Distinguished painter of Shanghai Painting and Calligraphy Institute, distinguished painter of Shanghai Painting and Calligraphy Institute, visiting professor of Shanghai Oriental Arts and Crafts Institute. 1961Born in Shanghai on August 20th. My ancestral home is Ningbo, Zhejiang.
At the age of seven, he grabbed a pen and concentrated on the pool carried by famous Shanghai artists, and his skill grew. 1979 was admitted to Nantong medical college, 1980 began to worship Mr. You, a master of ink painting.
At the age of 30, I went to Africa for four years. My heart was wide and my painting was very advanced. Since returning to China, he has lived at sea for more than 25 years and is addicted to painting, calligraphy, poetry and seal cutting.
He studied under Mr. You, a famous ink master who was called the last guardian of Nanzong landscape by Mr. Wang. Mr. You Wuqu once said in the article "My Art View": "Pen and ink is the foundation of Chinese painting, and humanistic spirit is the soul of Chinese painting, so paying attention to pen and ink and humanistic spirit is the eternal theme of Chinese painting. I paint landscapes. I think landscape painting is an artistic practice to grasp the natural spirituality through the artist's spirit. If a painter wants to reach a considerable level in art, he must first shape his own spirit. That is to say, a painter in China must first be a knowledgeable person, while a traditional high-level painter in China should have secluded feelings, indifferent connotations ... and make nature and mind blend naturally, so as to achieve the so-called realm of harmony between man and nature. "
When I was a teenager, Mei Gong won at sea:
Second Prize of Shanghai Youth Calligraphy Competition (1975)
The first prize of Shanghai Yangpu District Youth Painting and Calligraphy Competition (1976)
First Prize of the First Calligraphy Competition for College Students in Jiangsu Province (1982)
Second prize of the first national college students' calligraphy competition (1982)
First Prize of Nantong Calligraphy Competition in Jiangsu Province (1983)
First Prize of Jiangsu Youth Seal Carving Competition
Excellent Award of Jiangsu Youth Art Exhibition (1983)
First Prize of Nantong Youth Art Exhibition in Jiangsu Province (1983)
1984 was rated as six paragraphs (up to eight paragraphs) of national calligraphy.
... and held various positions in the American Book Association. Mr. You, the tutor of Haimei Palace, is from Nantong, and his teacher is like the sea. His first exhibition was held in Guanglang Hall of Tutor Art Museum on the third floor of Du Ming Square, South Street, Nantong. Mei Gong is willing to dedicate this exhibition as a sacrifice to Mr. Yu.
Ink painting is a kind of Chinese painting. Refers to a painting made of pure ink and wash. It is generally believed that it began in the Tang Dynasty, became in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and modern times. Give full play to the function of ink painting with brushwork as the leading factor. Advocate "ink is color" and "ink is color". People in the Tang and Song Dynasties painted landscapes with wet strokes, which had the effect of "water fainting ink printing". People in the Yuan Dynasty began to use dry pen, and the ink color changed a lot, which had the artistic effect of "giving color at the same time". In the Tang Dynasty, Wang Wei put forward that "ink painting is the best", and later generations followed suit. For a long time, ink painting has played an important role in the history of China painting. Since the Tang Dynasty, ink painting has gone through more than 1000 years from birth to continuous development and perfection, especially the formation and prosperity of literati painting, which makes China ink painting highly respected by the times and become the standard to measure the artistic level of oriental painting. All this is enough to show the position of ink painting in the history of China painting, which is the unique basic feature of ink painting ... monochrome painting. It is also the soul of China's painting art. ......
This is an ink landscape painting by Mei Gong on the sea. The inscription is: "On October 16th, Wu Zixu, I look forward to my teacher Guanglang Hall, thanking my teacher for the spirit of ink painting, and returning it to my teacher's painting" Someone in Bai Yunsheng ".Write down how to look at it."
Pale crimson landscape is one of China's landscape paintings. On the basis of ink painting, a light-colored landscape painting with ochre as the main tone was laid. It began in the Eastern Yuan Dynasty in the Five Dynasties and flourished in the Yellow Dynasty in the Yuan Dynasty. It is also called "Wuzhuang" landscape. Pale crimson landscape painting is characterized by elegance, lightness, lightness and clarity. Pen and ink are still the basis of screen configuration. When the ink color is sufficient, the color of the picture is simple and unified, reducing the change of shade and light, and its color is mostly used in rocks.
This is a shallow landscape work by Mei Hong at sea.
Green landscape is a kind of China landscape painting. Landscape painting with mineral azurite and stone green as the main colors. There are big turquoise and small turquoise. The former has more hooks, fewer strokes, strong coloring and strong decoration; The latter is dominated by the light color of ink and wash. Big green mountains and rivers are longer than bright ones, while small green mountains and rivers are beautiful. The latter appeared in the late Ming Dynasty, represented by Lan Ying's boneless colorful landscapes. Later, on this basis, it developed into a colorful landscape founded by Zhang Daqian and Liu Haisu in modern times. Boneless heavy color is better than gorgeous color, and green splash color is better than warm and hearty.
This is a green landscape made by Mei Gong in various ways at sea.
In his early years, Mr. You was personally taught by Master Huang, and he admired Master Huang very much. There is often a saying: If you read master Hong Bin's paintings carefully, you will realize that there is something empty and solid in his paintings ... It is not easy to render the essence of the paintings, and you must have shades and levels, and you must also be able to read the pen ... Master Hong Bin is best at this method ... You should use the pen well in painting, not rashly. ... Master Huang has been imitated countless times. This is a spoof of Master Huang by 1983. "Poetry Pool" has an inscription by his teacher, Mr. You: "Master Hong Bin's paintings are not easy to imitate, and its leisurely and lush place is almost impossible to write. Mei Gong painted this picture frame in ink, which is quite attractive. "