The list of "Top Ten Writers after 90s" was initiated by Nanfeng, a brand magazine of youth literature with great influence among teenagers. Xu Duoyu, the former host of Interview with the South Wind and a famous post-80 s writer, personally checked and served as the main producer. Jing M.Guo (Weibo), a well-known post-90s writer, unexpectedly suffered a lot. Only one person was chosen and came last. Many feathers explained that the selection of the list pays more attention to the talent and strength of writers and the value orientation of their writing. Although some post-90s writers in Jing M.Guo have gained great market recognition, their commercial value is greater than their literary value, and many young writers lack the humanistic spirit of independence, courage, freedom and innovation. In the long run, although the money path is good and the future is worrying, it is gradually abandoned in the selection process.
It is understood that the lineup of this list can almost be called the most powerful young writers of the post-90 s generation. The selected writers are outstanding in their respective fields, and most of them have published their works in pure literary journals with great influence in China. For example, Su Zizi is now the creator of XD visual arts. She was controversial a few years ago, but most of it was misunderstood by public opinion. Lao Xiang, who once led China's first post-90s literary magazine out of print, devoted almost everything to his ideal, but persevered, drifted north alone and made persistent efforts, and made good achievements. Speaking of experience, Gu Qingcheng, a college dropout, has experienced more than most of his peers. He drifted north, hid in Tibet and traveled all over the north and south. Now he is the editor-in-chief of the cultural edition of Tibet Business Daily. Guo Sheng, Han and Han have made great achievements in the field of pure literature, and they are probably the future and hope of China literature. Liu Jingnan is now committed to the research and exploration of the theoretical category of literature and history, which is unique among post-90 s writers and deserves attention. Most of Xu's articles pay attention to the people's livelihood society and have a strong sense of social responsibility. His words bear witness to the responsibility of the post-90s generation.
More noteworthy is Chen Shaoxia, the first on this list. His writing is very unique among the post-90s generation, especially among young writers in China. His article is very unique. For example, 20 12 children with anal obstruction, Du incident, he wrote articles for him to promote this matter. In addition, Chen Shaoxia's novels are full of sympathy for the underclass and the pursuit of personal ideals and freedom in social difficulties, which brings new possibilities for post-90s literature.
Many Yu said that some lists that appeared on the Internet before were mostly written by individual post-90s writers, and most of the selected writers' works were thin, suspected of speculation and basically unconvincing. This impetuous style makes the list lose credibility. Wang Jianping, president of Nanfeng, said that this list was the first collective display of the strongest voices of post-90s writers, which undoubtedly played a positive role in promoting and guiding the prosperity of post-90s literature.