In the historical period of 1930s, with the inheritance, it continued to inherit and develop. However, with the progress of economy and production, the influx of a small number of cheap handicrafts and foreign machine-made products, and the impact of royal court handicrafts as the main body, people's ideas and significance are also constantly opening up. China's traditional arts and crafts, on which arts and crafts depend, have changed in the commodity competition in this period because of its own characteristics. Arts and crafts education is in a recession, and its status and attention are at an obvious disadvantage. With the development and evolution of culture after the Revolution of 1911, the traditional palace gradually declined. This phenomenon has not been paid enough attention for a long time, which has led to the complete disintegration of many workshops from the bleak depression. Imprisoned craftsmen began to set up their own factories, workshops or chambers of commerce in non-governmental organizations, which will be the product of the spread of palace skills in society. China's folk arts and crafts embody the various needs of the working people. It is produced with the disintegration of natural economic structure and the continuous injection of new cultural connotations into commodity economy and urban civilization. Folk arts and crafts should take the route of popularization and commercialization from the beginning, and this feature is also very obvious in some areas, especially in coastal areas and surrounding areas of big cities. Many folk arts and crafts have lost their simple and extensive local quality and become increasingly refined, meticulous and rigorous. For the development of arts and crafts, we must realize that while attaching importance to the development of production and technology, arts and crafts education in China should also be highly valued. 65438-0956, the former East China Art Institute and other units set up a new Central Academy of Arts and Crafts, which integrates scientific research, teaching and design. In the next few decades, all parts of the country have contributed to the development of fine arts. Many fine arts colleges have set up arts and crafts disciplines or majors, and a number of secondary arts and crafts schools and various forms of amateur education for employees have emerged. The construction and development of the new college-style education has changed the single old education form passed down from master to apprentice in the old society, greatly expanding and improving the scale and quality of the arts and crafts creative team. At the same time, the research of arts and crafts in China is developing vigorously in the new historical period. Research institutes of arts and crafts have been established all over the country, and these institutions have become the scientific research and production departments with the most concentrated talents and the strongest technical force in the arts and crafts organization system. At the same time, the establishment of influential basic art magazines such as Arts and Crafts Newsletter and Decoration Magazine provided an extremely important position for theoretical research in this period. Many famous artists, such as Wang Chaowen, Chen Zhifo, Pang Xunqin, Lei Guiyuan, Shen Congwen, Shen Zhang Guangyu and Luo Shuzi, have published some papers and works on the historical evolution, social functions, essential laws and classification characteristics of arts and crafts, which have played a positive role in promoting the breadth and depth of theoretical research on arts and crafts. With the tide of reform and opening up sweeping through China, with the development of cultural fields and the inclination of economic policies, the arts and crafts industry has shown a trend of reorganization. The development of traditional arts and crafts has been delayed to some extent, and the original flexible and diverse forms and market circulation fields are not as good as before. At first, the mode of production close to the large-scale industrial mode was reorganized and rectified, which greatly mobilized the original handicraft characteristics of arts and crafts and explored new production modes. However, with the acceleration of industrialization, the modern arts and crafts industry that appeared in the later period gradually grew up in a more relaxed atmosphere and environment. Various art designs adapted to the times appear more and more frequently in front of social public media and are widely used in a wide range of economic fields. Therefore, arts and crafts have attracted more and more attention from the society, and the research of arts and crafts has also developed into interdisciplinary in the form of various disciplines crossing and juxtaposing. 2. The profound significance of traditional arts and crafts to the development of art. We must realize that in www.bfblw.com, traditional arts and crafts are not only the legacy left by our ancestors, but also an important part of traditional culture and an indelible part of the development of traditional arts. At present, this kind of traditional art and culture is highly valued from country to place, because it is also a kind of capital that we show off to the world. I believe many people don't agree with this view, or feel a little narrow-minded. In fact, the important role of traditional arts and crafts in serving the current road of artistic development lies in its far-reaching influence on design, in order to make our culture known and appreciated by more people. Traditional arts and crafts are the product of the slow precipitation of history, not overnight. In the development of the whole nation, each generation has its own characteristics and different lifestyles. We must also develop, innovate and even improve the development of arts and crafts according to the contemporary times. The influence of traditional arts and crafts on design is a variety of adaptability, and it is an adaptation to contemporary society and life. This adaptation means understanding and cognition of new things. For the innovation and improvement of art development at this stage, we should keep the core of excellent traditional spirit unchanged while adapting to the needs of contemporary life. The spiritual core of traditional arts and crafts is the accumulated national spiritual quality and cultural elements. It is no exaggeration to say that it is both tangible and intangible. The intangible spirit is expressed through tangible creation, and tangible works of art contain intangible spirit and quality. Do not rely on big machine production, keep the foundation of this unique, kernel and prescriptive thing unchanged, and never move forward silently.