On China's Understanding of the Aesthetic Function of Drama in Ancient Times, Fujian Drama No.3, 1984.
On Official's Son (Cooperation with Changsheng), Journal of Guangxi Normal University,No. 1985,No. 1.
An overview of current affairs dramas in Ming and Qing Dynasties, Jiangsu Drama, No.2, 1985.
Ideological and artistic features of current affairs dramas in Ming and Qing Dynasties, academic journal of zhongzhou No.2, 1985.
On the ideological significance of the fourth series of Water Margin.
On the dramatic conflict of Yuan Zaju, Drama ResearchNo. 15.
A preliminary study on the identity of Yuan Dynasty zaju writers, Jinyang Journal No.4, 1985.
Yuan Zaju and Literary Trend of Thought in Yuan Dynasty, Guangming Daily, July 1985, June 16.
Two Supplements to Fujian Drama History, Fujian Drama No.5, 1985.
On the foot color of classical opera, Fujian Drama, No.6, 1985.
Skynet is long, sparse but not leaking —— A preliminary study of Yishan's poems, appreciation of famous works,No. 1986,No. 1.
"The way of drama is really precious, but its emptiness is precious" —— On the reality of ancient dramatists' drama, No.2 Drama Art, 1986.
On the spirit of the times of Yuan Zaju, Journal of Hebei Normal University, No.2, 1986.
"The way of drama is really expensive, but its emptiness is expensive" —— Fujian Drama, No.3, one of China's collections of ancient drama aesthetics, 1986.
"Drama is the world, the only lover in the world" —— On China's ancient drama aesthetics, Fujian Drama No.4, 1986.
There is no irony, but there is revenge-the mystery of Pipa's creative intention, Knowledge of Classical Literature No.4, 1986.
Debate on the social causes of the prosperity of Yuan Zaju, Literature and History Knowledge, No.8, 1986.
On the image of comedy type in Yuan Zaju.
No wonder it's a legend, no wonder it's a legend —— On the Aesthetics of China's Ancient Opera, Fujian Drama,No. 1987,No. 1.
"Alien love is humane" —— The image of Ren Chuanzhong, Knowledge of Classical Literature,No. 1987,No. 1.
On the Legend of Jiang Shiquan's Linchuan Dream, Appreciation of Masterpieces, No.3, 1987.
"My husband doesn't laugh, which is my trouble" —— The cartoon features of Li Yu's The Kite's Mistake, No.4 Masterpiece Appreciation, 1987.
Painting Xiaoxiang Ink Painting —— Appreciation of Rain Scenery Description in Yuan Drama, No.5 Shaanxi TV University, 1987.
On the Aesthetic Taste of Talented Persons and Beautiful Women's Drama Novels in the Late Ming and Early Qing Dynasties, No.5 of Literary Heritage, 1987.
On the basic ideological characteristics of Yuan Zaju writers, Journal of Beijing Normal University, No.6, 1987.
On the tragic conflict of Tang Xianzu's cultural consciousness (cooperation with Zhenyu Li), Research on Traditional Chinese Opera198765438+February.
Half-life Madness, Love for Life —— On the Images of Zhang Youyu and Zhu Xizhe in Shen Qifeng's Fu Cai, Knowledge of Classical Literature,No. 1988,No. 1.
"Living without a fixed address" —— On You Dong's "The Legend of Juntianle", the masterpiece is appreciated,No. 1988,No. 1.
On the Nature of the View of Good and Evil in Yuan Zaju, China Studies No.3, 1988.
"Talented people can't enjoy happiness" —— Aesthetic taste of Shen Qifeng's legend "Talented people can enjoy happiness", the fourth issue, 1988.
Dilemma and multiple choices in the study of ancient literature, Literary Heritage, No.5, 1988.
On the Ideal Personality Paradigm of Literati Legends in Ming and Qing Dynasties, Journal of Beijing Normal University, supplement "The Voice of Learning" Series 2.
On the Creation Methods of Literati Legends in Ming and Qing Dynasties, Drama Research, No.28,1988.438+February.
Criticism on the Research Road of Classical Novels in Forty Years, Literary Heritage, No.3, 1989.
On the Ideal Personality of Classical Opera, Drama Literature No.7, 1989.
"Spreading new words through too many reasons is nothing but feelings" —— Romanticism in Ming and Qing Dynasties and "supreme feelings" in Palace of Eternal Life, No.7 1989 in Knowledge of Literature and History.
