According to the statistics of Shandong Literature Bibliography edited by Professor Wang Shaozeng of Shandong University and Supplement to Shandong Literature Bibliography edited by Mr. Sha, there are more than 10,000 kinds of works in Shandong history from pre-Qin to modern times, with a huge number. On this basis, it is superior to compile a Shandong local literature series that surpasses other provinces. As the first institution of higher learning in Shandong Province, Shandong University, which is famous for its research on literature and history, should undertake this important task. In 2005, Professor Wang Xuedian and Professor Du Zexun, Dean of the Institute of Literature, History and Philosophy of Shandong University, put forward the plan of compiling Shandong Literature Integration, which was reported by the leaders of Shandong University to the Shandong Provincial People's Government and approved by Governor Han Yuqun, and became a major cultural project of the Shandong Provincial Government. Preparations began at the end of 2005 and officially started in early 2006. Shandong Literature Integration is edited by Governor Han Yuqun, and the deputy editors are Zhu Zhengchang, Party Secretary of Shandong University, and Zhan Tao, President of Shandong University. The compilation department is located in the Institute of Literature, History and Philosophy of Shandong University, and is responsible for the specific implementation of the project. Wang Xuedian is the director of the compilation department, and Du Zexun is the deputy director. The book initially plans to collect 1000 kinds of writings of Shandong sages, including manuscripts, notes, engravings, etc., which are not widely circulated and of high value, and make photocopies for publication. Important books written by mainlanders about Shandong are also given income as appropriate. It is divided into four volumes, 16 hardcover formats and 200 volumes.
The first series of 50 volumes is now published, with a collection of 179 kinds, mainly unpublished manuscripts and notes by famous writers. Among them, Confucian classics include Reading Yi Shi Wen by Lu Jianzeng in Qing Dynasty (clear banknote version), Zhouyi Zhu by Mou Ding in Qing Dynasty (clear banknote version), Shu Jing Zhi Shi by Zhang Erqi in Qing Dynasty (clear banknote version), Shang Shu Zhu by Niu Yunzhen in Qing Dynasty (clear banknote version), Shang Shu Kao by Shu Sheng in Qing Dynasty (draft version) and Wang Shouxun in Qing Dynasty. In Qing Dynasty, Wang's Dialect Exegesis and Yong Yi's Shidan County Phonological Legacy have 38 kinds and 62 volumes (manuscripts). There are 100 volumes of Gu Quan Gardens written by Liu Xihai in Qing Dynasty (draft version), Gu Quan Examination written by Weng Shupei in Qing Dynasty (draft version), textual research and interpretation of Jin Ji written by Mr. Xu in Qing Dynasty supplemented by Liu Xihai (draft version), inscriptions on ancient Pangu artifacts (draft version), Pangu Zhuwa characters and so on. Li Wenzao's Enping Ji Cheng (manuscript), Long-distance Memo (manuscript) and Yang Yizeng and Yang Shaohe's Yang Duanqin Gong Shu (manuscript) in the Qing Dynasty are the works of the Department of History. The collection includes Nanfushan People's Poems, Liu Xihai's Wencun Draft, Kong Guang's Thirty-three Kinds of Haidai Humanities, and Pu Songling's Collected Works of Liaozhai in the Qing Dynasty (12 draft). A dazzling array of beautiful things. Most of these precious manuscripts and banknotes have never been printed, which is rare in academic circles.
