Jie Jiang (date of birth and death unknown) was born in Zhushan (now Yixing, Jiangsu) at the end of the Southern Song Dynasty. His predecessor was Yixing Giants, and he was a scholar in the tenth year of Xianchun (1274). When he died in the Southern Song Dynasty, he deeply felt the pain of national subjugation and lived in seclusion. He was called "Mr. Zhushan" and "Cherry Jinshi", and his integrity was valued by people at that time. He is good at ci, and he is also known as "the four masters in the late Song Dynasty" with Wang, Zhang Yan. His poems mostly express the thoughts of the old country, the sadness of mountains and rivers, and have various styles, but they are mainly sad and handsome, and Xiao Liao is relaxed. In particular, his clever diction is unique in the Song Dynasty, among which Zhushan Ci (1) is included in Jin Mao's Sixty Famous Song Ci Writers and Jiangcun Series. There are also two volumes of Zhushan Ci, which are included in the part involving mountains and rivers in Song, Yuan and Ming Ci. Jie Jiang's Poetic Style Among the poets in the late Song Dynasty, Jie Jiang's ci is unique, with the most characteristics and individuality. In society, he has no contact with Zhou, Wang, Zhang and other homophones, and his ci style is also a different way. It is not a monopoly, but a combination of the novelty and smoothness of bold words and the implicit implication of graceful words, which has neither the extensive stamina of the new school nor the subtle loss of the last stream of the Jiang school. He dared to directly show the unyielding national integrity and dissatisfaction with foreign rule of his country's adherents. The words "Qinyuanchun, writing a book for the old, south hall wall" and "He Xinlang folks gave this farewell dinner with crazy attack" are full of unyielding strangeness. Jie Jiang's ci also shows the bleak feelings of wandering after the national subjugation and the survival dilemma of hunger and cold.

The preface of Zhushan Ci written by members of the Jinmao family in Chicken Bone Pavilion includes Zhushan Ci written by Yuan Hubin and Zheng Sixian (2385). It is said that Mr. Zhushan gave birth to a large family. After the Southern Song Dynasty, the famous "can" should be "can". He was good at book collectors, and his descendants were handsome and beautiful. He lived in Xishan. So Mr. ugly, longer than Yuefu. This manuscript was obtained from the library of Jenny Tang's family. Although there is no explanation, it is almost clear. According to this, it can be known that it is the "Yixing Giants" Jiang Jia, a descendant of Jiang Can, a famous calligrapher who was then an assistant minister of the Ministry of Finance in Shaoxing in the Southern Song Dynasty and applied for a cabinet envoy to know Yangzhou and Lin 'an Prefecture.

The following is another version:

Jie Jiang was a famous poet in Yixing in the late Southern Song Dynasty. His personality and ci have a great influence on the later ci circles, especially in Qing dynasty, but his life experience is not known in detail by the later ci circles and song ci lovers.

Since the reform and opening up, local chronicles and genealogies that have been shelved have been put on the shelves one after another, and we have the opportunity to read the materials involved in the past. Jiang's family tree detailed in this paper is one of the few existing Jiang's family trees in the world. Jie Jiang's life story in this spectrum is far richer than that in local chronicles. Based on this genealogy, referring to other local chronicles and modern works, this paper tries to describe Jie Jiang's life track. The suspense left by Jie Jiang to future generations lists his humble opinions in order to teach a generous family.

The ancestors of Yixing Jiang were He Jiangcheng in the early Eastern Han Dynasty. According to the genealogy of Jiang, Ji Ming Ling Bo, the third son of Zhou Gongdan, was sealed in Jiang (now Yin Shi County, Henan Province) in the Western Zhou Dynasty. After Chu destroyed Jiang, the descendants changed their surname to Jiang, and * * * respected Buring as the ancestor and Jiang as the 48th.