On the theme of the times of literati legends in Ming and Qing Dynasties, Journal of Beijing Normal University, No.5, 1989.
On the Cultural Implication of Guan Opera, the thirtieth in the drama research series.
On the Stylistic Features of China's Ancient Opera Literature, The Voice of Learning, Supplement to the Journal of Beijing Normal University, Series 6 1989.
Ding Life and Drama (co-edited with Hao Shixian), Qilu Academic Journal, No.6, 1989.
Textual research on Jiang Shiquan's legendary skills, literature 1990No. 1.
Inheritance of artistic spirit and variation of cultural spirit —— Reflections on the way out of China's traditional operas, Drama LiteratureNo. 1990,No. 1.
Pu Songling's Cultural Mentality, Literature, History and Philosophy No.2, 1990.
Historical evolution of literati legends in Ming and Qing Dynasties, Literary Heritage, No.2, 1990.
"The most pitiful children's heroes are dragons and phoenixes among people!" -a new interpretation of the concept of "human feelings and justice" in the biography of heroes of children, National Literature Research No.2, 1990.
On the Creative Thoughts of the Water Margin Writers, China Studies, No.3, 1990.
"Dream originates from emotion, and drama originates from dream" —— On the literary thoughts of legendary writers in Ming and Qing Dynasties, China Literature Research No.3, 1990.
Is it "ethics" or "custom" —— On the literary ideas of legendary writers in Ming and Qing Dynasties, academic journal of zhongzhou No.4, 1990.
Textual research on the legendary author of codex Yihe, document No.4, 1990.
On the Theme Model of the Struggle between Loyalists and Traitors in Ming and Qing Dynasties, Journal of Sichuan Normal University, No.4, 1990.
"Wait for a dream, where will the sky be born" —— On the absurd consciousness of Conan's dream and Handan's dream, Literature and History KnowledgeNo. 1990,No. 12.
Yuan Qu and Minority Culture (signed by Zhang Ying), Research on Ethnic Literature,No. 199 1 issue.
Jia Baoyu and Song Jiang —— On the Influence of Water Margin on A Dream of Red Mansions, Journal of Fujian Institute of Education, No.2, 199 1.
On the creative thought of the author of Water Margin, Journal of Xinyang Normal University, No.2, 199 1.
Beautiful Garden Structure and Nature —— Characteristics of Network Art Conception of Dream of Red Mansions, Journal of Dream of Red Mansions, No.4, 199 1.
Contemporary forms of Chinese and western drama concepts, Drama Literature, No.8, 199 1.
The value of ancient books in China, college students, No.9, 199 1.
On the Citizen Consciousness of Yuan Zaju, Supplement to Journal of Beijing Normal University, 199 1 year.
Random talk on talented people and beautiful women in Ming and Qing literature and appreciation of famous works,No. 1992,No. 1.
A Brief Introduction to Song Dynasty's Reward and Ci, China Literature Studies,No. 1992,No. 1.
Reflections on the Academic History of China's Classical Literature (in cooperation with Fu Xuanyan and Xie Siwei), Literature Review No.3, 1992.
On the Association of Scholars in Ming Dynasty, Journal of Beijing Normal University, No.4, 1992.
On the Aesthetic Law of Chinese and Western Drama Image Creation, Drama Literature, No.8, 1992.
Mr. Qi Gong's Way of Learning, Literature 1993. 1.
Shusheng is a great poet, trans-century, No.2, 1993.
Modern interpretation of classics and cultural traditions, Guangming Daily, July 7, 1993.
The Essential Features of Chinese and Western Drama Styles, Drama Literature, No.8, 1993.
The Diversified Trend of Aesthetic Taste ── On the Images of Ugly Women in Literati Legends of Ming and Qing Dynasties, China Opera Series14 (1August, 993).
The Object, Task and Method of Studying the History of China Classical Literature, China Literature Research No.4, 1993.
Textual research on Shen Jing's legendary skills, literature, No.4, 1993.
Updating the research methods of modern classical literature, traditional culture and modernization, No.4, 1994.
Pu Songling and king of the children, China People's Political Consultative Conference, 1993, 10, 10.
A Summary of the Research on Drama Novels in Yuan, Ming and Qing Dynasties (1992), China Literature Yearbook (1993).
Art and obscenity: A short slip makes a long regret, China Consumer News, 1995, 1.7.
