"History of Poetry" refers to the realistic spirit and creative method of "talking about current events" embodied in Du Fu's poems. "Expressing current affairs" has two meanings:
First, it is about or related to major events at that time. Specifically, Du Fu's poems refer to what he saw, heard and felt when he made trouble in Lushan and moved to Longshu. This is different from the general reflection of reality. Otherwise, the "history of poetry" is too broad, because the Anshi rebellion is the key to the decline of the Tang Dynasty. Du Fu's colorful descriptions of various social scenes in this historical turning point make his poems have the significance of profoundly reflecting the law of social development.
Secondly, "the history of poetry" not only means that the theme written in the works involves major social events, but also means that the ideas embodied in the works are profound and have a positive ideological education effect on society. This point is also very prominent in Du Fu's poems written around the Anshi Rebellion.
Du Fu's realistic spirit with "the history of poetry" as the core is the embodiment of China's historiographer culture and the inheritance and development of the realistic tradition of The Book of Songs.
Du Fu:
Du Fu (A.D. 7 12- A.D. 770) was born in Xiangyang, Henan, and Gongxian. A great realistic poet in the Tang Dynasty, who claimed to be a young man at night, was called "Du Li" together with Li Bai. In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du. Du Fu's influence on China's classical poetry is far-reaching, and he is called "the sage of poetry" by later generations, and his poems are called "the history of poetry". Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang. Du Fu wrote such famous works as Spring Hope, Northern Expedition, Three Officials and Three Farewells. In 759, Du Fu abandoned his official position and went to Sichuan. Although he fled the war and lived a relatively stable life, he still cared about his life and managed state affairs. Although Du Fu is a realistic poet, he also has a wild and unruly side. It is not difficult to see Du Fu's heroism and dry clouds from his masterpiece Song of Drinking Eight Immortals. The core of Du Fu's thought is the Confucian thought of benevolent government, and he has the great wish of "making the monarch Yao and Shun superior, and then making the customs pure". Although Du Fu was not famous during his lifetime, his fame spread far and wide, which had a far-reaching impact on China literature and Japanese literature. There are about 65,438+0,500 existing poems by Du Fu, most of which are collected in Du Gongbu Collection.
Basic information
Chinese name: Du Fu
Mbth: Du Fu, Du Fu.
Alias: Du Zimei, Du Shaoling, Du Gongbu, Shaoling Yelao.
Native place: Xiangyang, Hubei, China
Birthplace: Gongxian (now gongyi city).
Gender: male
Ethnic group: Han nationality
Nationality: China.
Date of birth: 71Feb 212nd.
Date of death: 770 AD
Occupation: poet
Representative works: three officials; Three farewells; The hope of spring; The banks of the Yellow River were recovered by the imperial army.
Tomb site: Du Shizu's grave in Yanshi, Henan Province
Existentialism: Realism in Tang Dynasty
Honorary title: poet and saint
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Poetic features
In terms of materials
Du Fu, a social poet, takes the rise and fall of politics, social unrest, war corvee, hunger and poverty, and the disparity between the rich and the poor as his themes, which are extensive in content, rich in times and realistic. Du Fu's poems are good at describing the historical situation at that time and reflecting the present situation of the Tang Dynasty from prosperity to decline, so they are called "the history of poetry". From the Anshi Rebellion to entering Shu, Du Fu experienced great turmoil and wrote a lot of realistic works. In his representative works, many realistic works, such as Two Ways, reflect the luxury of the upper class.
Ideological aspect
There are Confucian thoughts in Du Fu's poems, feelings of compassion for the people, concern for the country and the people, feelings of loving the people and strong patriotism, and he is known as a "poet saint". Du Shishan observed the reality of life and society rationally and carefully, and realized the sufferings and joys of the people from his own life experience. He had a strong political consciousness and inherited and carried forward the realistic spirit of The Book of Songs, folk songs of Han Yuefu and Jian 'an literature.
As far as technology is concerned.
Du Shishan writes dialogues and monologues with typical characters and events. Du Fu's poems are also good at lyricism, combining lyricism with narration, and also combining lyricism with scenery writing, leaving feelings in the landscape. Du Fu's narrative pays attention to objective description, so that the story itself can directly infect readers, and there is less discussion.
Linguistic aspect
Du Fu's writing attitude is very serious, his language is refined, his words are accurate, his images are vivid, his colors are rich, and he is good at using folk spoken language.