Zhang Erqi, a native of Jiyang, was a famous Confucian scholar in the early Qing Dynasty. Gu once said: "I am not as good as Zhang Jiruo, because I am a teacher of three rites and an outstanding teacher." (Selected Works of Lin Ting? Shi Guang spoke highly of Zhang Erqi. However, in Professor Zhang's hometown, most of his works were not published before his death. Today, he photocopied his own version of Classic, and his interpretation of Classic was simple and meticulous, showing Zhang's profound skill in Confucian classics. Liu Zhucheng Xihai is a master of epigraphy and enjoys a long-standing reputation. His 100 volume Gu Quan Garden is a clear manuscript. Weng Shupei's "Gu Quan Examination" has never been published, and Liu Xihai made a detailed annotation in the book "Eyebrow". That is a manuscript that was planned to be published but not finished. The book also preserves the handwritten notes of famous epigraphists Li Zuoxian and Fukuyama Wang, which are even more precious. Mr. Wang once said: "Daxing Weng's Examination, Liu's Garden and Li's Meeting are all masterpieces of spring studies. Those who have not published them are very sorry." (Postscript series of two lines of refined house books? Postscript of Hui Kao) Liu's Garden in Shandong Provincial Museum, and the manuscript of Hui Kao approved by Weng in Shandong Provincial Library. Photocopying these two books together now is a great event in the history of ancient Chinese coins. As for the unknown master of phonology, Shi Yongshao, born from Tongzhi to the early years of Guangxu, was a proté gé of Wu Shifen, a famous stele engraver. He wrote 38 phonological monographs in his life, systematically summarized the achievements of phonologists Gu, Jiang Yong, Dai Zhen, Duan Yucai, Wang Niansun and Kong Guangsen in Qing Dynasty, and put forward a unique system of ancient phonology. In this paper, the attribution of various characters is discussed in detail, involving ancient philology, exegetics and other fields, and many achievements have been made. Mr. Wang believes: "His skills and novel ideas are representative in Shandong and even the whole country in the 260-year Qing Dynasty." However, the phonological remains of the stone have been buried for more than a hundred years, and almost no one knows it. The publication of all the photocopies will provide a large number of brand-new documents for the study of phonology in China, and also provide a broader and more reliable basis for us to fully understand the achievements of phonology in Qing Dynasty. Rizhao Han Xu was a famous epigraphist, philologist and collator in the middle of Qing Dynasty. Gong Zizhen's Miscellaneous History of Jihai praised him as "the first scholar in North China" and had the reputation of "a thousand miles in the North". But he was down and out all his life, and most of his works were unpublished. As a student studying in Japan in Rizhao, Mr. Wang tried to find borrowed money, which was collected as a suicide note around Xu 193 1 year, including 2 1 year and a big letter. After more than 70 years, we photocopied it and realized the long-cherished wish of the older generation of philologists.
Ma Guohan in Licheng has been engaged in compiling lost books all his life, and he has written 603 kinds of 729 volumes of Han Yu Shan Fang Compilation Lost Books. Mr. Wang Zhongmin, a famous philologist, said: "I recommend Mr. Wang as the first person to compile in Qing Dynasty." (Biography of Two Tibetan Families in Qing Dynasty) is by no means a compliment. This magnum opus was published by Ma Guohan during the Daoguang period, and it was not finalized until Xianfeng died in seven years. During the ten years of Tongzhi, when Ding Baozhen was the governor of Shandong, he borrowed a book from Zhang Qiu Li, the son-in-law of Ma Guohan, and it was restored and printed by the head of Luoyuan Academy, which was printed by Jinan Huanghuaguan Bookstore. Only then did the book spread widely. In recent years, a publishing house has photocopied the Book of Han Yushan's Residence, which is based on the southern reprint, but the effect is not good and there are often confusions. This reprint has three advantages: first, it adopts the first edition of Ma Guohan, which is of course superior to the southern reprint. Second, the printed version is clear. We re-scanned the white printed matter of Jinan Huanghua Museum in Shandong Library, reduced it to sixteen formats, and divided it up and down, which was much clearer than the previous photocopies. Thirdly, there are eleven kinds of fourteen volumes of Supplement to Han Yushan's House, two volumes of Mu Geng Tie Bu and three volumes of Supplement to Han Yushan's House, which were compiled by Jiang Shizhen during Guangxu period. These are not available in the South Reprint, but they are an indispensable part. Therefore, this photocopy can be said to be the most complete one so far in the first collection of lost books in the Qing Dynasty.
