Performer in Xiao Di, China. 1976 graduated from Guangdong People's Art College, and now he is a member of Guangdong Musicians Association and the wind director of Guangdong Song and Dance Theatre National Orchestra. Won the first prize of the "First Guangdong Music Performance Invitational Tournament"; Performance awards of "The First Guangdong Music Competition of Guangdong, Hong Kong and Macao" and "The Fourth Yangcheng Music Flower Festival National Instrumental Music Competition". Wu Guozhong's performance is sweet, meticulous, touching, skillful and unique. He has published many solo albums and visited Portugal, Singapore, Hong Kong and Macao with the delegation, which was well received.
Master of bamboo flute Yu Xunfa:
Personal data and related information
The process of professional division of labor from folk to college is inevitable, but we also see that in this process of "standardization", the trained performers are more and more similar and have less and less their own characteristics. After the standardization of technology, the life experience is relatively simple, the traditional cultural literacy is poor, and even the artistic expression is "standard", which cannot but be said to be a myth, crisis and warning.
In the article "Fifty Springs of the Artistic Career of the Flute", Mr. Zhao Songting once emphasized earnestly that although he is in his sixties, he is still interested in doing some practical work in the relationship between the development of bamboo flute and people's thoughts, feelings and culture, the exploration and analysis of playing skills and styles, the reform of acoustics, rhythm and musical instruments of bamboo flute, the creation and aesthetics of flute music, and the scientific and systematic teaching of musical instruments. From Mr. Zhao Songting's achievements in the development history of bamboo flute, we think that only in this way can we master the musical language of bamboo flute more comprehensively and present its artistic value more profoundly. However, in today's pursuit of fast food culture, we can see that the humility and persistence of the older generation of performers in art and the profound experience accumulated from life are gradually declining and superficial while pursuing "efficiency". The traditional accumulation is not enough, which narrows the expressive force. Even the so-called "innovation" is often aimed at being unconventional, rather than being deeply brewed; The so-called "creation" is often reduced to a pile of composition formats or a puzzle that highlights skills. It is inevitable that such works conform to the "formula" of creation, but they also have certain existence value. However, it is not easy for this "unexpected and unreasonable" work to stand the test of time and audience and spread for a long time!
Tan Yanjian, professional tutor of flute and flute:
Tan Yanjian is from qionghai city. Famous flute tutor, deputy director and lecturer of folk music department of Xinghai Conservatory of Music, member of Guofeng Music Research Association of China Musicians Association, executive director of China Bamboo Flute Professional Committee and member of Guangdong Musicians Association.
1970- 1975, Tan Yanjian studied at Xinghai Conservatory of Music and studied under the famous flute player and educator Professor Jin Cheng. 1975, graduated with honors and stayed on as a teacher. 1980 was admitted to the folk music department of Shanghai Conservatory of Music, where he studied under China flute master Professor and Mr. Tan, and was carefully guided by the famous pianist Yu Xunfa.
"King Sun Zhidi:
Sun, 1943, a native of Penglai, Shandong Province, is a famous flute player and music educator, and is the director and associate professor of the Music Theory Teaching and Research Department of Art College of Qingdao University. He is a member of China Music History Society, a member of China Music Association Music Education Foundation Music Science Society, a member of China National Orchestral Society, and an art consultant of China Yi Culture Society.
Sun was influenced by his father since childhood, and began to play the flute at the age of1/kloc-0. After graduating from Shandong Art College in the 1960s, he stayed in school to teach. His flute master is Qu Guangyi, and his flute master is Xin Chunsheng. In 1970s, he worked as a soloist and composer in Jinan Air Force Art Troupe, during which he studied under the flute master Lu Chunling. He was invited to participate in international cultural exchange activities, the Spring Festival Gala in Shandong Province and the performance of the Bayi Consolation Group for many times, and acted as a solo. His playing skills are profound and he has the reputation of "the king of flutes".
1984 Sun was transferred to the Art College of Qingdao University after changing jobs from the army art troupe. Up to now, he has accumulated decades of stage performance experience and flute and flute teaching experience, and trained many outstanding talents for literary and art groups and art colleges. 65438-0992 was invited to attend the 5th National Seminar on Music Education Reform. His works "On the Wave Breathing Method" and "Principles and Essentials of Using Circular Breathing Method for National Wind Instruments" are of high academic and applied value. His deeds are included in more than a dozen dictionaries.
He has published music albums such as Sun Playing Album (Flute), Oriental Flute-Sun Playing Album Ⅱ, Oriental Flute-Flute, Hulusi Folk Song Ensemble and Oriental Flute-Tao Di.
