2. "Pei Feng" and "Tu Nan" are from "Zhuangzi Xiaoyao Tour": "If the wind is not thick, its negative wing will be weak. Therefore, nine Wan Li, the wind is next, it is the wind of today; Those who endure the sky and don't know the sky will go south today. " If the concentrated wind is not strong enough, there is no strength to load the huge wings.
3. So Peng flew at an altitude of 90,000 Li, and it was smooth. With the wind, he carried the blue sky unimpeded, and then began to fly south. Xiaoyao Tour is the representative work of Zhuang Zhou, a philosopher and writer in the Warring States Period. It is listed as the first article in Zhuangzi, a Taoist classic, and it can be regarded as the masterpiece of Zhuangzi both ideologically and artistically.
The theme of this article is to pursue an absolutely free outlook on life. The author believes that only by forgetting the boundary between things and me, reaching the realm of no-self, useless and nameless, and swimming in the infinity without any foundation, can we truly "travel freely". Firstly, this paper expounds the difference between "small" and "big" by comparing Dapeng with small animals such as pheasants and pigeons. On this basis, the author points out that both Fu and Xue pigeons who are not good at Yu Feixiang, Dapeng who can fly high in Wan Li by the wind, and even Liezi who can walk against the wind are "waiting for something" and are not free, which leads to and expounds the truth that "there is no one but himself, and the gods are useless and the saints are nameless"; Finally, through the argument between Keiko and Zhuangzi about "usefulness" and "uselessness", it is shown that only by not being used by the world can we be "carefree".
5. The full text is rich in imagination, novel in conception, magnificent and grotesque, Wang Yang is wanton, and there is a romantic spirit between the lines.