There are not many records about Jiang Mo's life in each spectrum. The Yunyang Monument, collected in the fourth volume of the Genealogy of Jiang Family in the Ming Tombs of Yixing, describes his way of being a man and politics in detail. This helps us to understand Jiang Mo. The author of the inscription is Jiang Huan, a scholar in the Tang Dynasty. Jiang Mo was the first ancestor to migrate, and Jiang Huan was the twentieth. He wrote this inscription in the 15th year of Tianbao (742): "Nine sons born in (Jiang Heng) have all moved. The man is the eighth son of the general, taciturn and beautiful in words. In the second year of Jianwu (AD 26), he crossed the river and lived in the east of Yangxian County, and now he is from Yixing. Young and generous, strong and dignified, proficient in crops and materials, both civil and military, ... eventually lost the reputation of the imperial court, thus reviving the family voice and reporting shame. Taking the official seal as Yunyang's quasi-generation of the second county, the official finally advised the doctor. Orthochromatic standing in front of the court, Wei Zhen sitting alone. The nobles folded their hands and looked to the right. It can be said that it lasts forever, and so does the first person who gave it. The pawn, his wife and class were buried in Keshan Zhongfeng. " Then, count the names and titles of ancestors of each generation. They were all "buried after death" until Jiang Huan's grandfather Jiang Gan. He finally said: "People above the ancestral hall were buried in Hudong, and they were buried in Luoyang after the self-examination (referring to Jiang Huan's dead father)." Other Chiang genealogies also hold this view.

According to the Records of Piling Piles in Spring published in the Southern Song Dynasty, Keshan once had Jiang Mo's tomb and Jiang Mo's tombstone. By the Southern Song Dynasty, Keshan had been leveled, and there was a bamboo forest on the only small mound, which was dedicated to Jiang Mo by the ancient Yunyang Society (1). In the Qing Dynasty, there was only one Keshan Bridge in Keshan area, but there was no mountain and no tomb of Jiang Mo (2).

Han Que, Qin Gong, made grass, cattle and sheep fields decline. In the face of great changes in the world, it was later said that when Jiang Mo hanged Gu Sixian, his tomb was on Zhushan Mountain in Shatang Port. Of course this is wrong, but there are also reasons. At the end of the New Records of Jingxi County in Yixing, there is a definite article pointing out the reasons. The article said: "There are two kinds of Zhushan, both of which are Yixing. One is in Shatang Port of Taihu Lake and the other is in Gugehu Township, also known as Keshan, which is today's Keshan Bridge. " The article also points out that because Keshan is also called Zhushan, and there is another Zhushan in Shatang Port, people say that Jiang Mo's tomb on Yunyang Zhushan is on Shatang Zhushan. As for today, there are still articles that hold this view, and they also moved the fief owned by Yunyang Hou. For example, Mr. Yi Min once wrote: "Jiang Mo, whose name is Xiufang, is Yunyang Hou. The fief was in the area of Zhou Tie and Fangqiao in Yixing today, and the official admonished the doctor. After death, he was buried in Zhushan, Yixing. " (3) The fief refers to both Zhou Tie and Zhushan, and of course it refers to Zhushan in Shatang.

In the administrative map of Yixing County Records 1990, there is a place called Yunyang, which is located in the north of Nanxinxiang District in the southwest of He Qiao and the south bank of a long river (burning port). The author thinks that if we can make an in-depth investigation, we may be able to confirm that this place is Yunyang area in Han Dynasty.

"Jiang Jiaqi" is the ancestor and belongs to the east branch of the lake, ranking 48th and 96th respectively.

During the reign of Emperor Kangxi, Jiang Yangxian, a descendant of Jiang Yangxian's Ci School, mentioned in the preface to "The First Collection of Jingxi Ci": "Mr. Zhushan is indifferent and lives on the shore of the lake, and entertains himself with songs every day." (4) The words "I am indifferent to my camp" and "I enjoy myself" in this article are clearly a hermit's demeanor. It can be seen that Jie Jiang lived in seclusion on the other side of the lake for a period of time after the death of Song Dynasty, and then moved.