Triple Realm of Zen, China Consumer News, March 1995, June 18.
On the View of Literary History in Yuan and Ming Dynasties, Journal of Beijing Normal University, No.3, 1995.
The Formation and Enlightenment of Modern Drama in China, Drama Literature No.7, 1995.
Narration: Two-way Infiltration of Ancient Novels and Traditional Chinese Opera, Literary Heritage No.4, 1995.
Differences between Chinese and Western Traditional Drama Concepts, Drama Literature, No.65438 +0995, No.65438 +065438 +0.
The Rise and Fall of Peach Blossom Fan —— Historical Consciousness of Peach Blossom Fan, Appreciation of Masterpieces, No.6, 1995.
The first impression, the second vision and the third eye (selected works on the study of Ning's novels and dramas), No.2 of Literary Heritage, 1996.
When you are stabbed by the world, you can reveal subtlety-on the cultural connotation of Suzhou legends, Journal of Beijing Normal University, No.3, 1996.
Outline of China Ancient Literati Group, China Cultural Studies, Summer Volume 1996.
On the Study of Literary Schools in Ming Dynasty, Qiushi Journal, No.4, 1996.
Theoretical Thinking on the History of China's Classical Fiction —— Reading Yang Yi's History of China's Classical Fiction, People's Daily, 1996, May 16.
The Value of Legends in Ming and Qing Dynasties, Knowledge of Literature and History No.8, 1996.
Narrative Techniques in Li Yu's Novels and Plays, Literary Heritage, No.5, 1996.
The Construction of China's Narratology —— Comment on Yang Yi's History of China's Classical Fiction, Literature Review No.5, 1996.
Reverse Innovation —— On Realistic Literary Concept in the Late Ming and Early Qing Dynasties, Journal of Hubei University, No.6, 1996.
My opinion on the principles of ancient books arrangement, traditional culture and modernization, No.6, 1996.
On Orthodox Legends in the Early Qing Dynasty, Literary HeritageNo. 1997,No. 1.
The Adventure of Love —— From Tang Xianzu to Cao Xueqin (in cooperation with Guo), Journal of Dream of Red Mansions,No. 1997,No. 1.
The Rise of Legendary Opera and the Downshift of Cultural Power, China Social Sciences, No.2, 1997.
The Theoretical Character of China's Classical Literature Research, Literature Review No.4, 1997.
The standardization of the legendary writing system in Ming Dynasty in China Classical Culture Series IV.
On Similar Images in Novels and Dramas of Yuan, Ming and Qing Dynasties, Research on Novels of Ming and Qing Dynasties, No.4, 1997.
On the Modern Interpretation of China's Ancient Book Culture, Yindu Journal No.4, 1997.
On the evolution of the legendary drama length system in Ming and Qing dynasties-academic commemorative anthology of Professor Nie Shiqiao's 70th birthday.
On the Classical Paradigm of "Knowing People and Commenting on the World", Research on the Academic History of China Classical Literature, 1997.
How far have we gone than Wang Guowei? —— Random thoughts on the study of China's classical operas in the 20th century, Literature and Art Newspaper, 1997, 10.23.
A Supplement to the Official History —— A Brief Comment on the Rare Series of China Ancient Historical Romance Novels, China Book Business Daily, 1997, 10.24.
Careful preparation, enlightening thinking —— Comment on Prefaces and Postscripts of China's Novels in Past Dynasties by Ding Xigen, China Reading News199865438+1October 2 1.
The national history of "warmth and respect" —— Several works by Qian Mu (in cooperation with Shan Li and Guo). 1.
How to break through the three traditions of literary history writing-Postscript of Ming and Qing Legends, Journal of Social Sciences of Jiamusi University, 1998, 1.
A taste for both refined and popular tastes —— Changes in the language style of legendary dramas in Ming and Qing Dynasties, Journal of Beijing Normal University (Social Science Edition), No.2, 1998.
On the Narrative Concept of Pre-Qin Confucianism, Literature Review, No.2, 1998.
The Evolution of Academic Research Paradigm —— On the study of China's ancient vernacular novels in the 20th century (co-edited with Liu Yongqiang and Zhu Qing), Literary Heritage No.2, 1998.
The Story of Sword: the Prototype of Loyal and Traitorous Drama ── One of Selected Legends of Ming and Qing Dynasties, Journal of Social Sciences of Jiamusi University, No.2, 1998.