Shandong Tongzhi, with a total volume of 2 1 1, was created in the 16th year of Guangxu. It was painstakingly managed by Shandong governors Zhang Yao and Yang Shiyi. Sun Baotian, a famous scholar, spent most of his life collecting the wisdom of dozens of scholars in the late Qing Dynasty. It took 20 years to complete, just three years after Xuan Tong. In the local chronicles of various provinces, it is really rare to record the geography and history of a province from ancient times to the late Qing Dynasty in such a complete and systematic way. Jiangsu and Zhejiang are both big cultural provinces, but they failed to compile their own general records in the late Qing Dynasty and the early Republic of China, so the Xuan Tong Shandong General Records is precious. The Commercial Press of the Republic of China reduced the imposition and photocopied it into 32 pages. In recent years, Shanghai reprinted the commercial edition. The fine print is so dense that the small note is almost illegible. In view of the great academic value of this book, we scanned and photocopied it with the first edition of Shandong Tongzhi Publishing Bureau, which completely solved the problem of clarity and provided readers with a better reader.
The predecessors have begun to systematically collect and sort out Shandong literature. As far as poetry is concerned, during the Qianlong period, Lu Jian edited and engraved 60 volumes of Zuo Chao Shan Chao, which was collected by more than 620 Shandong poets in the early Qing Dynasty. At the same time, Song Bi sorted out 35 volumes of Zuomingshan Banknotes carved by Li Wenzao in the thirty-sixth year of Qianlong, and collected 43 1 poems by Shandong poets in the Ming Dynasty. During the Jiaqing period, after Zhang Jilu, 32 volumes of Continued Notes on Guo Chaoshan's Poems and 4 volumes of Supplementary Notes were compiled, and the poems of 747 Shandong poets were collected. From Daoguang to Daoguang Light-year, he compiled and engraved 39 volumes of Poems of Zuoshan after Remitting Money, and received 389 Shandong poets. There are 2 187 Shandong poets in all. In the past 500 years, everyone has a biography. Most of these characters have not been passed down from generation to generation, and their names are unknown. Therefore, these four local poetry collections are extremely precious documents, which can be regarded as the source of materials for studying the history of Shandong ancient literature, ancient history, even the whole history of Chinese ancient literature and ancient history of China. Photocopying these four books is of extraordinary academic significance.
In the process of investigation and collection, we found that some works with important literature value, although published, are still very rare. For example, Jiang Cai and Jiang Gai brothers in Laiyang had an important influence in the late Ming and early Qing dynasties. Jiang Cai's Jingting Collection has been printed by Shandong Official Bookstore in the 15th year of Guangxu, which is not uncommon. During the Chongzhen period, his younger brother Jiang Gai suggested removing the traitor Ruan Dacheng's name from the tablet. Ruan Dacheng gained power in Hong Guang in the Southern Ming Dynasty and tried to kill Jiang Gai, but Jiang Gai changed his name and surname and fled to Ningbo. He lived in seclusion in Suzhou after his death. Jiang Yan's anthology "Liu Lan Tang Incomplete Draft" consists of six volumes, which were collected by later generations and carved by Laiyang Tongxing Lithography Museum in the second year of Xuantong. This kind of ordinary Shi Yinben is very rare. This book is not recorded in xie guozhen's Textual Research on the History of Late Ming Dynasty, Ke Yuchun's General Catalogue of Poetry and Prose in Qing Dynasty, Unified Catalogue of Thread-bound Books of Ancient Books in Northeast China and Shandong Bibliography, which is the most comprehensive collection of late Ming literature. Although the book is recorded in the Catalogue of Collected Works of Qing Dynasty, the only collector is Shandong Provincial Library. This time, we used the Laiyang Shiyin Book collected by Xuantong in Shandong Library for two years, which is not only beneficial to the utilization of the collection, but also beneficial to its preservation. It is worth pointing out that the book has a preface made by Wang Yu Guangxu in April 26. Three months later, when Eight-Nation Alliance entered Beijing, Wang died. This preface to Wang Ji is not included, and his son Wang Chonghuan's Chronicle of the King is not mentioned at all. This preface is obviously of great value to the study of Wang.
