Suddenly, at the request of the attacker, he borrowed a girl from Baochai to play the liaison. Baoyu shouted at Baochai's back, which didn't go far outside the window, and Baochai finished answering.
What is the collar that can be seen everywhere in A Dream of Red Mansions? Collateral knot Collar is a usage of knot, and làozi is also called "tapestry". It is a net bag made of colored rope and a small net bag woven with thread rope, which can hold things. Make it look like a bag. Knots were very popular in ancient times.
In addition, hair, fans, curtains and even men's and women's waists (that is, the sweat towel mentioned by Baoyu) used to like to get some knots as decoration. The traditional rope weaving technology in China originated from the Paleolithic Age.
In the thirty-fifth episode of A Dream of Red Mansions, the young girl Yinger showed the use, style and color matching of collaterals in detail from the aesthetic and artistic perspectives.
Baoyu said, "It's just a towel." Yingying said, "What color is the sweat towel?" Baoyu said, "scarlet? . "Yingying said," What's the big red one? Black collaterals? To look good, or? Shi Qing? Only in this way can I suppress my face. " Baoyu asked, "What does Song Huase deserve?" Ying ying said, "how? Pink pine flowers? . ? ""What flowers? " Yingying asked. Baoyu said:
"* * * How many patterns are there?" Ying ying said, "how? A wick incense, a stool facing the sky, an elephant eye stone, Fang Sheng, a chain, plum blossoms and willow leaves? . ? Baoyu asked, "What did you do to your third aunt the other day?" Yingying said, "What is that? Save your heart for plum blossoms? . Baoyu said, "Great. "。 (Back to the 35th Dream of Red Mansions)
Big red with black, stone blue, pine with pink, is about color matching and color difference.
A wick of incense (vertical, straight and linear); Upward stool (trapezoid); Elephant-eye stone (slightly rhombic); Fang Sheng (two squares overlap); Serialization (double circle set, think of nine serials); Willow of plum blossom (willow of plum blossom). These are the shapes and patterns of collaterals.
These newspaper flower names (flower bodies) have lines, geometric figures, plant flower shapes and nine chains, one by one in this color, which is very artistic and full of beauty. Just like our dazzling array of clothing accessories, bag pendants and other decorations, the finishing touch has a different artistic conception, which is beautiful!
Reading a dream of red mansions is really a pleasure. Every time, every paragraph, every character, you can find his different beauty.
A small collateral, whether it is coloring or matching, is so particular. A 16-year-old girl, Ying Er, knows so carefully and profoundly that she is no less than the current aesthetic major. It's really a question from the university in a small collateral.
This is not so much a talent show of girls welcoming their children as an aesthetic interpretation of the authors Cao Xueqin and Cao Gong. He knows so much. Every time we immerse ourselves in the love-hate story between the hero and heroine and the children, there is always this unexpected bright moment, which brings us different surprises.
There is no waste of words in Cao Gong's works, which really increases his knowledge! I have to admire Cao Gong's profound cultural background. He reached the peak in literary attainments, especially in aesthetics and artistic accomplishment.
A person's vision determines a person's height. It's him, isn't it? He came into contact with a well-off family since childhood and was influenced by several generations of nobles, which gave him wealth that he could not take away even if he was poor. It is precisely because of this that the masterpiece A Dream of Red Mansions was created, which gave us the nourishment of the literary world.
People who are curious and good at learning, summarizing and applying can always survive.
Sharpen a sword every ten years. In the first five chapters of the novel A Dream of Red Mansions, the ending and fate of the characters in the book have been clearly explained. It's just that Cao Gong spent another ten years polishing, pecking and carving, injecting her interesting soul, giving him life like a work of art, making everyone and every paragraph lively and vivid, so that we can't put it down and read it again and again today.
I love the Red Chamber, not only his words and stories, but also Cao Gong's portrayal of every character, his respect for life and his merciless praise.
For example, Yinger, a girl, as Baochai's chief waitress, doesn't brush her face as often as Xiren, Zijuan, Yuanyang and Pinger. As the "pioneer" of "golden jade", people hardly know that there is such a person after showing their faces.
Isn't it just like getting a "box lunch" for such an important person to be in such a hurry? It's always unsatisfactory, and it doesn't conform to Cao Gong's consistent writing style, so this time she was given a chance to show her talent. Give her a proper existence.
Thousands of miles away, I will see you eventually. This is tso's knowledge.