Genre aspect
Du Fu's works are all good, with five or seven archaic words and quatrains. He often uses different poetic styles to express different contents. The narrative uses classical poems with less metrical restrictions and easy description, while the lyric uses modern poems.
Du Fu created a large number of seven-character metrical poems, which were extensive in content, skillful in technique, attached importance to the antithesis of metrical patterns, rigorous in metrical patterns and refined in language, and made great achievements, making the creation of seven-character metrical poems mature. He also wrote new Yuefu poems, describing the sufferings of society and people's livelihood.
Style aspect
The main style of Du Fu's poems is gloomy, changeable and colorful, or unrestrained, or fresh and delicate, or gloomy and sad, or rich in rhetoric, or plain, or popular and natural. Du Fu's poems absorbed the artistic skills of predecessors and developed into a unique new style. Express one's patriotic thoughts.
Literary features
Poetic expression
language
In terms of language, Du Fu's poems are generally regarded as "gloomy", with rich changes in language and text structure, and emphasis on wording and sentence making. The word "depressed" was first seen in the Southern Dynasties, which means "the body is depressed and thoughtful, and the sun and the moon are beautiful". Later, Du Fu wrote the word "depressed and frustrated", which accurately summarized the language of his works. "As for depression and frustration, he is always agile, while people in Yang Xiong and Gomez are ordinary." A further study of Du Fu's poems shows that the formation of his poetic style is closely related to his adherence to Confucianism. At the same time, Du Fu was at the end of his heyday. When he was young, he was ambitious. "When you climb to the top, you will see that other mountains are short under the sky." . Later, the Anshi Rebellion broke out, the national movement declined and the official career was unlucky. The great gap between ideal and reality has also caused great changes in Du Fu's poetic style, approaching realism.
Pretend to be Du Fu
picture
The individualization of image selection in Du Fu's poems is the basis of his language. The images that often appear in Du Fu's poems, such as ancient blockhouses, autumn clouds, apes whistling, broken torches, steep gorges, defending the world, solitary boats, fallen flowers, sunset and other natural landscapes, as well as ordinary people such as weaver girls, old women, old farmers and wives, as well as powerful forces such as officials, generals and villains, all show Du Fu's urgent mood of "saving the world and helping the people" and his spearhead to confuse Gan Kun. The evaluation of Du Fu's later poems in Wu Ling's Poems Around the Stream: "Yang opens and Yin closes" says: "Only the meaning is far-reaching, and the next sentence is unknown". Wu Ling added: "When a mortal writes a poem, he only says one thing in one sentence, but he says two more. Du Fu's poems can say three, four or five things in one sentence; Ordinary people write poetry, which is far less than dozens of miles in front of them. Du Fu's poem can be said to be a hundred miles, two armies and States, and the world is wonderful. "
style
As far as style is concerned, Du Fu's poems are diverse in style. Yuan Zhen's evaluation of Du Fu is: "As for the beauty of the son, it is called frivolous and coquettish. At that time, Shen Song seized Su Li and swallowed Cao Liu, hiding his face and thanking him for his loneliness. He was beautiful and beautiful, which was unique in ancient and modern times." Qin Guan also has a similar view: "So Du Zimei people are poor and expensive, extremely luxurious, full of diluted interest, delicate and clean, and have the beauty of algae, which is beyond the reach of other families." However, if you don't gather the strengths of many families, Du can't be immune. "For example, Du Fu also has a wild and unruly side, and Du Fu's heroism can be seen from his masterpiece" Singing the Eight Immortals ". The mainstream view holds that Du Fu's poems are gloomy in style, refined in language, rigorous in meter, skillful in craftsmanship, sincere in feelings, elegant in speech, profound in description, delicate and touching, and vivid in image. "Elaborating beautiful sentences for human nature and gushing" is his creative style. "As far as the narrative style and discussion style of Du Fu's poems are concerned, some scholars think that it is influenced by The Book of Songs Xiaoya, and his elegy and generosity are similar to Li Sao. Some scholars believe that Du Fu's poems have the traditional spirit of benevolent government and the spirit of Sima Qian's record. There are also views that Du Fu's poems have "humanitarian spirit". Han Yu, a great writer in the Tang Dynasty, once compared Du Fu and Li Bai, saying, "Du Li's articles are endless. Wang Anshi praised Du Fu's poem "Ugliness and beauty are so different, but how to carve them". Chen Shan's "New Theory on Qin Tick" Volume 7: "Old Du Fu's poems should be six classics in poetry, while others' poems are philosophers". Jiang Shiquan's Collection of Zhongyatang, the first volume, Preface to the Collection of Du Fu's Poems, is also called "Du Fu's Poet, Four Books in Poetry".
