The historical development of Buddhist art stems from the originality of India. From primitive Buddhism to ministerial Buddhism, due to the explicit stipulation of "stay away from listening to songs and dances" in the precepts (Misha Ten Commandments), the foundation of artistic development has not been established, and it is only limited to sculptures and paintings such as Buddha's feet, King Kong throne and bodhi tree as symbols of the Buddha. Around the time of the rise of Mahayana Buddhism, with the innovative spirit of Indian urban industry and commerce and some progressive monks, artistic activities such as sculpture, architecture, painting and crafts began to rise, breaking the previous concept of not imitating Buddha statues in the Hinayana era and generally shaping Buddha statues for worship. Buddhist art flourished through statues. Indian Buddhist art can be divided into two kinds, namely, Guitto Luo art and Indian Buddhist art, which have the artistic characteristics of Greek, Indian, summer and rest.

In Gupta Dynasty (302), India was unified with Mojeto as the center, and the art of India and Gandhara were attached to Buddhism and spread to China. In the Sui and Tang Dynasties, the principles and art of Buddhism were combined with the temperament and spirit of China people, and China's unique sentiment and tolerance were integrated, which made the Buddhist art develop into a pure China style.

Artistic Works The religious artistic works left over from ancient China are mainly Buddhist art, which contains rich contents, such as pagodas, grottoes, Buddhist paintings, Tibetan scriptures, prints, epigraphy, Buddhist literature (Bianwen, Baojuan, etc. ), etc. As far as Buddhist statues are concerned, the categories of Buddha statues include Kingdee, Statue, Statue, Statue, Porcelain Statue, Xiu Xiang and Clay Sculpture. The aesthetic value and historical function of Buddhist art in China are being appreciated and understood by modern people. Buddhist art, an exotic product, has been integrated into the organic part of China's artistic heritage. It is in this historical background that the "one book" of contemporary Buddhist art came into being. As the first brand supplier of contemporary Buddhist art, "Yishupin" is committed to inheriting the classic Buddhist culture of the East. Through the continuous excavation and innovation of traditional crafts, it strives to reinterpret the Zen culture of the East with modern aesthetic concepts and create a new contemporary Buddhist art that not only embodies the oriental temperament and connotation, but also is beautiful. Let "Yi Shu Pin" be full of the Millennium heritage, momentum, charm and charm of oriental civilization, expound the brand-new attitude of cultural development, glow with fashion brilliance, and light up the spiritual and artistic living space of the vast number of Buddhist believers in the new era.