Du fu has a poem: the article is eternal, and the gains and losses are deliberately known. There is a lonely saying in Jin Yong's novels: epee has no front, and clever thinking is ineffective. Whenever words are put into the hands of writers with profound life experiences, they often show what we call: ingenuity is useless.
Some people can describe some withered things with things that are changing with each passing day or amazing, or discard some old things with new things, but often a little pause will make people bored.
Reading Mr. Ge's article is obviously different. The language is unpretentious, but it has won the charm of the text. Probably because of the morbid suffering of the last century, many contemporary writers of the older generation have a tendency to seek roots.
1985, Han Shaogong took the lead in declaring in a programmatic paper "The Roots of Literature" that "literature has roots, and the roots of literature should be deeply rooted in the cultural soil of national traditions", and he proposed to "base on reality, but at the same time transcend the real world and reveal some mysteries that determine national development and human survival". For example, writers of the older generation, such as Jia Pingwa, Acheng and Han Shaogong, will never return what they lost, just as we can't step into a river that has died twice. So, under the infiltration of words, Mr. Ge found the form of his transformation.
In his article, the reappearance of the hero in the old well seems to be a recollection of past sufferings. There is pain in the aftertaste and joy in the bitterness. The so-called infinite yin and yang, but Tao Te Ching said that it can be extraordinary, and some things that can be understood clearly by us are always not profound enough. Therefore, when the author was immersed in the hardships of the past, he did not realize that it was also a nostalgia for loss or a yearning for pure life. Therefore, from his "Dried Radish Emotion", we can see the poverty of the society at that time, but there was not only poverty, but also a sense of human satisfaction. Desire is infinite, and the greater the desire, the more it will bring people into the abyss. As Nietzsche said, when you stare into the abyss, the abyss also stares at you. So every writer is contradictory; They miss the past, but they often cannot accept it; They are immersed in the darkness of history and pursue the light, which is the writer's creative cognition. It is also a spiritual cleanliness that Mr. Ge can separate from history. Undoubtedly, if a writer falls to the ground, he has the power to brainwash.
Lao She's Beijing-style literature is humorous and can defeat the enemy with one stroke. Teacher Ge's current article is similar to it. Bai Juyi's poems are also deeply rooted in the hearts of the people, and strive to make every poem take root. Teacher Ge deserves to be a inheritor and a baton. On the basis of local culture, he can simplify the complex, make the novel language humorous and concise, and extract his own literary quality and self-style from it.
Jia Dao's so-called ten years to grind a sword, that is, the so-called one blade grinds. In fact, Mr. Ge's own experience is a truly easy-to-understand book. Today, his fine tradition of China people, his generosity and sincerity to people are inseparable from his family environment, family influence and education at that time. In particular, his grandmother's kindness and kindness to others have influenced him since he was a child, affecting him to treat others sincerely and treat others in his later life, and he never forgets your initiative in everything he does. Therefore, in the Old Well written by Mr. Ge, a great image symbolizing China women was vividly portrayed by him.
A good work is not only creation, but also restoration. But how hard is it to recover? In poetry writing, poetry stops at language, in fact, what we want to express is often unsatisfactory in language. Therefore, if you want to write a person vividly, you need profound writing skills and profound life experience, subtle observation and your own capture of details. Accumulation makes a person have ideas, and his work "Dried Radish Emotion" fully reflects a writer's profound cognition. From the grassroots to the boss of the company, from dried radish to delicacies, his whole life experience-and his generosity to writers' associations and friends every time ... Many people are rich, but they can't bear him-
When I first met Mr. Ge, I couldn't smell any copper smell from him, and I couldn't see the rich man's beard! On the other hand, he is as simple as an old farmer with a plow share in the countryside, but he is not rich. He is so low-key, like his grandmother in the old well, tall, tolerant and kind.
Reflecting on the past from our present happy life, the history left by those years, the beauty and goodness of human nature, and the ugliness and bitterness of society are all expounded in Mr. Ge's article "One Left Squeezes Two People", which makes people feel the same.
About the author: Pei Xiaohong, pen name Fenhe, member of Guangxi Short Story Society and member of Beihai Writers Association.