Appreciation of the ancient poem "Pastoral Music" 1 Pastoral Music ① Wang Wei's peach blossoms are full of rain, and the willows are full of spring smoke. The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.
Note: ① There are seven original poems * * *, which are the best chapters in the six-character quatrains with Wang Anshi's Journey to the West in the Northern Song Dynasty.
Appreciation: Wang Wei's poems have pictures. In this poem, the poet depicts a quiet, leisurely and beautiful picture of rural life in the early morning after the rain, which shows the poet's seclusion feelings. You see, one spring morning, peach blossoms bring rain, green willows contain smoke, flowers fall and birds sing, and mountain travelers are still sleeping soundly. How quiet and beautiful the scene is, and how leisurely life is! In particular, the scene of "birds singing" and "mountain guests sleeping soundly" written in the poem not only has the artistic effect of combining static and dynamic, but also shows the infinite interest of life in the mountains from the performance of sleeping characters!
Huang Sheng's Poems on Yulin said: "Six-character quatrains, such as Wang Moshu's Peach Blossom and Wang's Yang Sui Qing Dai, are the most shocking and difficult to follow." Any comments?
Read this lyric poem about scenery and then answer this question.
1. What are the characteristics of this poem in landscape writing? There are pictures in the poem, which are vivid and colorful; Dynamic and static combination, scene blending; Fight hard and rhyme loudly. )
2. What is the mood of "Shanke" in the poem? (leisurely and quiet)
Red peach blossoms still contain raindrops all night, and green willows are covered with faint spring smoke.
The children haven't cleaned up the fallen flowers on the ground, Yinger is singing and the tourists are still sleeping soundly.
Appreciation of the ancient poem "Pastoral Music" Part 2 I hate to see thousands of families, with neighbors in the north and neighbors in the south.
The government has a bottom, and who is it?
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Meet with the official family of Gaotang Deep Academy, and often go in and out of the upper class in the north and south.
People who seek fame and gain often go in and out of the government, but who are those hermits scattered in the mountains?
To annotate ...
Tired of watching: all I can think about is watching. One is "in and out"
Government: a "waste". Mink (kē): A beautifully decorated horse, which means a person who pursues fame and fortune.
Kūngtóng: refers to the fairy mountain.
Make an appreciative comment
"Seven Pastoral Music" is vivid in coloring and detailed in description, so readers can draw it first and then understand it. Write peach blossoms and leaf warblers to capture the characteristic scenery of spring. Here, peaches, willows and warblers all refer to flowers and birds, which is more specific than Meng's general reference to flowers and birds, and it is easier to evoke intuitive impressions. It is also obvious that the artistic effect of writing Rain at Night through Stay in the Rain and Facing the Smoke is the same. On the basis of linking the scenery, there is color, and the use of the words "red" and "green" makes the scenery bright and pleasing to the eye. Readers will see a bright future.
Wang Wei
Wang Wei (70 1 year -76 1 year, 699 -76 1 year), whose name is Moju. Han nationality, a native of Hedong, Zhou Pu (now Yuncheng, Shanxi) and Qixian, Shanxi, was a poet in the Tang Dynasty and was known as the "Shi Fo". Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. " In the ninth year of Kaiyuan (72 1), he was a scholar and was appointed as Tai Lecheng. Wang Wei is a representative of poets in the prosperous Tang Dynasty. Today, there are more than 400 poems, including Acacia and Autumn Night in the Deep Mountains. Wang Wei is proficient in Buddhism and is greatly influenced by Zen. Buddhism has a Vimalakīrti Jing, which is the origin of Wang Wei's name and ci. Wang Wei's poems, paintings and calligraphy are all famous, versatile and proficient in music. Together with Meng Haoran, they are called "Wang Meng".
Appreciation of the ancient poem "Pastoral Music" Part III Five of Seven Pastoral Songs
There is a lonely village at the foot of the mountain and a lonely plateau on the horizon.
