The story of Di Lienhard Abdallah
During her 20-year dance career, Dilina Abdullah has been working hard, diligent, diligent and diligent. She has been assiduously drawing nutrition from the ocean of art, and by virtue of her spirituality and understanding, her persistence and hard study and exploration of the true meaning of art, she has become a leader among many young actors. Over the years, she has won many awards in international and domestic dance competitions. She is good at using superb skills to create a bright and cheerful stage image and show the unique charm of national dance. Under the age of 20, she gave her first solo performance in Xinjiang Song and Dance Troupe in 1985, and another solo performance in Urumqi Unity Theatre in 1988, which was highly praised by dance master Kang Bahan, leaders and guests present. Kangbahan, a Uighur dance master, praised her dance. The representative works "Picking Grapes" and "Dancing on a Disc" were rated as "China Dance Classics in the 20th Century". 199 1 won the first prize in the national minority dance competition, and the third prize in the solo dance "Sweet Sweet Sweet". 1990 won the first prize of "Top Ten Actors" in the first silk flower Dance Competition in Xinjiang. 1995 successfully held a solo dance evening "Tianshan Snow Lotus" in Beijing. She visited more than 20 countries in East Asia, West Asia, North America and Latin America and was highly praised. She won the first prize in the National Dance Competition, Wenhua Performance Award of the Ministry of Culture, Osaka International Art Festival 1997, and she won the "highest performance award" in one fell swoop, causing a sensation in Japan. In April 20001North Korea International Art Festival, her solo dance "The Girl in Dabancheng" won the highest prize, and the "Gold Award" was highly praised by artists from all over the world. Delina is not only a superb dancer, but also accomplished in film and television, song and dance, and has won many awards in this respect. Her TV series "Bazaar in the Western Regions" won the second prize of national hosting and the title of "Excellent Singer" in Xinjiang Singer Competition. 1998 won the Best Singer Award in the 6th Asia-Pacific Youth Singing Competition in Macau, which is the first time in the art history of Xinjiang. At the Seventh National Congress of Chinese Dancers Association held in Beijing in 2000, Dilina was elected as the vice chairman of Chinese Dancers Association for her outstanding artistic achievements and great contribution to China's dance art. This is another Xinjiang dance artist who holds this position after the dance master Kang Bahan. Dilinet was hired as a visiting professor by Minzu University of China, Beijing Dance Academy, Xinjiang Normal University, Xinjiang Art Academy and Beijing Shengji Art Academy. Member of the Committee of Literary and Art Experts of the Cultural Department of Xinjiang Uygur Autonomous Region, director of Xinjiang Charity Federation, etc. In order to develop Xinjiang's cultural and artistic undertakings, on July 10, 2007, Xinjiang Dilinar Cultural and Artistic Exchange and Development Foundation was formally established in Urumqi, and Xinjiang's multi-ethnic cultural and artistic creation, theoretical research, personnel training and foreign exchanges were actively carried out. It also helps poor students with artistic talent to complete their studies, supports the cultivation of outstanding literary talents in Xinjiang, and carries out activities such as helping orphans and disabled children, which has made due contributions to deepening the exploration of Xinjiang's national song and dance art resources, creating new forms of expression of song and dance art, cultivating minority literary talents, and advocating social forces to promote the prosperity and development of minority literary and artistic undertakings. Since its establishment, it has funded more than 50 students in art colleges, and also carried out one-on-one teaching activities of "artistic soul-holding hands with big hands", and invited old artists to carry out teaching activities for poor people with artistic talent, which has received good results. In order to inherit and develop the career of the older generation of artists and promote the development of excellent arts, she proposed to the Chinese Dancers Association that the basic training combination of Uygur dance (male 12 sets, female 12 sets) by Mr. Aji Reheman, a famous performing artist and choreographer of Uygur dance, should be taken as the basic training standard of Uygur dance, and her suggestion was highly valued by the Chinese Dancers Association and China dance masters. On February 2nd this year, the China Federation of Literary and Art Circles and the China Dancers Association specially organized and held the "Demonstration Meeting on the Basic Training Standards of Xinjiang Uygur Dance" in Beijing, which was the first time in China and was a milestone for the development of folk dances of all ethnic groups in China. China dance master Jia Zuoguang and other well-known experts and scholars unanimously affirmed and highly praised. It has been said that language is to convey one's thoughts to others, and art is to convey one's feelings to others. Delina's passion, like a flame, was released on the stage. The audience's emotions will be infected by her beautiful dance, and they can't help cheering and marveling! She showed the incomparable charm of Xinjiang song and dance to the fullest. This is Delina's style. People often say: Delina is a natural dancer, her eyes can talk, her posture is graceful, her smile and dancing show the artistic brilliance of a dancer, and she flies to us smartly, showing the elegance of a nation. She is strict with herself with high standards, and goes all out to complete all the tasks she undertakes and all the work arranged by her superiors in her work; On the issue of right and wrong, she showed the political acumen that a people's artist should have, stood firm, took a clear-cut stand with the CPC Central Committee, opposed ethnic separatism and illegal religious activities, and safeguarded the reunification of the motherland and social stability in Xinjiang. Dare to adhere to principles, be pragmatic, fulfill their duties, persist in doing their jobs, and actively do all the work of the Dance Association Foundation. As a representative of the National People's Congress in Xinjiang, before the annual session of the National People's Congress, he always thinks of proposals in the field of culture and art to be brought to NPC. With the care and support of the leaders of the Department of Culture, art theaters and colleagues in the cultural and artistic circles, in recent years, proposals such as outdated facilities and insufficient rehearsal space of Xinjiang Institute of Culture and Art have been submitted to NPC, which has been highly concerned by the Party Committee and government of the autonomous region and supported by relevant state departments, and has fulfilled its duties as a representative of the cultural and artistic circles.