1, after all the hardships in the world, I suddenly looked back with white hair.

2, life is short, and the former teenager is now bald.

3. bloom is full of flowers and dances, and people come and go with nothing.

The full text is as follows:

When my hair turns white, who will say that I am old? If the spring breeze loves flowers, can you allow me to go back to my youth? I'm also afraid that the frost will bully my dream that "love is hard to leave", and I will hurt the autumn fence everywhere, and the bank will be thin and tired. In the middle of the night, Wangjiang is full of water, and there are hundreds of words at the desk. The wind is the finger, and the rain is the string. I feel sad when I pop it up several times. Even if I miss you today, I'm still afraid that frost will cheat my dream.

Born blue and white, live in old age. As long as there is childlike innocence, the sunset can be red all over the sky. White hair, for granted. When you are old, your heart is calm and the spring breeze is full of pity. Teenagers can't do it twice. They don't know the beauty of youth until they are old, and cherish the afterglow of time after drunkenness.

Sigh that the years have flown, and the past calendars are gone forever. Liu Chunfeng is free tonight, and a glass of turbid wine asks the sky. Why can't people be young when flowers come back to life?

Chen Zhiping said:

Chen Zhiping, Ph.D., from Ezhou, Hubei. Now he is the director, second-class professor and doctoral supervisor of the Calligraphy Institute of Jinan University. Selected as "Double Hundred Excellent Talents" (Class A) of Jinan University.

At the same time, he is a member of the first and second teaching steering committees of fine arts major in institutions of higher learning of the Ministry of Education, vice chairman of the first teaching committee of fine arts major in Guangdong Education Department, director of the 8th China Calligraphers Association, member of the academic committee of the 7th China Calligraphers Association, vice chairman of the 5th Guangdong Literature Critics Association and member of the presidium of the 6th Guangdong Calligraphers Association.

He is a visiting scholar at Boya College of Sun Yat-sen University, Kyoto Garden University and Peking University Institute of Humanities and Social Sciences.

Research areas:

Engaged in calligraphy research, teaching and creation. He has published monographs such as Huang Tingjian's Calligraphy Research, Calligraphy Textbooks Collection of Northern Song Dynasty, Notes on Calligraphy History of Tang and Song Dynasties, Historical Materials of Calligraphy Research, and Chen Xianzhang's Calligraphy Trace Research.

Participated in the compilation of "Guangdong Calligraphers Research Series" (***2 series with 22 volumes, published by Lingnan Fine Arts Publishing House on 20 12 and 20 18). 20 1 1 "Dr. Zhongshan Calligraphy Workstation" was established in Zhongshan to organize a series of calligraphy activities.