A swallow flies back to the alley, and Mr. Wu or Liu faces the door.
Introduction to ancient poetry
Pastoral Music is a group of poems composed of seven six-character quatrains. The first topic is Six Words of Wangchuan, which was written by the poet when he retired from Wangchuan. In Wang Wei's pen, this poem is like a simple and plain ink painting.
Translation/translation
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There is a quiet small village lying on the hillside in the distance. The scattered eaves and corners are tilted under the shade of green trees, and a wisp of kitchen smoke rises in it. There is a simple and hard environment like Yan Hui, and a noble scholar like Tao Qian lives next to it.
To annotate ...
Mr. 156: Tao Yuanming resigned and returned to Li, leading a life of "giving everything". Because there are five willows planted in front of his house, he is called Mr. Five willows.
Appreciation/appreciation
It depicts a long-term vision. "Under the mountain" means not a nearby mountain, but a distant mountain, because there is a "distant village" under the mountain. It can be seen that "far village" means distant mountains. The mountain is adjacent to the "horizon", which is even more visible. Judging from the rendered atmosphere, there is no bustling scene of the city, only sparse villages. Although the poet did not positively express the activities of the characters, few people started from touching the word "solitary smoke". In particular, "unique" is relative to "solitary smoke", and "plateau" is connected with "distant village", which is even more desolate and lonely. Here, the poet described the distant mountains in the north, with obvious local characteristics. Above, the color is light. The most we can realize is that the solitary smoke in the distance still carries a ray of light gray, and there seems to be a layer of light yellow on the plateau that day. In this quiet world, there is a sense of elegance like Yan Hui and Tao Qian, and how comfortable and free it is. Without the ultimate practice, it is impossible to reach this wonderful place. If the first two sentences focus on depicting diluted scenery, then the last two sentences focus on expressing diluted emotions. The diluted scenery blends and permeates each other.
Dilution has the characteristics of leisure, quietness, lightness and remoteness. This is the case with Wang Wei's pastoral poems. The lonely village under the mountain appears as a distant word, and the whole poem is leisurely, quiet, light and distant, which is a diluted swan song. Others, such as "People are idle and sweet-scented osmanthus falls, and the mountains are empty at night when spring comes" ("Bird Singing Creek"), and "The lonely households are falling in succession" ("Wu Xinyi"), respectively show the diluted scenes of leisure, loneliness, quietness, emptiness, silence, absence and loneliness. All these show the weakening of the artistic conception of Wang Wei's poems.
Lonely Village under the Mountain washes away human disputes, without external interference, only the tranquility of nature. Poets are addicted, appreciative and intoxicated, and throw themselves into the embrace of nature and blend in with it. The mountains, solitary smoke, distant villages, skylines, solitary trees and plateaus described by the poet all beat the poet's pulse, whirled the poet's voice and shook the poet's soul. Therefore, nature is personified. The nature in Wang Wei's works reflects Wang Wei's diluted state of mind. The poet blends in with nature. This melting means dilution. The poet is not detached from things, but melts into things. What the poet pursues is this kind of ethereal realm of selflessness, selflessness and self-reliance. This phenomenon of endowing nature with a poet's personality, and this coarsening and humanization of nature are all manifestations of Wang Wei's love for life. Visible Wei Wang dilution is not as chicken ribs as some people say. It's just the smell of fireworks, but it's intermittent. If there is anything, it can only be understood and difficult to explain. In terms of color, we don't need thick ink, not gorgeous, and pursue simplicity and lightness. In calligraphy, it is neither carefully carved nor outlined with thick lines, but dyed bit by bit, meaning to follow the pen. As far as taste is concerned, I don't make amazing remarks, advocate exaggeration, be full of lofty sentiments, cling to reality, pay no attention to disputes in life and personnel disputes. But to lead an honest and clean life, to be alone, to be alone, to show deep affection for mountains and rivers, to sing romantic songs, and to always maintain inner peace and indifference. The poem "Lonely Village under the Mountain" is a portrayal of the poet's diluted mood.
