Teacher Jiang said, "I know I have broken the hearts of many master fans." Yes, I am one of the sad fans. Besides, I am also a fan of Jiang Yishui himself. I like Jiang Weak Water's Luke Taiwan Province Province very much. His travel interests coexist with vicissitudes of life and his style is unique. Mr. Jiang said that Taiwan Province Province is "an old yellow book with an old ink fragrance". It is hard to understand how such a sensitive and delicate river can criticize another sensitive and delicate soul so rudely. We must criticize mistakes, but is it too much to use the metaphor of "melamine"? This is not critical language in the strict sense. Moreover, Teacher Jiang quoted "a letter from a friend of Taiwan Province Provincial University" to comment on Teacher Jiang, which is unfair in communication. Zhang San criticized Li Si, either using his real name or hiding his real name, only criticizing the phenomenon. If Wang Wu quotes Zhang San to criticize Li Si, he should get Zhang San's consent and use Zhang San's real name. At present, about three kinds of Jiang Xun's books can be bought in Chinese mainland. One is the written record of his various speeches. Because the speech is impromptu, there will be some serious injuries caused by not checking historical materials in time. For example, Jiang Xun talked about the Red Chamber, the King of Beijing's first encounter with Baoyu, and quoted the Ode to the Bird written by Emperor Xuanzong of the Tang Dynasty, saying that it was written by Tang Gaozong. In my opinion, it is because of the extensive and handy knowledge that this kind of mistake will appear in oral English. If the speaker stayed up late to prepare lessons and then read from the script, such a slip of the tongue might not happen. But in any case, it is wrong to say something wrong, and it is even more inappropriate for the same mistake to continue to appear in subsequent books. Among these "lecture books", Six Lectures on Loneliness is the best, which subverts utilitarian values. Art appreciation lectures such as Fuchun Shan Jutu and Cold Food Post have also been published for reading. Explain the word "exquisite" Generally speaking, Jiang Xun's "Yu Shu" has both good books and a few words. This depends not only on the level of the speaker, but also on the level of the editor and the publishing vision. From this perspective, I think we should thank Jiang for his criticism and reminder. Jiang Xun's second book is a collection of articles published in newspapers and magazines in the past. For example, the recently popular series "On the Road" and "Forgotten Words" are small and exquisite, and sometimes have meaningful words. The third category, Jiang Xun's best books, is an article that produces a systematic ideological system around a theme. For example, the book I recently read, Life-Physical Awakening, is a Taiwan Province book. When I bought it in Guangzhou, it was converted into RMB at 3.8: 1. In this book, I saw Jiang Xun's practice of Cai Yuanpei's ideal of "replacing religion with aesthetics". After reading this book Life-Physical Awakening, the last Phalaenopsis fell to the ground this spring. I closed the book and wrote a poem on the back cover: "Phalaenopsis is always after landing, more like a butterfly/flower soul that has not gone far, just jumped out/stared at its body with humility and joy/the wind urged the flowers to fly quickly/the youth of a plant is too short to catch up with several cycles. I also gave this poem to my idol, Mr. Jiang Weak Water. Youth is too short, and the time for reading is even shorter. As an amateur, I hope Mr. Jiang will not waste precious time to compare and compare whether Tao Yuanming's "wanting to distinguish but forgetting to say" is "distinguishing" or "arguing". This is retailing your youth. In an interview, Jiang also pointed out that the phenomenon of weak water is worthy of attention. Even when mainland readers blindly worship Hong Kong and Taiwan writers, many mainland writers think that their level is not good, because there are many restrictions. Teacher Jiang believes that the limitation of the publishing system is not the cause of the author's level. I quite agree with this. For example, Xu Zhiyuan's Stranger of the Motherland, the mainland version and the Taiwan Province version have their own merits. Of course, the limitation of version is a kind of constraint, which sometimes tests the toughness of thinking.