Representative works of flute solo mainly include: Long Flowing Water, Autumn Flute, Whistling Moon in Ancient Temple, etc. The representative works of flute ensemble mainly include: fishing boat sings late, plum blossom three lanes and so on; Tao Di's representative solo works mainly include Moonlit Night, Spring outing, Fishing Song, etc.
"Oriental Flute Rhyme ―― Tao Di" is the first performance album of Tao Di's music in China, and it is also the result of his first creation and performance practice in Tao Di, which is of pioneering significance.
A generation of flute master Lu Chunling:
Lu Chunling, 192 1, was born in Shanghai in September. Flute player, China generation flute master. He used to be a professor at Shanghai Conservatory of Music and the president of Shanghai Jiangnan Silk and Bamboo Society, and was praised as the "magic flute" by audiences at home and abroad.
At the age of seven, Lu Chunling learned to play the flute. In his childhood, he was inspired by a shoemaker who was good at playing the flute. He took a keen interest in flute, studied hard and his skills soared. Because of his poor family, he became a car driver before graduating from junior high school, and then made a living by riding a tricycle. In his teens, he joined the Shanghai folk silk and bamboo group Ziyun National Music Society.
1940, he and his friends organized the China Chinese Orchestra. He participated in the preparatory work of Shanghai National Orchestra in 1950s, and then became a soloist of Shanghai National Orchestra, teaching at Shanghai Conservatory of Music from 65438 to 0976. As a soloist, since 1954, Lu Chunling has performed and taught in more than 30 countries and regions, including Southeast Asia, Europe, Asia, America, Hongkong, Taiwan Province Province, and won wide acclaim. Known as "magic flute", "magic flute" and "flute king".
198 1 year, held a solo concert in Hong Kong at the invitation of the Hong Guang Chinese Orchestra, which was well received. The press praised his performance as "outstanding in art" and "full of charm". /kloc-0 held a solo concert in Beijing in 1985, and held a master class for young people at the invitation of the Hong Kong Music Office in the same year. 1986, Lu Chunling held a 50th anniversary concert in Shanghai. In the same year, from June to October, 5438, when Queen Elizabeth II visited Shanghai, she performed on behalf of the Shanghai music industry. Presidents and prime ministers of many countries have appreciated his wonderful flute skills. In 1987 and 1988, Lu Chunling performed in five major cities, including Singapore and London. 1994, he introduced bamboo and silk from Jiangnan to Taiwan Province Province for the first time.
65438-0999, made a special trip to Dallas to celebrate the 50th anniversary of the founding of the People's Republic of China and held a special recital. Go to Toronto to attend the concert "Master Lu Chunling and Dunhuang National Orchestra". 1999, Lu Chunling's father and son, teachers and students, children's concert was held in Shanghai International Tourism Festival. In 2000, he was invited to attend the concerts of Magic Flute Lu Chunling and Gangnam Sizhu held by China Cultural Center, Hong Kong New National Orchestra, Gangnam Sizhu Club in Kyoto, and Di Zi World held by Singapore Chinese Orchestra. 65438+At the end of February, 2000, he attended the "Changhong, Xinsheng, Tianhe" concert to celebrate the first anniversary of Macao's return to the motherland. 1992 was invited by Sichuan university cultural communication company, 1993 was invited by Taiwan Province cradle record company, 1994 was invited by cradle and China Broadcasting Orchestra, and in June 2002 was invited by Qinyuan Chinese Orchestra to give a solo concert with Hu in the most beautiful and luxurious concert hall in Taipei. On June 5438+ 10, 2002, he composed a large-scale flute and orchestra concerto "Celebrate the World" for the 40th anniversary celebration concert of Hong Kong Hong Guang Chinese Orchestra. In the 100-member orchestra celebrating Hong Kong's return, he was both a conductor and a solo, and his spiritual skills were touching, which made him an unprecedented welcome. In April 2003, he gave a special concert with four experts, including Lin Shicheng, at the invitation of Hongkong Long Yin Company.
Lu Chunling has created and adapted a large number of flute solo works, and published The Collection of Lu Chunling Flute Music, Eight Famous Songs of Bamboo Silk in the South of the Yangtze River, and folk music CDs and VCDs, many of which have become the classics of China flute music. His performance is pure and beautiful, mellow and round, and his performance is very delicate; Good at using fingering such as giving sound, playing sound, leaning sound and vibrating sound to polish melody; Breath control skills are particularly deep. His performances of Flying Partridges, Cowherd, Ode to Joy, Three Lane of Plum Blossoms, Pedestrian Street and Good News are all wonderful and free, like flowing clouds, vivid and breathtaking.
There are many flute players, so I won't list them one by one.