Appreciation of Ancient Poetry "Pastoral Songs" Part IV Seven Pastoral Songs, Part VI
Hearts also contain fresh rain overnight, green willows and a touch of spring smoke.
The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.
translate
Red peach blossoms still contain fresh rain all night, and green wicker has faint spring smoke.
The petals fell, the children at home didn't clean up, and the oriole fell asleep with a leisurely mountaineer.
To annotate ...
1, Suyu: It rained last night.
2. Morning smoke: refers to the morning fog.
3. Family boy: child servant.
4. Shanke: the person who lives in seclusion in the villa, here refers to the poet himself.
5. Still sleeping: Still sleeping.
Appreciation/appreciation
In the poem, spring sleeps, warblers sing, flowers fall and rain stays, which is similar to Meng Haoran's five elements of "Spring Dawn". There are so many similarities in the life content written in the two poems, but the artistic conception is quite different. Comparing with each other, it is easiest to see two remarkable characteristics of Wang Wei's poem.
The first feature is vivid and colorful, and there are pictures in poetry. This is not to say that there are no paintings in Meng's poems, but that Meng's poems focus on freehand brushwork. Although the wind and rain of flowers and birds are also mentioned, they are not described in detail, and their environment is indirectly realized by readers from poems. Wang Wei's poems can be completely different. Not only the composition is large, but also the coloring is concrete and vivid, and the description is meticulous. Write peach blossoms and leaf warblers to capture the characteristic scenery of spring. Here, peaches, willows and warblers all refer to flowers and birds, which is more specific than Meng's general reference to flowers and birds, and it is easier to evoke intuitive impressions. Writing "rain at night" through "staying in the rain" and "facing the smoke" also has the same artistic effect. On the basis of sketching the scenery, the use of color, "red" and "green" make the scenery bright and pleasing to the eye. Readers will see a bright future. "Peach flies away, burning its glory", plus "Liu is Yi Yi", the scenery is pleasant. After coloring, there is a layer of rendering: deep red and light red petals are slightly raindrops overnight, and the colors are softer and more lovely. After the rain, the air is clear and fresh, and flowers in Ran Ran are scattered all over the place; The green wicker cage is more charming in the hookah. Poetic landscape, after layers of rendering and detailed description, has become a detailed and colorful picture scroll; In contrast, Meng's poems are like uncolored freehand brushwork. One is colored and the other is colorless. Meng's poem begins with "I woke up in this beautiful spring morning" and saw people before entering China. On the other hand, Wang Shi didn't meet anyone before entering this country. Because of the "constant rain", there is a "falling flower". Flowers should be cleaned up when they fall, but "children haven't cleaned up yet." Don't sweep, don't sweep, because people haven't got up in the morning. No one asks about the scene where the flowers fall to the ground, so don't have some leisure. This is exactly what Wang Wei likes better. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. Finally, I wrote "Yingying crow". Yingying crows without dreaming, and Shanke falls asleep. This is the charming picture of me waking up easily in this spring morning. But there are subtle differences with Meng's poems. Meng's poem begins with "I wake up in the spring", but people are already awake, so there is a pleasure of "birds singing around" and a suspense of "I don't know how many flowers have been folded", and its artistic conception can be summarized by the word "spring trouble". This poem was written at the end of spring sleep, when people slept soundly and safely and knew nothing about the outside world. Although flowers are falling and birds are singing, it only sets off the tranquility and mood of the "mountain guest" residence, so its artistic conception is mainly based on the word "quiet" Wang Weizhi's "music" is also here. The idea of advocating silence has a negative side. But Wang Wei's poetry is commendable because it is different from silence. He can write life in silence through the interaction of motion and static, giving people a fresh and clear aesthetic feeling. Tang poetry is characterized by vague artistic conception, but there are still two specific manifestations: one is biased, such as Meng's poem "Spring Dawn"; The other is biased towards the environment, so poetry is. And from the environment, there are pictures in the poem. Is that most remarkable advantage of this poem.