"Jiang Jiacheng" said: The Jiang family in Yixing "supported by virtue and moved from Yixing (now Yixing) to Jinling (now Wujin) to Zhushan, which was the beginning of the Jiang family in our city." Jie Jiang's life experience is included in this spectrum and described as follows:

Jie Jiang's grandfather was (94), and he gave birth to two sons: Jiang and Jiang.

My father is Jiang (No.95), and he has three sons.

Jie Jiang: "Ninety-six outstanding men, whose words are better than desire, are called Zhushan. Manage the Yijing. Song Gongzong Deyou Bingzi (1276) is a scholar. Since the beginning of the Yuan Dynasty (pronounced "Europe"), the pavilion moved to Jinling, not to be an official. In the sixth year of Dade in Yuan Dynasty (1302), Xian made Zang and Lu Hou (pronounced "Hou") hand in their chapters for recommendation and died. Seclusion writing, one is based on righteousness. There are many inventions in his Detailed Interpretation of Elementary School Recess, which scholars call Mr. Zhushan. Life and death are uncertain, and Fucun was buried in Yongsi's tomb. She Anyu, a bachelor of Jinling, is named Su Yu. Give birth to three sons: Xianming, Weiming and Yu Ming. "

"Ninety-seven Ming, the word Yu Rui. I am different from my brother Weiming. In the second year of Yuan Zhen (1296), Yuan Chengzong moved to Xixiang, Jinling with his father, and then moved to Yuqian, south of Fucun. Pei's Give birth to a son: Wen. "

"(ninety-seventh) Wei Ming, the word in it. Develop the differences between you and your brother. In the second year of Zongyuan Zhenguan, he moved with his father to Xixiang, Jinling, and moved to the north of the village, and was named Mr. Hou Yu. "

"(ninety-seventh) steep. Moved to Yanzheng Town, named Weir (later changed to Jiangdu, now Jiang Sha Beach). Give birth to a son with a surname: Apollo. "

Son of Xian Ming: "In the 98th century, Wen, whose real name was Zhang Fu, was Yang Kui and Sheng Zuzhi. He did not become an official until the Hongwu Revolution in Ming Dynasty and retired as an old man." He had two sons with Fu: a boat and a board.

The second volume also publishes portraits and praises of ancestors. Jie Jiang's eulogy was: "I'm sorry for the past, but I will leave my name on my recommendation." . Never serve two masters, always be loyal. Bamboo saves energy and mountains are high. Yang (5) This portrait is outstanding. "This eulogy summed up the essence of Jie Jiang's life.

There is a biography of Song Jinshi Gong Jiechuan in volume 12 of Biography. The full text is transcribed as follows: "The public character wins the desire and moves to Wujin. Song Deyou was a scholar for two years (1276). At the beginning of the Yuan Dynasty, he was an official. Among the great virtues, Xian ordered Zang and Lv Hou to recommend their talents, but they did not die and served the two masters. Gai Tianzhi said: Chen Xiaomei is a civil servant, and Xiao Mei learned the story of Arrow from a good and expensive public trip. Because of his background, he studied pure things and wrote all his life, focusing on righteousness. When the game is a small word, it is also beautiful and wins people. In particular, the "detailed recess for primary schools" was invented. Taste (6) planting dried bamboo, taking the meaning of modesty and firmness, and then becoming Zhushan. Scholars call it Mr. Zhushan. "

The chapter "Monuments" contains previous monuments, including:

First, Zhushan. "Zhushan is in Wujin Xixiang, with place names. Song Zhushan lives here. Planting dried bamboo by hand means modesty and firmness, so it is called Mr. Zhushan. "

Second, the cemetery. In the tomb of Yongsi in front of Fucun village. This is the graveyard of Jie Jiang and his descendants.

