Wang Tong

Wangtong, male, China music historian, professor, and master tutor of music and dance (China music history). Member of China Musicians Association, director of China Musical History Society, member of China Musical History Society, vice president of Solfeggio Teaching Committee of China Musical Education Society, director of Zhejiang Musicians Association and director of theoretical committee of Zhejiang Musicians Association. He has been engaged in music education for a long time and has taught music history, China traditional music, music theory and solfeggio, acoustics and other courses. He has published dozens of related papers in core journals, written 4 monographs and teaching materials such as Practical Solfeggio Course, and completed 5 educational reform and scientific research projects at or above the provincial level.

Yang Jiuhua

Yang Jiuhua, male, doctor, professor, tutor of master students. 1995 won a scholarship to study abroad with excellent results and was admitted to the world famous music school Hochschule Fü r Musickln. Through rational and wise study, he obtained a master's degree in violin from 1997. 200 1 admitted to Shanghai Conservatory of Music with excellent results, studying for a doctorate. During his study, he went to Germany as a senior visiting scholar in 2003, and conducted an in-depth investigation around related research topics with a down-to-earth and rigorous academic attitude and based on historical documents. Graduated from Shanghai Conservatory of Music in 2004 with a doctor of literature. In 2005, Yang Jiuhua founded the excellent course network of western music history. From 65438 to 0996, Yang Jiuhua began to attend academic seminars, during which he went abroad for academic exchanges many times. In 2003, he went to Germany as a senior visiting scholar for a half-year academic research.

Zhu ningning

Zhu Ningning, female, doctor, professor, master tutor of western music history and piano playing direction, teacher of music department of Zhejiang Conservatory of Music, second-level trainer of "provincial 15 1 talent project". Academic research mainly focuses on the field of western music and piano teaching, especially the theory, representative composers and works of contemporary western musicology. Presided over the key topics of Zhejiang philosophy and social science planning, Zhejiang higher education teaching reform project, etc. To undertake the research and planning fund project of humanities and social sciences of the Ministry of Education and the key project of the key research base of humanities and social sciences of colleges and universities in Zhejiang Province. Instruct students to preside over the national college students' innovation and entrepreneurship project.

Meng fanyu

Meng Fanyu, male, professor, postdoctoral fellow, tutor of master's degree. Mainly engaged in music anthropology (ethnomusicology), China traditional music, music pedagogy, solfeggio and other disciplines of teaching and research. He used to be the dean of the School of Music of Huaibei Normal University, and now he teaches at Zhejiang Conservatory of Music. In 2009, he won the nomination award of National Excellent Doctoral Dissertation Award, and received special support from China Postdoctoral Science Fund. In 2008 and 2009, he won the first prize of scientific research achievements in Zhejiang universities for two consecutive years, and in 2009, he won the "Li Shutong Art Achievement Award".

various

Lin Lin, male, postgraduate tutor, professor, secretary general and executive director of China Manchu Music and Dance Research Association. The representative papers are as follows: "On China's traditional seven-tone" scale "(the first issue of China Music in 2004); On the relationship between "Han Qu" and Daqu in Liaoning drum music in Tang Dynasty (Yuefu Xinsheng,No. 1 2004); From the perspective of ethnomusicology, the musical and cultural exchanges between Northeast China and Central China (Yuefu New Voice, No.4, 2005); The Artistic Features of Drum Music in Liaoning (Yuefu Freshmen, No.2, 2006); The Artistic Features of Drum Music in Liaoning (Yuefu Freshmen,No. 1 2006); A new perspective of national folk music research (Biennial Record-Music Communication and Resources * * * Enjoy New * * Popular Literature and Art Publishing House, July 2005); The Blending of Tradition and Innovation —— A Record of the 2004 Music Works Competition of Shenyang Conservatory of Music (National Instrumental Music) (Yuefu Xinsheng, No.4 in 2004), etc. Monograph "Music Aesthetics (Appreciation) Course" (co-author, People's Publishing House, 2007). At present, he is in charge of the research project "Music Research of Manchu-Tungusic Languages" and the research project "Music and Dance Research of Shengjing Palace in Qing Dynasty" (deputy editor).