The second feature is to work hard on the battle and rhyme loudly. Meng's "Spring Dawn" is an archaic five-character quatrain, which is free in meter and melody. Because Meng's poems are scattered, the meaning and pulse are consistent, and they are wonderful. This poem is another work, because it belongs to six-character quatrains, and its meter is extremely strict. From the perspective of parallel couples, not only the real words such as "Peach Blossom", "Liu Qing", "Su Yu" and "Chao Yan" are steady and steady in the confrontation, but even the function words are very cautious in the confrontation. For example, "Fu" and "Geng" are opposites, and they have progressive poetic functions in sentences; "Wei" and "Jude" have a poetic turn in the sentence. The verbs "contain" and "take" have positive meanings, which make the objective scenery subjective and vivid. And against Seiko, watching a scene, but echoing each other, muddy as one. Peach, willow green, staying in the rain and welcoming smoke are interrelated, while the phrase "falling flowers" comes from peach and the phrase "singing birds" comes from willow, and "children at home have not been swept" and "mountain guests are still sleeping" also echo each other. What is shown here is the artistic ingenuity of manual cutting management and the perfection of painter's composition. The antithesis and beautiful melody make this poem catchy. Ancient Chinese poetry is dominated by five or seven words, and six-character quatrains are underdeveloped in all previous dynasties, especially masterpieces, and several poems by Wang Wei are rare.
Pastoral Music is a group of poems composed of seven six-character quatrains. The author lives in seclusion in Wangchuan Villa, in order to enjoy the pleasure of being close to nature, so the title is "Six Words of Wangchuan", and this poem is one of them. This poem is Wang Wei's later work. In Wang Wei's later poems, he mainly described his leisurely and secluded life in Zhong Nanshan and Wangchuan. "Biography of Wang Wei in Old Tang Dynasty" records: "All Uighur brothers respect Buddha, live on vegetables and don't eat blood. Grow up fast in your later years and don't wear clothes. " Due to the influence of family environment, when he believed in Buddhism and relegated Jeju in his early years, his hermit thought had sprouted. Coupled with political changes such as Zhang Jiuling's dismissal from office and Li's coming to power, he gradually felt depressed and dark in his official career, and his ideals were shattered. Faced with the harsh reality, he didn't agree, and he felt powerless. Although Wang Wei was not persecuted when Li was in power, he was actually promoted, but his inner contradictions and depression became deeper and deeper. Wang Wei is an upright and cowardly feudal intellectual who has been influenced by Buddhism for a long time. His only way out is to jump out of the circle of right and wrong and return to the old garden for seclusion. As a result, Wang Wei began to live as an official and a recluse in his later period, and even the Anshi rebellion, which had a great influence on his personal life, was hard to be positively reflected in his poems. In the later period, he basically held an indifferent attitude towards reality. At first, he lived in seclusion, and later he had a villa in Wangchuan, Lantian, Song Dynasty. His life is more leisurely. He "played the piano and made poems with Taoist friends Pei Di and Uighur" and went to fast and read Buddha. "After retiring from the DPRK, he burned incense and sat alone to meditate." This poem was written during Wang Wei's seclusion in Wangchuan Lantian.
Appreciation of Ancient Poetry "Pastoral Music" Part V Original Works
Seven pastoral songs, the fourth
Wang Wei
Plant grass in Chun Lv and pine trees in Xia Han.
Cattle and sheep return to the village lane, and young people don't know how to dress.
Annotation of works
1, lush vegetation. Green: a work of "Bi".
2, falling: loose and high.
3. childlike innocence: children; Kid. Dress: the dress of a scholar-bureaucrat
Translation of works
Whether in spring or autumn, the vegetation is lush, and the tall pine trees bring shade in summer.
