Dynasty, where the feudal system ruled the country, but also attacked by the "Destiny Theory" group. Liu Yuxi, who believes in Taoism, advocates the poetic style of "telling everything in one word". Liu Yuxi was a great talent in Tang Dynasty, with excellent poetry and prose. His experience is actually very similar to that of many poets in the Tang Dynasty. To put it simply, he is famous for his poems, but he also fails in them. Liu Yuxi, who was in the prime of life in Zhenyuan for six years, began to study in Luoyang and Chang 'an, and gained a high reputation among scholars. 1. The poetic status of Liu Yuxi, a talented person in the Tang Dynasty, Zhenyuan became a scholar in nine years and officially entered the official system of the Tang Dynasty. In fact, another great poet, Liu Zongyuan, also joined Liu Yuxi's Jinshi ranks in this year. Because they lived in the same era and were both famous for their poems, they were called "Liu Liu" by the world. In fact, there were many famous great poets in Liu Yuxi's BOC period. This includes Bai Juyi and Wei Wuying. Therefore, the world is used to calling the trio "Three Masters". Liu Yuxi and Bai Juyi are also called "Bai Liu" because they have similarities in their poetic creation ideas and thoughts. According to this theory, Liu Yuxi should also be a famous poet in the middle Tang Dynasty. However, due to the great influence of his poetic style and philosophical thoughts on his poetic creation, Liu Yuxi's poetic works are relatively inferior to those of Liu Zongyuan, Wei and Bai Juyi in the same period. However, this does not affect Liu Yuxi's position in Tang poetry. Because Liu Yuxi is convinced of Taoism, it is easy for him to combine philosophical thoughts with Taoist thoughts when writing poems. He believes that when writing poetry, we must avoid tedious narration and unrealistic imagination. 2. The poetic style under the influence of Taoism. In his famous essay "The Collection of East History and Wuling", he wrote that "one word can understand everything, and the galloping of mounts can serve all kinds of scenery". When writing a poem, you must temper it repeatedly and refine the words. Try to express it with the least words, wider meanings and rich emotions. At the same time, even if you don't leave home, you can feel the "panorama" in poetry. His view of poetry creation was very advanced in the society of the Tang Dynasty at that time, which completely conformed to the laws of literary works. However, Liu Yuxi's views were not taken seriously, because the poet was deeply influenced by the magnificent poetic style of the Six Dynasties. In addition to advocating that poetry should be concise, Liu Yuxi also pays special attention to the adjustment of poetic language. Especially against the use of uncommon words in poetry. Liu Yuxi's views are recorded in Liu Binke Tales. "If you use uncommon words to write poetry, you must be useful ... If the younger generation wants to learn poetry, you must have evidence and cannot lead the way." Liu Yuxi believes that the integration of reality and meditation is actually the true face of poetry creation. "Send the poem back to the main temple of Hong Ju in Jiangling after autumn". Liu Yuxi's point of view was recorded: "If you can leave your desire, you will be empty, and if you are empty, you will enter the country." There must be a leak when entering, it is shaped by words. Because of the situation, it is clear; Words are chosen by wisdom, so the essence is beautiful. "In fact, in Liu Yuxi's thoughts at this time, a poetic creation style based on philosophical theory and materialism has been formed. However, his poetry writing style was not accepted by the Tang society at that time. According to the current words, it is not integrated into the mainstream society and mainstream ideas. But this does not mean that Liu Yuxi's poetry creation thought is fallacious. It has been recorded in Du Gongbu Caotang Poetry: "From Duke Liang of Qi to Liu Mengde and Wen Feiqing, it is often unreasonable to use beautiful flowers." In fact, this record is not only a criticism of Beautiful Scenery, but also an affirmation of Liu Yuxi's view of poetry creation. Despite repeated relegation, Liu Yuxi's poetic style remains unchanged. In his life record, there are both the origin of life experience with mixed praise and criticism, and the respect and loneliness behind his poems. As a minister, writer and philosopher in the Tang Dynasty, Liu Yuxi's identity is constantly changing, but his humanity, character and poetic style have never changed because of foreign things. Tang Shunzong and Li Yong ascended the throne in the first month of the 21st year of Zhenyuan, which is an eternal truth. Wang and Wang, who supported "innovation", entered the power center because of their trust. Because of his friendship with Wang, Liu Yuxi was trusted and began to participate in the national financial management. However, due to his straightforward personality, after Yongzhen's innovation failed, Liu Yuxi began his career of repeated relegation. If Liu Yuxi's relegation has much to do with the bad politics in the Tang Dynasty, it is better to say that he repeatedly attacked and criticized politics through his poems. 