Our compilation work includes investigation and collection, edition identification and selection, verification of the number of titles, confirmation of authors and their native places, and so on. We corrected the mistakes of our predecessors as much as possible. For example, the manuscript of "Haidai Humanities" collected by Shandong Provincial Museum has included 33 kinds of Yan's poems in Qufu, most of which have been handed down rarely. The book's editor, Bibliography of Rare Chinese Ancient Books, was named Wang in Qing Dynasty. But we didn't find any trace of Wang from this book, and there was no preface, postscript, proofreading and seal. At the same time, we found that most of them have a detailed catalogue written by the owner of the microwave museum and left an inscription. For example, the poem "Shuiminglou" complements "Ganlong Maoyi (sixty years) on the 24th of the first month, cloudy and windy." Under "Jianggan Youth Guest Poetry": "Qianlong and Guichou (fifty-eight years) winter October 14, Jiabai regulations, quick record." With the above supplement: "record of microwave pavilion at noon on December 24, Jiaqing three years." Gao's "Microwave Pavilion" is the Tang name of Kong in Qufu, but Kong died in 49 years of Qianlong. These inscriptions were obviously written by his son. It is also verified that "Zhai Yi" is the name of Kong Guangbi, the eldest son of Kong. The latest inscription is December 24, Jiaqing three years, and Kong Guangbi died in Jiaqing four years. According to the inscription in "A Supplement to Xiangyuan Poetry", Kong Guangyi fell ill in the winter of Jiaqing three years. The inscription says, "Record 19 1 1 year, the 22nd day of the twelfth lunar month in the third year of Jiaqing. It was the day when I invited my brothers and Yan Sicheng to drink. They were not sick. " Before his death, Kong Guangyi supplemented the catalogue of these documents and made necessary compilation work. His spirit also has a great influence on us. Following this train of thought, we consulted Mr. Wang's inscription and postscript, and found two related records: First, the existing "Collection of Books and Postscripts compiled by Double-track Jingshe"? Postscript of ten poems: "One of the ten poems, Hu Ye's ten-point ranking, Yuefu collection and concentrated criticism were all written by Mr. Kong Bocheng Guangwa in Qufu. ..... ten years ago, most of them were bought by Han Wenzhai in Beiping. I have seen more than 40 kinds of manuscripts, such as Notes of Microwave Pavilion, Notes of Tongde and Confucius Classics, which I imported, still belong to the public, and the rest are mostly purchased by Shandong Library. Many of Qufu Konghe's poems have been catalogued by Mr. Bocheng, but they are terrible, like they had to be compiled at that time and paid for. "The second is" two lines of refined house book postscript set "? Wu Teng Pavilion Inscription Poetry Collection: "The right book is the collection of Mr. Kong Bocheng in Qufu. ..... Muto Pavilion is Mr. Wu's study, and all his poems and essays are written in its name. I saw Mr. Haishu Wenren collect all kinds of books before, and there are many words of Wu Teng Pavilion on the board. " From these two afterwords, it can be further confirmed that this "Haidai Humanities" was compiled by Kong Guangyi. In the past, it was wrong to make it a series of kings. So, why did this mistake occur? In the seventeenth year of Guangxu, there was a saying: "Gong collected Haidai's humanities from this year and wrote a preface to Haidai's humanities in September." Tianjin Library has two manuscripts of Wang's "Haidai Humanities Catalogue", which is a catalogue of Shandong people's books, poems, essays and other documents collected by Wang after consulting experts in the library. Wang bound his collection of Shandong people's letters and other documents into a book, named "Haidai Humanities Catalogue", so he named these two catalogues "Haidai Humanities Catalogue". There is Wang's preface in front of the catalogue, and there is no mention of Kong Guangzi's "Haidai Humanities". It can be seen that the History of Haidai Literature edited by Wang and the History of Haidai Literature edited by Kong Guangyi are two works with different contents but the same title. The predecessors mistakenly identified Kong Guangyi's Selected Works of Haidai as Wang's Selected Works of Haidai, which was caused by the inaccurate name. Regarding the relationship between Confucius and Wang, it remains to be further discussed whether the content of Kong Guangyi's series "Haidai Humanities" ends here.