Nanhongyan

Nan Hongyan, female, ethnomusicologist, doctor, professor, tutor of master students in music and dance (ethnomusicology). Main research interests: religious music, rap music and musical intangible cultural heritage. Member of Chinese Traditional Music Society and China Folk Writers Association.

wormwood

Xue, male, a famous ethnomusicologist, doctor. Associate Professor, Music Department, Zhejiang Conservatory of Music. 199 1 Graduated from Music Department of China Conservatory of Music, Master of Education (Musicology) from Yi Xue University in Tokyo, Japan, and Doctor of Literature (Art) from Osaka University, Japan. Secretary-General of Asian Art Education Association and director of Japan Rhythm Association. He has successively worked in Media Education Development Center of Japanese Ministry of Education, Culture, Sports, Science and Technology, Department of Literature of Osaka University, Kobe Women's College, National Museum of Ethnology, National national cheng kung university and Taiwan Province Province. His representative works include Asian Music and Culture, the Static and Dynamic of Dong Music Culture and so on.

Hongyan

Hong Yan, female, Tujia nationality, national soprano, doctor of literature, associate professor of Zhejiang Conservatory of Music, tutor of master's degree. Member of the third talent echelon of "Zhijiang Young Social Science Scholars" in Zhejiang Province, and the second-level trainer of "New Century 15 1 Talent" in Zhejiang Province. Member of Chinese Traditional Music Society, member of Chinese Minority Music Society, tutor and visiting professor of China minority art (China traditional music theory) of Music and Dance College of Hubei University for Nationalities. He presided over the research project of the National Social Science Fund, the research project of cultural science and art of the Ministry of Culture, and the research project of philosophy and social science of Zhejiang Province, and published many articles in the core journals of music. Won many provincial talent fund awards. He has won the gold medal in China Star National Vocal Music Competition and the title of "China Folk Song King" in China She Folk Song Competition, and his singing works won the Excellent Works Award in the Ninth * * * Communist Youth League Spiritual Civilization Construction. He won the "Excellent Tutor Award" of Zhejiang University Student Art Exhibition for four times in a row, and the students he trained won the national singing gold medal, and the individual won the "National Excellent Tutor Award". Main research interests: China traditional music, ethnomusicology, minority music and vocal performance teaching.

Wang Yang

Wang Yang, male, born in June, 1976, party member, professor, former president of Huzhou Teachers College and chairman of Huzhou Musicians Association. He has published 5 monographs and dictionaries, published 4 academic papers 1, presided over and participated in 7 provincial and ministerial projects, and won 3 second prizes and 3 third prizes1by the Ministry of Education and provincial and municipal artistic scientific research achievements. He has been selected as the first batch of "Five Talents" in Huzhou City and the third-level training object of "New Century 15 1 Talent Project" in Zhejiang Province, and won the title of "Teaching Rookie" in colleges and universities in Zhejiang Province and the title of the first top ten young teachers and five-star teachers in Zhejiang Province.

Xu Qin

Xu Qin, professor, doctoral supervisor. Born in 1948. I grew up in Kunming and worked in a factory and Yunnan Song and Dance Troupe. 1982 was admitted to graduate department, China Academy of Fine Arts, and studied the history of China ancient music under Mr. Li Chunyi. He used to be an academic appraisal member of China Academy of Art and a researcher of Music Research Institute. The research direction is the history of ancient music in China and the protection of intangible cultural heritage. He is the author of China Music History, Music Culture Research in Six Dynasties, and a collection of essays, Lulingbo. He once participated in the national major art research project "General History of China Art", and served as executive deputy editor-in-chief and volume editor. In recent years, he has also participated in some intangible cultural heritage protection work. As an expert in judging China's application for the UN Intangible Cultural Heritage List, he has participated in the major scientific research project "Research on the Theory and Practice of Music Intangible Cultural Heritage Protection" in the Humanities and Social Sciences Base of the Ministry of Education, and served as the executive deputy editor.

mild

Wen Wei, Associate Professor, Ph.D., Department of Music, Zhejiang Conservatory of Music, Special Expert of "Eco-musicology Team" of Gaofeng Plateau Construction Project of Shanghai Conservatory of Music. 20 17 was selected as the training object of young and middle-aged academic leaders in colleges and universities in Zhejiang province. In the same year, he was awarded postdoctoral study qualification by the National Scholarship Fund Committee and sent to Germany.