Rules and forms of classical poetry creation
In terms of meter, Du Fu's poems are characterized by refined words and neat antithesis, which conforms to the "architectural beauty" of China's poems. In addition, Du Fu also has many innovations in genre, such as his creativity in the Five-Seven Laws and his uniqueness in literary creation.
content
In the content of Du Fu's poems, most of his works reflect the social outlook at that time, with a wide range of themes and profound implications, especially describing the sufferings of the people and expressing his sympathy for the people and his feelings of worrying about the country and the people. Du Fu's poems, known as the history of poetry, first appeared in the late Tang Dynasty. "Du Fu's" Difficult in the Mountain, the flow of the dragon book, the poetry, pushed to the hidden place, almost nothing, so it is called the number. " In the Song Dynasty, the conclusion was drawn, but the significance of poetry history was different. Some people pay attention to Du Fu's poems about historical events, and think that Du Fu's poems are documentary poems, which can supplement and prove history, so they are called poetry history. This statement only pays attention to the truth and falsehood of historical events, but ignores the emotional characteristics of poetry. Some people think that Du Fu has profound historical knowledge and rigorous brushwork, which can be compared with Sima Qian, a historian of the Han Dynasty. Poetry has critics, and they can all be "the beauty that is not empty and the evil that is not hidden", so it is called the history of poetry. This is desirable. On the other hand, Du Fu's poems are called the history of poetry because they sympathize with others and sometimes feel sad, which is also desirable to some extent. But some people don't want to assign poems. Yang Yi is not Du Like mansion. Liu Fang's "Poems of Zhongshan" says: "Yang Danian is not a poem of Du Like's Ministry of Industry, and he is called the owner."
Main idea
In Du Fu's own words, "worrying about Li Yuan in poor years" is his central idea, and "seeing the truth in adversity" is his consistent spirit. He used these to ask and encourage his friends. He praised Yuan Jie and said, "Daozhou is worried about Li Shu, and his words are full of enthusiasm." He said to Yanwu, "If you are on the stage, don't love yourself when you are in danger." He said to Pei Qiu, "Here you are, Yao Shun, Fu Gong, etc. I have long been told to die. " It is these progressive thoughts that formed Du Fu's political enthusiasm, perseverance and optimistic spirit, which made him the most political great poet in the history of our country. Of course, this is also inseparable from his life practice of being close to the people.
Born in a bureaucratic family, Du Fu has a long tradition of "serving Confucianism and guarding officials" from generation to generation. His family gave Du Fu orthodox Confucian cultural education and the ambition to make a difference in his official career. Therefore, Du Fu said that being an official is their family's "vegetarian profession"-a profession that has been attacked for generations. His various cultural upbringing and subsequent behavior are all related to his pursuit of official career. For example, he wrote in Wei Zuocheng's Twenty-two Rhymes that "he claims to be quite out and wants to get it." This is an ambition to be an official, and to realize his ideal ambition of "ruling the monarch Yao and Shun, and then making the customs pure" in his career, that is, he is eager to make contributions in social practical work and help the people. Before the age of thirty-five, it was Du Fu's study and strong tour period. In the heyday of Kaiyuan, Du Fu's economic situation was also good, which was the fastest growing period in his life. From the age of 20, he ended his school life and began a "strong patrol" for more than ten years. During this long-term intensive tour, Du Fu came into contact with the incomparably rich cultural heritage and magnificent rivers and mountains of our motherland, which not only enriched his life, but also broadened his vision and mind, and brought quite a strong romantic color to his early poems. The poem "Wang Yue" can represent. " Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky. "It shows the poet's ambition for all undertakings (including creation). However, due to this lifestyle, it is impossible to get close to the people and go deep into reality. Therefore, as a great realistic poet, this is only a preparation period for his creation.