In the process of compiling Shandong Literature Integration, we always feel the painstaking efforts and outstanding contributions of our predecessors in collecting and protecting rural literature. Song Bi, a Texas scholar during the Qianlong-Qianlong period, once added Zuo Mingshan's Poems and Banknotes with Lu Jian, and later compiled Zuo Mingshan's Poems and Banknotes. At that time, Yidu scholar Li Wenzao also participated in the collection. Song Bi presented the manuscript of Shan Zuoming's Poems and Banknotes to Lu Jianzeng, hoping that it would be engraved in the world. In the autumn of the thirty-third year of Qianlong, Lu Jian was convicted and confiscated, and hundreds of thousands of books were piled up in Dezhou yamen. At that time, the governor of the Song Dynasty and the provincial judge of Gansu Province died in Luoyang on the way to pilgrimage. Fearing that the book would be lost, Li Wenzao arrived in Texas in the first month of the following year. It took him three days to clean up 35 manuscripts from the pile of books. But I didn't find a biography of the poet. A few days later, Song Bi's coffin arrived in Dezhou from Luoyang. After Li Wenzao's condolences, he opened Song Bi's suitcase and found a biography in it. Yan Jinjian accepted, covering the fate. This autumn, Li Wenzao arrived in Enping, Guangdong as the county magistrate, and went south to Guangdong with this manuscript. The following summer arrived, and proofreading and engraving began in winter, so this Shandong document containing 43 1 poem came out.
Mr. Wang has been collecting, protecting and studying Shandong literature almost all his life. He has made great achievements in ancient history, inscriptions and edition catalogue, and is worthy of being a master. When War of Resistance against Japanese Aggression broke out, Wang, Qu Wanli and Li Yigui took the rare books and cultural relics of Shandong Library and went through hardships to migrate to the rear. Because of lack of funds, they even begged for food, but all the books and cultural relics were intact. It took more than ten years to cross Wan Li. /kloc-in the winter of 0/950, these precious documents were finally shipped back to Shandong from Sichuan and then entered the Shandong Provincial Museum. Among them, the manuscripts and banknotes left by Shandong sages have not been published, and the number is considerable. Many of the documents we copied this time were taken to Sichuan by Mr. Wang and then shipped back to Shandong. Many books have left Mr. Tang Xian's inscription and postscript, which is an important guide for us to know and study Shandong literature. In the era of national destruction and war, Mr. Wang's plan to print Mt. Shengren Scenic Resort's three suicide notes is difficult to realize. Today, social stability, economic development and culture are highly valued, and we have the conditions to photocopy and publish these precious documents. However, without the help of predecessors, we could not have created these documents today anyway. The predecessors did this to us, and we should do the same to future generations. Protecting and inheriting documents is essentially protecting and inheriting China's ancient civilization, which is the original intention of compiling and publishing Shandong Literature Integration.
The compilation and publication of "Shandong Literature Integration" has been concerned and supported by the Shandong provincial government, and has also received strong support from Shandong University, Shandong Provincial Department of Finance, Shandong Provincial Department of Culture, Shandong Provincial Library, Shandong Provincial Museum, Shandong Normal University, Jinan Library and other units. Shandong University Institute of Literature, History and Philosophy is responsible for compiling, Shandong University Press is responsible for publishing, and Jiangsu Jintan Ancient Books Printing Factory is responsible for printing. Relevant personnel have made great efforts and made great contributions. I would like to express my heartfelt thanks here.
Shandong Literature Integration Compilation Committee
December 10th, 2006