Mao Zedong's poems are written by Mao Zedong's highly artistic summary of the life reality in various revolutionary and construction years. They are a string of bright pearls in the treasure house of modern literature in China, and have extremely high ideological, historical and artistic values. Mao Zedong's poetic style is heroic, with profound artistic conception, rigorous, concise and lively language, which is the perfect combination of revolutionary realism and revolutionary romanticism, and expresses the poet's rich and delicate feelings for the country and himself. Although the research on Mao Zedong's poems has reached a high level at home and abroad, few people pay attention to Mao Zedong's poems in the field of vocal music. Mao Zedong's poetry has the quality of lyric poetry in artistic conception and rhetoric. Since the publication of Mao Zedong's poetry anthology in 1950s, it has also brought them an upsurge of composing music, resulting in many well-known excellent works, some of which have become the reserved repertoire of concerts and have been included in various vocal teaching materials. Therefore, it is necessary and meaningful to study Mao Zedong's poems. Combining with the artistic characteristics of Mao Zedong's poems, how to study a series of aesthetic problems such as composition and singing of Mao Zedong's poems is an important topic discussed in this paper. This paper focuses on the aesthetic phenomenon and characteristics of this kind of unique songs with Mao Zedong's poems as lyrics, so as to fully reveal the unique artistic essence and laws of Mao Zedong's poems. And try to provide aesthetic guidance for Mao Zedong's poetry creation and singing practice through the research and construction of this field theory. From the perspective of vocal aesthetics, this paper makes an all-round and multi-angle study on the aesthetic characteristics of Mao Zedong's poems from three aspects: literature (Mao Zedong's poems), music (composed by many people) and singing (performed by different composers and poems). Accordingly, this paper is divided into two parts except the preface and conclusion. The first, second and third chapters are ten chapters. The first chapter consists of two chapters. The first chapter introduces the life of Comrade Mao Zedong, the creation stage and main works of Mao Zedong's poems; The second chapter summarizes the artistic features of Mao Zedong's poems. The novella consists of five chapters, which is the focus of this paper. One chapter discusses Mao Zedong's poetry and music creation from the relationship between literature and music. The second chapter discusses the musicality of Mao Zedong's poems, thus providing possible basis for Mao Zedong's poetry creation; The third chapter analyzes the relationship between Mao Zedong's poetry and music creation; The fourth chapter discusses the artistic features of Mao Zedong's poems created by Fu Jie. The fifth chapter discusses the artistic features of Mao Zedong's poems written by other composers except The Kidnapper. The next chapter consists of three chapters, one of which expounds the importance of singing research in Mao Zedong's poetry aesthetics research; The second chapter discusses the requirements and conditions of Mao Zedong's poetry and ode singing; The third chapter takes Qin Yi Emei Loushanguan as an example to discuss how to sing Mao Zedong's poems well.

Keywords: Mao Zedong's poetry creation and singing aesthetics

Degree awarding unit: Northwest University for Nationalities

Degree level: Master's degree

Year of degree award: 2008

Classification number: I207.25

Directory:

Chinese abstract 2-3 Abstract 3-8 Introduction 8- 10 1. Literature review 82. On Aesthetics, Music Aesthetics and Vocal Music Aesthetics 8- 10 On Mao Zedong's Poems and Lyrics 10- 15 Chapter 1 Mao Zedong and his Mao Zedong Poems 10- 13 1 Mao Zedong's Biography10. The second chapter is an overview of the artistic features of Mao Zedong's poems. 13- 152. 1 the ideological content of Mao Zedong's poetry 13- 142.2 the artistic technique of Mao Zedong's poetry creation 14- 15 on Mao Zedong's poetry creation. The intersection of poetry and music written for it 15-203. 1 the historical relationship between music and literature and the proposal of the concept of "music literature" 15- 163.2 the connection point between music and literature16-188. 83.3 Musicalization of Literature and 3 Metrics 2 1-23 Chapter V Mao Zedong's Poetry Creation 23-255. 1 Possibility of Mao Zedong's Poetry Creation 235.2 Mao Zedong's Poetry Creation 23-25 Chapter VI Poems Created by Hijackers 25-326.6438+0 Brief Introduction of Hijackers' Life and Poems Created by Hijackers. 6636.666666637 and the song 28-326.3/kloc-0 written by the hijacker/29-306.3.2 Absorbing the tones of local operas; 306.3.3 Using the China national modal scale. 438+06.3.4 Adhere to the creative principle of seeking truth from facts, Close contact with the masses 3 1-32 Chapter VII Artistic features of Mao Zedong's poems and songs written by other composers 32-357. 1 Artistic features of Mao Zedong's poems and songs written by Zheng Lvcheng 32-337.2 Ke Yan, The artistic features of Lv Yuan Mao Zedong's poems and songs 33-347.3 The artistic features of Tian Feng Mao Zedong's poems and songs 34-35 The next part is about the singing of Mao Zedong's poems and songs 35-45 Chapter 8 The importance of singing research in the aesthetic research of Mao Zedong's poems and songs 35-37 Chapter 9 The requirements of Mao Zedong's poems and songs singing 37-429.438+0 Voice 379.2 Pronunciation 37-389.3 Singing feelings 3. 8-429.3. 1 Familiar with the work 399.3.2 Understanding the author and creative style 399.3.3 Singing tone, strength and speed 39-409.3.4 Grasping the singing intonation 409.3.5 Grasping the background and emotional tone of the song 409.3.6 Understanding the artistic conception of the song 40-42 Tenth 0.65438+-44 10.3 Singing "Repeated Answers" composed by Zhao Kaisheng 44-45 Conclusion 45-46 Acknowledgement 46-47 Reference 47-48 Appendix Music Score 48-66 Qin Xue Hijacking Song 48-49 Buji Hijacking Song 49-50 Lu Yuan Song 50-53 Qin Xuetian 53-6