Du Fu's approach to realism began in the second period (35 to 44 years old) when he was confined in Chang 'an for ten years. This was the brewing period of the Anshi Rebellion, and the traitors Li and Yang were in power. Du Fu not only failed to realize his political ambition of "respecting the monarch and being virtuous", but also began to live a humiliating life of "raising a rich family in the morning and fattening at dusk", and even often went hungry and frozen: "Hunger is ten days, so why not hang up your clothes?" "Suffering from hunger and cold, Du Fu once thought of retiring and became Chao Fu and Xu You," sending the sun and the moon in a chic way ". Du Fu did not fear difficulties, but resolutely embarked on the road of actively joining the WTO. Life tortured Du Fu and perfected Du Fu, so that he gradually penetrated into people's lives and saw the sufferings of the people and the sins of the ruling class, thus writing realistic masterpieces such as Chedian, Two Roads, and Going to Fengxian to pay homage. Du Fu once wrote such a poem: "People are born in the world, and if they are strong, they will be sealed"; My husband swears at many countries. What does he sigh after he gets angry? Fame and fortune map Kirin, and the bones are rotten. " Another example is "if you are ambitious, you can quit being poor". These poems all reflect Du Fu's ambition of saving the world and making a name for himself, but Du Fu's ideal and ambition are based on a strong sense of social responsibility and hardship. As a result of ten years' confinement, Du Fu became a poet who cared about the country and the people. This determines the direction of Du Fu's life path and creative path.
Forty-five to forty-eight years old is the third period of Du Fu's life, and catching thieves is the official period. This is the most violent period of An Shi Rebellion. The country was in peril, the people suffered great disasters, and the poet also experienced difficulties and obstacles. The Anshi Rebellion was a national contradiction, and the war at that time was a self-defense war related to the survival of the country. Therefore, Du Fu's attitude towards the war is different from before, not opposing, but actively appealing. He mourned the "40,000 rebels" who died for his country. He warned civil and military officials to "sweep the guns with all their strength." On the one hand, he vigorously exposed the darkness of military service and sympathized with the people; On the one hand, we still encourage people to take part in the war. Because he went deep into people's lives and devoted himself to practical struggles, he wrote a series of well-known and patriotic poems, such as For Sorrow, Ai Jiangtou, Hope in Spring, Qiang Village, Northern Expedition, Car Wash Horse, Three Officials and Three Farewells, which reached the peak of realism. Such as his poem "Climbing Yueyang Tower": "I have heard about Dongting Lake for a long time, and now I finally climb this building. The vast lake tore Wu Chu apart, as if the sun, moon and stars were floating in the water. There is no news from my friends or relatives. I am old and sick, drifting in a boat. There are wars and mountains to the north of this wall, and how can I not cry by this railing? In this poem, the poet stands on the Yueyang Tower, thinking of the social situation in the war through the distance, and can't help crying, leaning against the window to communicate with his family. Another example: the two sides of the Yellow River were recovered by the imperial army, the news of this distant West Railway Station! The north has been recovered! At first, I couldn't stop crying on my coat. Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily. On a green spring day, I began to go home, singing my songs loudly and drinking my wine. Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! . "In this poem, I am ecstatic about the news that the imperial court recovered lost ground. These two poems were written by Du Fu when he was wandering. Because of the Anshi rebellion, society seemed to be borrowed by wolves, so Du Fu always expected to quell the rebellion and restore social stability. Therefore, he wept at the thought that the country would suffer, the war would never die, and life would be ruined. When he heard that the loyalists had recovered Jibei, he burst into tears of joy and could not restrain himself. It can be seen that Du Fu's worries come from the country, and his happiness also comes from the country. This is the sense of social responsibility and hardship that Confucian intellectuals have to take the world as their responsibility.
"I am full of sadness and trouble because people travel far away." In July 759, Du Fu abandoned his official position and arrived in Chengdu at the end of this year. He built a thatched cottage in the western suburbs of Chengdu and began his last life of "wandering southwest". During the eleven years of wandering, he often lived the same life as others. He loves to associate with working people and hates bureaucrats, so he said, "I don't like going to the state capital, for I'm afraid people will think I'm real." Speaking of Mao Yu, the next House of Representatives is not embarrassed. "Du Fu's life is still very bitter. In the year of his death, he was hungry for five days because of hiding from the chaos of Zangjie. What is precious is that no matter how hard his life is, no matter where he wanders, he always cares about the safety of the country and the sufferings of the people. At the same time, he never forgot or relaxed his creation. During his wandering career of 1 1 year, he wrote more than 1000 poems. The thatched cottage was broken by the autumn wind, the banks of the Yellow River were recovered by the imperial army, Wu Lang reappeared, Tianfu Hunyin, General, the autumn scenery was prosperous, and Sui Yanxing were all masterpieces of this period. Different from the previous period, it is more lyrical and diversified. It is particularly noteworthy that the seven-character poem has been creatively endowed with great political and social content.
Du Fu drifted in Sichuan for 89 years, in Hubei and Hunan for two or three years, and died on a wrecked ship sailing from Changsha to Yueyang in the winter of 770 AD. "The blood of the war remains unchanged, and the military voice has moved to this day." This is his last memory of the country and people.
