A: Still life is the most common and familiar daily necessities, and sketching still life is also a common question in the college entrance examination.
According to the still life we usually encounter, still life sketches can generally be divided into three categories:
1 Sketch still life with clear physical and structural characteristics. This kind of still life needs 3-4 objects with clear characteristics, different shapes, different inherent colors and textures. This kind of still life mainly solves the relationship between the black, white and gray of the picture and the physical structure, inherent color, texture, space and picture atmosphere of the object.
More complicated still life sketches. This kind of still life is complex in modeling, heavy in quality, difficult to express in texture, and has a certain connection between objects, with a distinct theme. The picture should be balanced, stable and complete, which can produce solemn, loud and calm emotions.
3 Sketch of natural objects. This kind of objects are naturally stacked and combined in the natural environment, and no manual carving is needed. These objects include stones, stumps, old packaging bags, clothes, crumpled paper, and articles randomly stacked indoors. Choosing such objects for sketching is mainly to let students learn how to generalize, process and choose nature. Learn to use your own language to reproduce nature, to feel your emotions, and at the same time, you can train your realistic ability and picture organization ability.
Second, what role does sketch still life training play in the process of sketch painting?
A: Sketching still life is a necessary stage for the transition from gypsum geometry to plaster, head, bust and full body. Sketching still life can not only study the shape, structure, perspective, space and other basic contents of objects, but also increase the texture, inherent color, interest and certain theme content expression, which can train students' modeling ability more comprehensively.
Lu Jinyong: Sketching still life is the basic training we must carry out when we first learn painting, because the structural relationship of still life is simpler than that of head portrait, and it is easier for us to understand the distribution law of body space and light and shade in the process of drawing still life. Sketching still life generally involves the combination of multiple objects, and the training of composition is also included. If we sketch a still life well, we will solve some basic problems in painting.
3. What are the advantages of still life sketch compared with other types of sketch?
Answer: 1 Unlike other paintings, it is not limited by the theme of painting. As long as the lighting is good, it can be used in any room, regardless of the capricious weather.
For beginners, still life painting is relatively static, which is convenient for beginners to have enough time to observe, enter the state and study the artistic language of the picture repeatedly.
Still life sketch is easy to draw, and every family is full of potential painting objects. As long as you observe them carefully, you will always find interesting picture structures.
4. What are the good ways and means to learn to sketch still life?
There are three key points in learning sketch: observation, thinking and skill. Namely eyes, brain and hands.
Observation is eyesight. To improve your eyesight, you must first know how to observe. In learning sketch, there are two main observation methods: overall observation and comparative observation.
By cultivating the ability of overall observation, we can see the overall situation when sketching. The objects we describe are interrelated and inseparable whole, and whether it is structural relationship, proportional relationship, black-and-white relationship, decent relationship, line-surface relationship, they all exist relatively and restrict each other. Have a preliminary understanding of the whole, and then classify and compare the things to be observed. Comparison can be divided into' longitudinal ratio' and' lateral ratio'. "Longitudinal ratio" is to compare different stages of the same object in order to better grasp the whole; Aspect ratio' refers to comparing two or more objects, which can make the composition, proportion, shape, light and shade and texture of the picture more accurate.
Thinking: thinking. Know why, know why! Observation is accompanied by thinking. Thinking will make us more deeply aware of the inherent laws of things. Sketch painting mainly uses logical thinking and image thinking. When dealing with composition, shape, shape, structure, space, black, white and gray relations and expression techniques, we usually think about the composition of the picture, and we can find the logical relationship between shape, shape, structure and space, black, white and gray; For example, think about the relationship between shape and black and white ash, the relationship between shape and black and white ash, and so on. Painting is through constant thinking and creation to reproduce the image. Therefore, thinking is indispensable in painting.