Huan Sha Ji: A New Chapter in Historical Drama —— Selected Stories of Ming and Qing Dynasties (Part II), Journal of Social Sciences of Jiamusi University, No.3, 1998.
Ji: The Origin of Current Affairs Drama ── Selected Novels of Ming and Qing Dynasties (III), Journal of Social Sciences of Jiamusi University, No.4, 1998.
Between Perception and Intellectuality —— Comment on Essays on Literary Studies (co-edited with Guo and Li Shan), Shupin No.3, 1998.
Strange People in Jianghu —— Notes on Biographies of Early Qing Dynasty (co-edited with Jie Chen), Selected Works of China Loose-leaf, 1998.
Talking about Poetry and Love —— Comment on Tao and Liu Jingxi's Talking about Poetry, Zhao and Guo Yingde, Literary Heritage, No.3, 1998.
On the Modern Transformation of the Classical Paradigm of "Knowing People and Commenting on the World", China Cultural Studies, Summer Volume 1998.
On the Evolution of Legendary Drama System in Ming and Qing Dynasties, Journal of Hubei University (Philosophy and Social Sciences Edition), No.4, 1998.
Rich historical and cultural heritage —— After reading Outline of Ideological History of Song, Yuan and Ming Dynasties and Outline of Ideological History of Qing Dynasty (in cooperation with Shan Li), Normal University Weekly1June 25th, 999.
Who is this play for? ",drama literature1999 no. 1.
Literature Research and Literature History Research, Journal of the Chinese People's Political Consultative Conference, 4th edition,1999,65438+1October 20th.
Yuan Zaju: Wonderful Art of China Classical Opera, China Education News Culture Weekly, April 27th,1999; Guangming Daily1999 May 10.
Dissemination and Acceptance of Literature in Yuan and Ming Dynasties, Qiushi Journal, No.2, 1999.
Predicament and way out: the modernization process of classical literature research (edited with Guo), Journal of Beijing Normal University, No.2, 1999.
Cultural Implication of Novels in Ming and Qing Dynasties, The Theoretical Front of Colleges and Universities, No.3, 1999.
A masterpiece: A Speculative Record of the History of Novels in Ming and Qing Dynasties, Literature Review No.2, 1999.
Looking at history from a distance —— Several historical works (co-edited with Guo and Li Shan), Book 1999, No.2.
Readers of literary history works, Cultural Supplement of Normal University Weekly1April 23, 999.
Challenge yourself to go beyond the limit —— Reading China Social Science Newsletter1April 27th, 999.
On the cultural connotation of traditional Chinese opera roles, Drama Literature, No.9, 1999.
Poetic Reading of Classical Literature —— Comments on Yang Yi's Poetics of the Songs of the South, Shan Li and Guo Yingde, Literary Heritage No.5, 1999.
On Gu's adherents' mentality, the first volume of New Chinese Studies, Bashu Publishing House, 1999.
Lust worship of beauty images in Ming and Qing literature, Studies of Ming and Qing Dynasties 1999, Naples-Rome, 1999.
On the Privatization Tendency of Classical Literature Research, Literature Review, No.4, 2000.
The Compilation and Spread of Huang Zongxi's Poems of Ming Dynasty —— Also on the Cultural Significance of Poems of Ming Dynasty in the Early Qing Dynasty, Journal of Zhengzhou University (Social Science Edition), No.4, 2000.
Monologue and Dialogue ── On the lyrical style of legendary dramas in Ming and Qing Dynasties, Journal of Beijing Normal University (Humanities and Social Sciences Edition), No.5, 2000.
Interaction between Inheritance and Innovation —— Reading the History of China Literature edited by Yuan Xingpei, China Book Review,No. 1, 20065438.
Worship of Lovers —— Interpretation of Beauty Images in Ming and Qing Dynasties, Qiushi Journal, No.2, 200 1.
Red Claw Snow Mud —— Excerpted from my doctoral thesis writing, Knowledge of Classical Literature No.4, 200 1.
Narrative perspective, narrative style and narrative method of novel history ── Comment on Chen Dakang's Novel History of Ming Dynasty, Literary Heritage No.5, 200 1.
Introduction to China Ancient Morphology, retrieval, No.5, 200 1.
The Value and Significance of Literary Tradition, Cultural Studies in China,No. 1, 2002.
On the knowledge structure of researchers in the history of China literature, Qiushi, No.5, 2002.