(Quoted from Du Fu's Literature Research Summary of the Sui, Tang and Five Dynasties in the Twentieth Century. Section 3)
Personality assessment
Selected poems of Du Gongbu
It is well known to the world that poets use words as their works, but Lao Du's changes are endless and almost impossible to trace back. For example, "the mountains and rivers have Bashu, and the towers and terraces are all harmonious", which is thousands of miles apart and only between the word "you" and the word "zi", while swallowing mountains and rivers and pitching ancient and modern times is beyond words. The rattan king pavilion is "pink wall and bamboo color, and the empty pavilion sounds." If you don't use the words "Jude" and "Zi", you can use them in any pavilion without rattan king. This is a wonderful work, beyond the reach of human resources, but this old man is a leisurely man, divorced from nature and unable to see his own strength. Nowadays, people are more likely to imitate the words they have used, to suppress their own narrowness and to stutter. They don't know the meaning and situation, so they can use any word.
Poetic language is too skillful. However, it has its own natural craft because of its sentimental object. Although ingenious, it is difficult to see the traces of carving. Seven words are hard to be magnificent, and every sentence is powerful without losing its meaning. I have tasted and hated those who have no successors since Lao Du's sentences of "The Silk River with splendid spring scenery floats between heaven and earth, like a cloud on the Jade Peak, between the ancient and the present" and "The drums and drums are powerful, and the rivers of stars and heaven are more than three mountains".
There are three kinds of words in Zen's cloud theory: one is to go with the flow, which means to respond to things and not be the master; The second is to cut off the multi-flow sentence, which means beyond the text, not what you know; The third is to cover Gankun's sentence with letters, which means that everything is harmonious and can wait; Its depth is in the order of magnitude. I have tasted the drama and called it a student. Some people say that Lao Du has these three languages, but they are different one after another: "The waves are dark, the lotus floor is pink" as the letter to cover the sentence of Gan Kun, "The falling flowers are quiet in the daytime, the young pigeons are deep" as the drift sentence, and "A hundred years of seclusion in Chai Men, the grass pavilion is cold in May" as the sentence to cut off the public. If there is a solution, it should be with the canal.
The ancients thought that poetry was more important than meaning, which made people think and get it. Therefore, those who say this are innocent, and those who hear it are warned. Du Zimei is the best poet in modern times, for example, "Although the country is divided, mountains and rivers remain forever, and the vegetation is spring". Petals fall like tears, and lonely birds sing their sadness. "There are mountains and rivers, nothing left. The vegetation is deep and no one is clear; What kind of flowers and birds can entertain at ordinary times? You will know when you see crying, but you will feel sad when you smell it. He's like this, but he can't lift it all again.
Meng Jia lost his hat, which he thought was the best one in his last life. On the 9th, Du Zimei said in a poem: "Being ashamed of short hair, blowing your hat backwards, smiling and being close to others is the crown", which is elegant and broad-minded, and does not diminish the predecessors. It is said that poetry can be caused by non-mechanics, and it should be moderate in the chest.
In the next few years, I went to Shan Jiang and went to Baogong Tower in the evening. It's dark, but the moon is still outside. I looked down at the Buddhist temple in front of the river and heard the sound of wind chimes. Suddenly I remembered Shaoling's poem "The night of the temple is abrupt and the wind is moving." I suddenly felt that I was talking. I have also tasted the lonely valley and the ancient wood lining the street, but as soon as I heard that the sub-rules correspond to the wooden room, I knew that "the two sides of the mountain meet and the sub-rules crow all day" was a good word. In midsummer, enjoying the cool with guests by the stream, the sun sets in the mountains and cicadas are full of trees, watching them wash horses in the stream. It is said that Shaoling's so-called "washing horses in the evening is cool, and cicadas are singing in the forest". This poem is recited on weekdays, and the work is not seen; Only when you see this place do you know its wonders. Poetry is about writing what you see, there is no need to take too many risks.
Whenever a poet makes a speech, he will do something unknown in his speech. After reading Tai Shigong's official book, he said, "Every day, guns are fired." Du Shaoling wrote in his poem: "Stark sounded the drums and horns of the fifth watch of the challenge, and the stars and Tianhe pulsated over three mountains." Gai secretly uses moving language, but there is a meaning of fighting in the language. As for this, poetry can be used for work.