1. The poem "Yuanhe ten years, from Langzhou to Beijing, for a gentleman who looks at flowers" in the event of "Du Xuan looking at flowers" is Liu Yuxi's indignation at the current malpractices, his conservative attitude towards the ruling and opposition parties, his complacency towards the nouveau riche and his weakness towards the innovators. It is because of this poem that Liu Yuxi was demoted again. But this time, it was very different from the past, because it lasted for fourteen years. ""purple devoted to the world of mortals, no one can but look at the back of flowers. Thousands of peach blossoms in Du Xuan Guanli were planted after Liu Lang left. " This poem profoundly embodies Liu Yuxi's political thought. In the poem, the poet used "Du Xuan to see flowers" to give a profound hint to the new bureaucrats who were in power in the ruling and opposition parties at that time. It is because of this poem that Liu Yuxi was once again relegated, and since then, he has never recovered politically. "The world of mortals is coming", and the roads in the capital Chang 'an are full of traffic. The dust on the face can't help but make people feel a sense of escape. "Mozi" refers to Chang 'an Street. But in the poem, it is an allusion to the political road, that is, "not sharing the same sky, not sharing the same sky." No one can see flowers without saying goodbye. "People on the road say that they have just come back from Du Xuan Temple to enjoy flowers. There are thousands of peach trees in Xuanduguan, which were planted after Liu Lang went." It means that the poet planted thousands of peach trees in Xuanduguan after he relegated the capital. Although on the surface, this poem is not only easy to understand but also full of life. But the last sentence of the poem, "All the seeds were planted by Liu Lang later", really tells the main idea of the poem. "Liulang" is actually about Liu Yuxi, and there is a sad feeling that things are wrong and people are empty. 2. Life Feelings in Wuyi Lane Wuyi Lane is the representative work of Liu Yuxi's many poems. With the help of the central idea of the past and the present, the poet not only felt the prosperity and prosperity of Wuyi Lane in the past, but also wrote a sense of desolation after things have changed. ""rosefinch bridge weeds, May 1 lane sunset oblique. In the old society, Wang Xietang flew into the homes of ordinary people in front of Yan. "This description technique of chasing the past and thinking about the present not only reflects the desolation and prosperity of time like flowing water, but also regrets the helplessness of the vicissitudes of life in a changeable world. As Liu Yuxi's masterpiece, Wuyi Xiang is actually a true portrayal of the poet's own life situation. " Suzaku Bridge is overgrown with weeds, and the sunset at the entrance of Wuyi Lane is oblique. "The bustling and lively scene of the Suzaku Bridge on the Qinhuai River in the Eastern Jin Dynasty is gone forever. Instead, it is the loneliness and loneliness of weeds and wildflowers. Shengjing, Wuyi Lane on the south bank of Qinhuai River, has passed away, and only the sunset can shine into this once crowded lane. The desolation of the sunset, the great changes of the sea, and the bustling scenes will be abandoned with the passage of time. At this time, the poet couldn't help thinking of his personal situation. He once lived above the temple and "reformed bad politics". Now he is relegated to exile and will inevitably feel sad. " In the old society, Wang Xietang flew into the homes of ordinary people. "Swallows that used to nest in front of Wang Xietang can only fly into the homes of ordinary people. The last two poems of Wuyi Lane are the key words of the whole poem, which actually imply the poet's own situation. In the past, he was an official in the DPRK and could contribute to the country and the people, but now he has been relegated and can only go home to support the elderly. This song Wuyi Lane is one of the five topics of Jinling written by Liu Yuxi. Bai Juyi once commented, "Turn around and lament for a long time". As one of Liu Yuxi's most proud masterpieces of nostalgia for the past, Wu Yi Xiang not only embodies the style of Liu Yuxi's poetry creation, but also establishes the important position of his poetry in the Tang Dynasty. Conclusion Liu Yuxi's life completely conforms to the law of life development of poets in Tang Dynasty. Liu Yuxi, as a well-read and knowledgeable wit, wrote countless poems in his life. Although there are only over 700 poems left in the world, it is enough to show his important role in the cultural history of China. Liu Yuxi has been honest and upright all his life, and it is precisely because of this character that he has been repeatedly condemned. In fact, as one of the representatives of the "reformists" in the Tang Dynasty, Liu Yuxi's poems often contain political dissatisfaction and satire. Therefore, he was subjected to political oppression and blows again and again. But in the face of this endless blow, instead of knocking him down, it aroused his stronger sense of resistance. These behaviors and thoughts are reflected in his poems. As a poet, he has the temperament and character that a poet should have, but he lacks some flexible methods to be an official. Liu Yuxi once said: "I am from Shandong, and I have felt a lot in my life. "This is not only a summary of his life experience, but also a resentment against people who have been relegated and hit repeatedly. As a Shandong native, his character is not only rough and heroic, but also has an indomitable and tough style. In 842 AD, Liu Yuxi, a generation of "poets" who were truly talented and learned and full of ambition to serve the country, died of illness and was buried in Xingyang, Henan. Reference 1. Hu Axiang's Poems with Names and Explaining Names through Poems —— From Liu Yuxi's Wuyi Xiang to Liu Fu's Wuyi Zhuan. 2. Chen Zhiming's evaluation of Liu Yuxi's Wuyi Xiang after Yan Yan's return. 3. Sun Xiaoming's Elegy in the Sunset-Reading Liu Yuxi's Seven Wonders.