Third, the family shrine. "Mr. Zhushan Temple was built in front of Xixiang, Wujin County, between Ming Hongwu. The first sacrifice is better than the desire for openness and taboo. Zhao Mu shared with Yu and Yu Zhigong anonymously. "

In addition, the author also found that there is a record of "Zhu Shangong, a man of ink color" in Volume 8 of Jinling Jiangs Genealogy. Eight poems (that is, words) and two poems (Zhushan Dongpochang and Tongguan Mountain). Zhushan Dongpo field is rare, and there are also eight words in Zhushan Ci.

Jie Jiang once lived in Zhushan, Yixing, Wujin and Wuxi. This is a rare elegance among literati and poets. The Zhushan Mountain in Shatang and Nanquan has been recorded in the piling records of Xianchun before and after Jin's in Jie Jiang. It can be seen that the name of Zhushan was not taken by Jie Jiang himself, nor was it used by later generations to commemorate Jie Jiang. Bamboo is hollow and strong, which Jie Jiang used to describe people's modesty and tenacity. He loves bamboo, and prefers to grow bamboo on the mountain named after it. Being worthy of the name has profound meaning, especially his elegant personality. Yunyang Zhushan is Jie Jiang's birthplace and growth place, Yuqian Zhushan is his relocation and settlement place, and naturally it is also a secluded place. This is an indisputable historical fact. However, his life in Shatang Nanquan and Zhushan is vague, sometimes chaotic, and it is difficult to distinguish between true and false. Together with the mystery of his birth and death and the mystery of the year of a scholar, it has become several suspense left by him.

Wuxi Nanquan (called Nanquan in ancient times) Zhushan is on the shore of Taihu Lake, which once belonged to Hua Kai Township and Nanquan Town in Jinli. Wang Baocheng's Hometown Records of Hua Kai during the reign of Kangxi. Zhushan and Jie Jiang have detailed records. Wang Baocheng did not regard Jie Jiang as a hermit living in seclusion in the mountains, nor did he regard him as an outsider living in exile. Instead, he was listed in the "Confucian Forest" and clearly regarded as an intellectual whose ancestral home was Yixing ("the envy of others") and settled in Zhushan (the hometown of Zhushan).

The local chronicles recorded a poem by Amin poet Shao Baoyu about Zhushan and eight poems by Ming and Qing poets. In the last poem, Wang quoted his own peace poem and mentioned it. There is a cloud at the beginning of the poem: "Mr. Yu Sheng initiated sightseeing and has been famous for more than 400 years." This shows that Jie Jiang has been to Nanquan and visited this mountain. None of these nine poems shows the pain of national subjugation and seclusion peculiar to Jie Jiang.

There are many poems praising the beautiful scenery of Wuxi and the sages and celebrities of the past. If we can explore in depth, we may find Jiang Jiexin's activities.

Yixing Shatang Port (also known as Shatang) Zhushan is also on the shore of Taihu Lake. It once belonged to Dongshan Township and now belongs to Zhou Tie Town.

The name "Zhushan" was rewritten as "Zhushan". The poem Zhushan in Ming Dynasty notes: "Zhushan, a Zhushan, is like a Tianzhu. Or the foot mountain, the wonder of the mountain is in the foot cloud. " It can be seen that Zhushan refers to the same mountain as Zhushan and Zushan. The first couplet of the poem says: "When the lake is running, there is an ancient temple flying in the air." This ancient temple is called Fushan Temple. Ming people have called the temple an ancient temple, which shows that the temple was built early. People say that Jie Jiang lives in seclusion in Zhushan, which means that Jie Jiang lives in Fushan Temple in Zhushan. According to the following information, the author thinks that Jie Jiang once lived in seclusion here.

First, according to the description of many words in Zhushan Ci, it can be inferred that he once lived in this area. We can infer that the famous poem "Young Beauty Listening to the Rain", "Now I am listening to the rain in the monk's house, and there are stars on my temples" was sung by the rain of Fushan Temple in the monk's house, which inspired his creative inspiration.