The author of "Ancient Times" didn't intend to create words at first, so-called telling things by things. For example, Du Zimei's Northern Expedition went into battle directly and suddenly said, "Or red as cinnabar, or black as paint, rain and dew are wet, sweet and sour." So is this one. Articles are like writers' books.
Old Du Can won't talk about it, and he doesn't have to praise it. If he gains something, he won't forget it. For example, Emperor Taizong said: "The posture of dragons and phoenixes is the table of the sun and the moon." And old Du Shiyun: "I am really shocked", which can be described simply. After Zhaoling's poem, he said, "Many cultural relics are ancient, and the imperial court is semi-Confucian. It is better to be honest than to be humiliated, and the road to virtue is not rugged. " Emperor Taizong was brave and good at fighting, and he ruled the world, but he was the most prosperous. Old Du Heng said in his poem, "You are too lazy to be vulgar, you are too depressed to return to your heart." This language is very sad. Yesterday, Kuai Tong cried when he read Le Yi, and later generations also cried when they tasted it. There is a saying in Qi Liang Yuefu: "Protect the past and add poor pants to prevent leisure and keep the palace." Today, cattle and sheep go to the autumn dragon, and they are near the red. " Lao Du said, "Princess Guo and Qin." His minions said, "Be careful not to make the Prime Minister angry." Why did Guo and Qin get angry as soon as they approached when they were ready to serve the country loyally? Dongpo said that Lao Du was like Sima Qian, and Gai knew it well.
Tang poetry in Qing dynasty
Yuan Zhen wrote: "Li Baiqiang's waves are unrestrained, and his sincerity is not as beautiful as his shoulders." At the end of the story, if the arrangement is more than rhyme, it will be thousands of words and hundreds of times. The writing is heroic, but the wind is clear and the gas is deep, which belongs to the law. Abandon everything, Li Shang will not realize its enthusiasm, and the situation will be magnificent. Bai Juyi also said: "Du Fu's poems run through ancient and modern times, perfect, almost too Li." This is Yuan Hebai's theory. It is difficult to hide its source, and it is easy to see the poem at first sight. But the purpose is to be loyal to the monarch and worry about the country, and to be hurt is to think about chaos. Reading his poems can tell his world, so it was called "history of poetry" at that time. There are 60 volumes of old poems, and today's poems are compiled 19 volumes.
Sister Liu's Lu Xun on Classical Literature
Lu Xun's evaluation of Du Fu: "Du Fu doesn't seem to be an ancient man, as if he still lives in our pile today." Lu Xun, who once joined New Youth and launched the May 4th Cultural Revolution with famous works such as Diary of a Madman, suddenly became a revolutionary literature tutor in the 1930s. In his later years, he discussed the history of China literature with friends, and thought that Tao Qian, Li Bai and Du Fu were first-rate poets in the Middle Ages. Then he said, "I always feel that Tao Qian stands farther away and Li Bai stands higher. This is also a fact. Du Fu doesn't seem to be an ancient man, as if he still lives in our pile today. " Lu Xun parted ways with Hu Shi in politics in his later years, but his evaluation of Du Fu is still homophonic with Hu Shi's Sheng Pan. He once said: "Du Fu is the backbone of the Chinese nation!"
Load Du Fu's birthday1300th anniversary.
20 12 September, the commemorative meeting of Du Fu's birthday1300th anniversary was held in Chengdu, Sichuan with the theme of "Poets and sages will make future generations, while thatched cottages will keep future generations". This is one of the most important activities to commemorate Du Fu's birthday1300th anniversary in China since the founding of New China. Although Du Fu only lived in Chengdu for less than four years, Du Fu left many famous works in Du Fu's Cottage where he lived in Chengdu, such as Song of Autumn Wind Breaking Cottage, Shuxiang and Delighting in Rain on a Spring Night. Since the late Tang Dynasty, Chengdu Caotang has been regarded as a cultural sacred place to commemorate Du Fu and compose poems, with a history of thousands of years. About 800 representatives of cultural scholars at home and abroad, representatives of Du Fu memorial sites all over the country and people from all walks of life attended the cultural event. Mr. Huang Jinxiang, a master of calligraphy and painting, wrote a seven-character poem: "Poetry in the belly is depressing." Clouds and moons are not heard, and they spit out the words of human suffering. "As a souvenir. All these reflect people's deep memory and love for this great realistic poet, and they also admire and inherit the excellent traditional culture. Du Fu's poetry has great power to travel through time and space, and its influence is not only literary, but also social, historical and realistic, not only in China, but also worldwide. On the echo wall with a history of thousands of years, the voice of worshipping Du Fu is endless.