At night, cattle and sheep are free to return to the village head lane, and the children in the village don't know the official clothes.
works appreciation
There is a saying in "The Songs of Chu Recruit Hermits": "Wang Sun swims without returning, and spring grass grows." It is the grass that calls the hermit back to the mountains. In Old Tang Book, the hermit Pan was asked, "What do you need on the mountain?" Yes, there are many pine trees and clear springs in the mountains. "Lush grass" and "long pine" are exactly what hermits want. It's so pleasant to have lush grass in spring and pine trees in summer. The natural environment is mentioned above, and the human environment is mentioned below. "Cattle and sheep return to the village lane" means "when the day comes, the cattle and sheep come down". The beauty lies in "self-return", not "shepherd boy drives calves home" (Wang Ji's Wild Hope). The taming of cattle and sheep especially shows the peace and tranquility of villages and alleys. Later, Lu You wrote in an idyllic poem that "the mulberry can't see the door, and the cattle and sheep branch to the village", and its artistic conception may be borrowed from this poem. Cattle and sheep set off the childishness below. "Dress", the clothes and hats worn by officials, means "official" here. Writing about people whose children don't know how to be officials shows the seclusion and simplicity of people here, just like people in the Peach Blossom Garden: they have yellow hair and enjoy themselves. ""I wonder if there are any Han Chinese, regardless of Wei and Jin Dynasties. " Just like the old song in ancient times: "Work at sunrise, rest at sunset, dig wells and drink, plow and eat." What's in Dili for me! "This shows that people here live very freely. The "clothes" here may also refer to yourself. The poet lives in seclusion here, but his identity is still an official. His children don't know whether he is an official or not. This simple country needs neither red tape nor personnel entertainment, which is unprecedented and unheard of in the outside world.
Poetry expresses the scenery of Wangchuan and the leisure and freedom in his life. It uses a few descriptions, one sentence and one scene, just like pictures, connected in series, forming a rich "leisure map of Wangchuan". Six-character quatrains naturally tend to be juxtaposed because sentences and words are even numbers, and because two words form a semantic unit at a time, it is not convenient to combine them flexibly. Therefore, syllables are inevitably monotonous and the capacity is inevitably embarrassing. Yu said: "Poetry writes temperament, which is easy to disperse and difficult to say, so (six-character poem) is fresh in ancient and modern times." It is true that intonation and narrative theory are not the strengths of six characters, but it is possible to write good works by turning reality into emptiness and turning boards into life. "Painting in Poetry" is the most suitable style for six-character quatrains. These poems of Wang Wei are highly praised by later generations and painted in the picture of Tang poetry, which is the main reason.
The sixth poem in the group said: "Peach red contains continuous rain, and willow green is more smoky. The flowers have fallen, the children have not come back, and the guests in Ti Ying Mountain are still sleeping. " Tiaoxi Yuyin (Hu Zai) sighed after reading this: "This sentence often reminds people of the victory of Wangchuan in spring, and the old man is proud and comfortable in it!" (Conghua episode) Although this song was not only written in spring, but also not so bright in color, it makes people feel similar to it.
Brief introduction of the author
Wang Wei, a poet in Tang Dynasty. The word stroke. His father was originally from Qi (now Shanxi) and later moved to Yongji West, Shanxi, becoming a Hedong native. Kaiyuan (year number of Emperor Xuanzong of Tang Dynasty, 713-741) was a scholar. Tired officials give things. An Lushan rebels were hired when they were trapped in Chang 'an. After the chaos, they were demoted to Prince Zhongyun. After the official to ministers right cheng, so also known as Wang Youcheng. In his later years, he lived in Wangchuan, Lantian, and lived an honest and secluded life. Poetry is as famous as Meng Haoran and is called "Wang Meng". In the early stage, I wrote some frontier poems, but the most important one was landscape poems, which promoted hermit life and Buddhism through the description of pastoral landscapes. Exquisite objects, vivid descriptions and unique achievements. He is also proficient in music, painting and calligraphy. This is Wang Youcheng.