Secondly, there is a ceramic jar in the temple today, which is called Mirror Water Ruyi Phoenix jar, with a height of about 80 cm and a diameter of about 100 cm. It is said that Jie Jiang was holding a jar to hold water. The inner wall will grow moss, which can be clear even if it contains turbid water. Jie Jiang gave it to the temple, and the monks called it the fairy water tank. Once scattered among the people, now it has returned to the temple. If it can be confirmed by identification, it is the treasure of the town temple.

Third, Fushan Temple has experienced many vicissitudes. It was first destroyed by the bombing of Japanese invaders in 1937, and then destroyed by excavation and quarrying in the 1960s. People also lost the stone tablets erected during the previous construction. After the restoration of the Pure Land Sect Temple, some fragments of stone tablets were collected. If we can spell it out and restore it, we may find something new.

Fourthly, the author read a passage in the Preface to Zhou's Genealogy in Fangqiaohou Village, Yixing, which is Jie Jiang's self-report: "Jie Jiang, the ancestor of the city, lived in Zhushan in seclusion, and tried to simplify Gong Hui's genealogy:' The lakeside is the same. Sun Zuru, a public scholar, is good at writing and writing. At that time, the light went too far, and we shared the sadness of parting. "Gaizhu Mountain, Yangshan Mountain and Zhenze (7) are all on the shore, separated by several miles, so the clouds are the same as the soil. (8)

Jane was a scholar in Xuanhe period, and her name was Zhou Kui (1098— 1 174). Dare to speak out for the officials and be good for the people. One hundred years after Zhou Kui's death, Jie Jiang was a scholar. "Penang", dislike, this sentence has the meaning of leaving. Jie Jiang didn't control the two masters, so he left his hometown and went to another place, Zhushan in Shatang, to remain anonymous. But if there are people in the same situation and with similar interests, they are also willing to learn from themselves and associate with themselves. This leads to Zhou Kui as a fellow countryman, reciting the preface on the genealogy and making friends with Sun to express his sadness of parting.

This passage fully shows that Jie Jiang lives in seclusion in Shatang Zhushan. But people still know little about Jie Jiang's life, whereabouts and discoveries. If we take the association with Zhou family as a clue and attach importance to genealogy, we may find something new.

Another county hope left by Jie Jiang is the loss of life and death.

Jie Jiang moved to Yuqian Wujin on 1296. The Chronicle of Rebuilding Piling listed him in the chapter of People's Literature. Mr. Xiubian seems to see Jie Jiang's outstanding achievements in Neo-Confucianism research and poetry creation at a glance. Being included in this chapter shows the memory and respect of his descendants. It can be said that Jie Jiang will not be alone behind him.

Jie Jiang was buried in Yongsi Tomb after his death. According to genealogy, from the 96th Jie Jiang to 100 years ago 130 years ago, descendants were buried here one after another. Like Zhushan in Yunyang, it is also a graveyard where people gather and bury. Obviously, the original ancestor Jie Jiang won the respect and support of his family. He will not be lonely behind him.

However, this is not the case. Behind him is so lonely, it seems that future generations have forgotten this ancestor. This is a great regret of later poets and researchers. People can't help asking: Where did Jie Jiang spend his last stop in life? How did you spend it?

Some genealogies or research articles also mention his date of birth and death, either sixty (9), sixty-five (10) or eighty-nine (1 1). Scholars only cite figures without argumentation, which can only lead to confusion in discussion and not help.

The author thinks that the mystery of Jie Jiang's life and death should be analyzed from his own mentality and the family behind him.

Jie Jiang was angry because of national subjugation, unable to return to heaven, so he lived in seclusion. A boat by the lake, or Nanquan, or Shatang. Plant dried bamboo to express ambition and express feelings with poetry. Let nature take its course, what's behind you. No wonder there is the tomb of Yongsi in front, the tomb of Jie Jiang in Shatang and the soul of Zhushan in Nanquan. Which is true and which is false? You don't have to investigate the facts. Save it for discussion. Let this hermit add some mysterious and elegant colors, and let many tourists taste a "delicious meal" of Zhushan Lake.