Yang chengxiu

Yang Chengxiu, Ph.D. in musicology, is an associate professor in the Music Department of Zhejiang Conservatory of Music. He has published more than ten academic papers, such as On the Writing Types and Writing Context of the Theory of Elegant Music in the Northern Song Dynasty, Rites and Music Needs to be Used: Rites and Optimism in the Changes of Rites and Music in the Northern Song Dynasty, and Fan Zhenya's Research on Optimism, etc., and participated in the compilation of Literary Theory of Music Culture Research in the Song Dynasty, China's Music Theory in Past Dynasties and Song Juan, etc.

Yao Yaping

Yao Yaping, professor, doctoral supervisor. Chengdu, Sichuan. He is currently employed by the Music Research Institute of Zhejiang Conservatory of Music as a distinguished researcher. 1984 graduated from the composition department of Sichuan Conservatory of Music, and stayed there to teach technical theory courses such as harmony. 65438-0989 was admitted to the Music Department of the Central Conservatory of Music, where he studied under Xiao Huang and Yu Runyang, with a master's degree and a doctor's degree in western music history. 65438-0995 received his doctorate and taught in the Western Music Teaching and Research Section of the Music Department of the Central Conservatory of Music. He has served as vice president of the Music Department, director of scientific research and executive director of China Western Music Research Association. In the study of western music history, he paid more attention to the history of ideas, and wrote such monographs as The Concept of Western Music, The Generation of Polyphony, Gender Irritability and Conflict.

Li Pengcheng

Li Pengcheng, associate professor, young composer and planner, is a member of the third "Road to Success" national music creation workshop of China Musicians Association. China is a top-notch young talent in culture and art, an advanced individual in the revitalization of popular literature and art in China, a first-class musician in China's culture and art talent management center, and a candidate for the "Zhao Yan Cultural Star Project" of the Propaganda Department of Hebei Provincial Committee. He has published more than 100 music works and won more than 30 awards. He has planned many books collected by the National Library and participated in planning more than ten large-scale national music exhibitions.

Qu Feng

Qu Feng, Associate Professor of Music Department of Zhejiang Conservatory of Music, Doctor of Western Music History. In 2009, 20 12 and 20 15 received the bachelor's degree, master's degree and doctor's degree from Shanghai Conservatory of Music respectively. Mainly engaged in western music history research and music literature translation. When I was a Ph.D. student at Shanghai Conservatory of Music, I completed my doctoral thesis "A Study on Schubert's Late Style: 1827- 1828", and was also responsible for the translation of more than 30 academic lectures inside and outside the school, completing more than 300,000 words of academic translation of piano music in the19th century. He has published several academic papers in music core journals such as Music Research, Music Art, Journal of Xinghai Conservatory of Music and Yuefu New Voice. He attended many important academic conferences in China. 20 15 participated as a representative of young scholars in the 2nd Young Scholars Forum of Hangzhou Western Conservatory of Music on 20 15. 20 13, 10 Participated in the Multidisciplinary Forum on Nibelungen Rings held by Shanghai Conservatory of Music, 20 13.

Xiamengzhou

Xia Yuzhou, male, doctor, professor, postgraduate tutor. Director of the Western Music Society of the Chinese Music Association, deputy director of the Theoretical Committee of Shaanxi Musicians Association, and once taught in the Music Department of xi Conservatory of Music. From June 2008 to October 2008 10, he was hired by Peking University Library as an evaluation expert for the 2008 edition of Overview of China Core Journals. I graduated from the Music Department of Wuhan Conservatory of Music with a bachelor's degree and graduated from the Music Department of Xi 'an Conservatory of Music 1992 with a master's degree. Since then, I have published more than 60 papers, 3 monographs and 2 textbooks (including the national planning textbook 1). His main research interests are music history, music aesthetics and music sociology.

Rui Wang

Wang Rui, male, professor. 1born in June 1969, Han nationality, native of Hefei, Anhui province, full-time graduate student, doctor of literature, researcher,1joined the work in July 1992, and joined the China * * * production party in June 2003. He used to be the director of the Music Research Institute of Shanghai Conservatory of Music, the director of the discipline planning and construction office, the deputy secretary and vice president of the Party Committee of Shanghai Conservatory of Music, and now he is the deputy secretary and dean of the Party Committee of Zhejiang Conservatory of Music.