Look behind him again. In the end, of course, the Yuan Dynasty was left out in the cold and the family business was depressed. It was not until the early Ming Dynasty that the ancestral temple was built. If you want to honor your ancestors, family history is lacking. What can you do?

When did Jie Jiang take the Jinshi exam? This is also a suspense. The opinions of various factions are as follows: 1. Ten years of Song Duzong Xianchun (1274), 2. Deyounian (1275) and 3. Deyounian (1276). Opinions vary. What year is this year? A few years ago, Professor Yang Haiming of Soochow University published an article "About Jie Jiang's Family and Deeds" in "On China Literature and History", holding a new viewpoint. He pointed out: "Examining the seven items of" Jinshi "in Yixing County Annals, Jie Jiang is a scholar in the Longze List in the Second Year of Deyou, and the eighth volume is called" Song Deyou Jinshi ",which is the basis for saying" Deyou ". However, Ma Duanlin's "General Examination of Literature" volume 35 "General Catalogue of Song Dynasty Records", and the last subject of the Song Dynasty Jinshi was the decade of Xianchun. It is known that "Longze List" should be in the tenth year of Xianchun. In March of Deyou's second year, Lin 'an was occupied by Yuan people, so it can be seen that the lyrics of "Xian Chun" were correct for ten years. "Professor Yang cited historical data analysis, to discard the false and retain the true, as a conclusion. The year of Jie Jiang Zhongshiji should be 1274.

To sum up, I learned that Jie Jiang was originally from Yixing and moved to Wujin in the early Yuan Dynasty. He is a scholar of 1274. If he is thirty years old, 1296 will have been in his fifties when he moved to Wujin. The golden age of my twenty years of life was spent in Yunyang Zhushan, opposite the lake. 1302 when he was recommended as an official, he had settled in Wujin, about 55 years old.

His life was spent in the days when the country was in danger and people's livelihood was difficult. Aspiring to serve the country but unable to return to heaven, I don't envy the life of "rocking the brocade and embroidering". Tao Qian, who grows chrysanthemums, and Du Fu, who grows vegetables, live in seclusion. He doesn't want to leave anything for that society. Fortunately, he also had contacts with people in the same situation and with similar interests, or poems or inscriptions, leaving clues of life. If you can browse patiently, search widely and search carefully, you will definitely enter a deeper level and gain more. Most of Jie Jiang's poems are melancholy. He did not directly reflect the great changes of the times, but adopted the way of "writing the scenery of his hometown as gossip" (The Female Crown) to express his deep affection for his motherland in loneliness and sorrow. Such as "The flying warbler turns with the wind, so the garden has become autumn" (high balcony), "Moon stars are full of clouds, and I don't know where to see the vast universe" (He Xinlang), "I can't dream, but I can't dream, and the cold water is in vain" (plum blossom introduction) and so on. They all contain the sadness that mountains and rivers change color and have no place to live. Listening to the rain by young women summarizes the author's different feelings in three periods: youth, prime of life and old age. The feelings of home and country are extremely painful, among which the phrase "in the prime of life, listening to the rain, the geese in the river are called the west wind" is particularly tragic and desolate. But his poems are not all gloomy, and sometimes they can inspire, broaden the artistic conception and present gorgeous colors. For example, What's the Heart of Lang Qiuxiao was originally written as "Wan Li plays the flute and hates the south of the Yangtze River", but the courtyard is decorated with blue and white flowers and red dates with a pale yellow moon shadow, and then pushed to the faint prospect of the white goose crossing the sky and Chushan, so that the sadness and depression expressed in the text will not be over-suppressed. "A Cut of Plum" wrote "A Boat Crossing the Wujiang River", in which "the wind is blowing, the rain is whispering" and "the cherry is red and the banana is green" also diluted the sad atmosphere of mourning. Therefore, Zhou Ji called it "Only when you think deeply can you be afraid" (Selected Works of Song Sijia). Of course, this is also inseparable from its word "deep harmony" ("Sikuquanshu Catalogue"). There are always different opinions about the evaluation of Zhushan Ci. The detractors, such as Feng Xu, think it is "vulgar" and "not on the road" ("The 61 ST Election of Song Ci"); Chen Tingzhuo even thinks that among the poets in the Southern Song Dynasty, "Zhushan is no matter what" ("Baiyuzhai Thorn"). That is measured by the words of Jiang Kui and zhangyan, which is really biased. Liu Xizai's view is the opposite. He said: "Jiang Zhushan's ci is not very smooth and natural, but he washes it carefully and his ci is more fruitful." His ambition is to see Meixi more chaste and clearer. Liu Wenfang (Liu Changqing) is the Great Wall of Five Words, and Zhushan is also the Great Wall of Long and Short Sentences. " Yi Jian called Zhushan the Great Wall with long and short sentences, which is a real reputation, but he fully affirmed Zhushan's ci from the aspects of word quality and word form, which is quite insightful.

Jie Jiang's young poets listened to the rain and sang upstairs. The red candle is weak. Listening to the rain on the boat in the prime of life. The river is wide and the clouds are low, and the broken geese are called the west wind. Now listen to the rain monk Lu. The temple is full of stars. Sorrow and joy are always ruthless. Before the next step, drop by drop until dawn. -Song Jie Jiang "The Little Mermaid listens to the rain" The little mermaid listens to the rain

Teenagers listen to the rain and sing upstairs. The red candle is weak. Listening to the rain on the boat in the prime of life. The river is wide and the clouds are low, and the broken geese are called the west wind.

Now listen to the rain monk Lu. The temple is full of stars. Sorrow and joy are always ruthless. Before the next step, drop by drop until dawn. There are 300 Song Ci poems, which are carefully selected, graceful and restrained, sighing about the rain, and the years are full of worries about spring. The boat on the river rocked and the curtain moved upstairs. Qiuniangdu and Tainiangqiao, the wind is fluttering and the rain is whispering. (through a work: a degree. When will you go home and wash your robe? The silver word is the tone, and the heart word is the fragrance. The streamer easily dumped people, turning cherries into red and plantains into green. -Song Jie Jiang's "One Cut Plum and One Boat Crossing the Wujiang River" One Cut Plum and One Boat Crossing the Wujiang River

A piece of spring worries about wine. The boat on the river rocked and the curtain moved upstairs. Qiuniangdu and Tainiangqiao, the wind is fluttering and the rain is whispering. (through a work: a degree. Joey: Jiao)

When will you go home and wash your robe? The silver word is the tone, and the heart word is the fragrance. The streamer easily dumped people, turning cherries into red and plantains into green. There are 300 poems in Song Dynasty, which are graceful and restrained. Bai Ou asked me whether I would row alone, whether I would stay in my body or mind. If the heart stays, why lock the eyebrows. The wind plays the small curtain lamp and dances dizzy, indifferent to the idle shadow, recalling the past. Is Laoyou old today? Flower House, Liu Xia Boat. Dreams are dreams, dreams are not dreams, and cold water flows in vain. Huang Yun desert is saturated with kapok fur. Everyone knows that no one is worried about me. It snows tonight, and there are plum blossoms, like me. -Song Jie Jiang's "Plum Blossom Introduction and Snow Resistance in West Beijing" Plum Blossom Introduction and Snow Resistance in West Beijing

Bai Ou asked me if I wanted to be alone, physically or mentally. If the heart stays, why lock the eyebrows. The wind plays the small curtain lamp and dances dizzy, indifferent to the idle shadow, recalling the past.

Is Laoyou old today? Flower House, Liu Xia Boat. Dreams are dreams, dreams are not dreams, and cold water flows in vain. Huang Yun desert is saturated with kapok fur. Everyone knows that no one is worried about me. It snows tonight, and there are plum blossoms, like me. Lonely, miss friends. See more poems by Jie Jiang >>