On the Personality Connotation of Song Jiang's Image, journal of changji university, No.2, 2003.
Light breeze and moon: the aesthetic style of Song literature, Search, No.3, 2003.
The Triple Implication of Water Margin, Literature and History Knowledge, No.9, 2003.
Poems of Qingling Mausoleum, Knowledge of Classical Literature, No.5, 2003.
Reflections on the Writing of Ancient Chinese Literature History, Journal of Shaanxi Normal University (Philosophy and Social Sciences Edition), No.5, 2003.
A Re-examination of China's Traditional Literary Concept —— A Brief Comment on Wang Qizhou's Calling for Nationalism —— A Multidimensional Perspective of China's Literary Characteristics, Guo Yingde and Li Wenjie, Academic No.5, 2003.
A Valley of Our Own, Knowledge of Classical Literature,No. 1, 2004.
Review of Literature Research Methods of Ming Dynasty in 20th Century, edited by Guo Yingde and Wang Lijuan, Humanities magazine,No. 1, 2004.
Evolution of Narrative Structure of Legendary Dramas in Ming and Qing Dynasties, Qiushi Journal,No. 1, 2004.
On the Split Classification of Collected Works in Past Dynasties, China Cultural Studies, No.3, 2004.
On the Formation of Ancient Style Classification in China, Academic Research,No. 1, 2005.
The Transformation from Behavior Mode to Text Mode —— On the Generation Mode of China's Ancient Style Classification, Journal of Shaanxi Normal University (Philosophy and Social Sciences Edition),No. 1, 2005.
On the Version of China's Ancient Popular Novels, Literary Heritage, No.2, 2005.
A Brief Comment on the Autobiography of Ming Dynasty, Journal of Nanjing Normal University College,No. 1 2005.
Rules and Styles of Style Arrangement of Selected Papers, Journal of Beijing Normal University (Social Science Edition), No.3, 2005.
On the Classification of China's Ancient Style, Journal of Sun Yat-sen University (Social Science Edition), No.3, 2005.
My humble opinion on the arrangement of China's classical opera literature, Drama Research,No. 1 2005.
All rivers run into the sea, all rivers run into the sea —— Mr. Qi Gong and China's classical philology, Journal of Beijing Normal University (Social Science Edition), No.5, 2005.
Mr. Qi Gong and China Classical Literature, Knowledge of Classical Literature, No.2, 2006.
Research on Literature Education in the Study of Chinese Ancient Literature History, Literature Heritage, No.2, 2006.
Textual Research on the Chronology of Linz Zhiyi and Baneng Zou Jin, Guo Yingde and Wang Lijuan, Literature and Art Research, No.8, 2006.
Basic Characteristics of Ancient Literature Education in China, Journal of Shaanxi Normal University (Philosophy and Social Sciences Edition), No.6, 2006.
Legendary Narration of Peony Pavilion in Ming and Qing Dynasties, Drama Research, No.3, 2006.
The education of ancient literature and the harmonious, innovative development of contemporary social culture —— Proceedings of the first Beijing Scholars Forum on the "Hundred Talents Project" for young and middle-aged social science theoretical talents in April 2007.
Notes on Three Selected Books of Ming Dynasty, Journal of Tsinghua University (Philosophy and Social Sciences Edition), No.3, 2007.
On the Enlightenment Education of Female Literature in Ming and Qing Dynasties, Journal of Beijing Normal University (Social Science Edition), No.4, 2007.
On the Stylistic Characteristics and Cultural Connotation of Biographies of Ming Dynasty, published in the fifth issue of Humanities magazine in 2007.
Literature Education in Ming and Qing Dynasties and the Formation of Drama Literature, Academic Research, No.3, 2008.
Characteristics and Functions of Inheritors of Traditional Drama Performing Arts, Tianjin Social Sciences, No.3, 2008.
New Achievements in New Vision —— Comment on Tang Xianzu and the Evolution of Late Ming Opera, Guo Yingde and Fan Hongjuan, Journal of Wuhan University (Humanities Edition), No.3, 2008.
Artistic Fantasy and Aesthetic Charm: After Visiting the Palace of Eternal Life in Shanghai, Art Review, No.6, 2008.
On the Cultural Ecology of Female Literature Education in Ming and Qing Dynasties, Journal of Sun Yat-sen University (Social Science Edition), No.5, 2008.
On the Historical Value of Fu Xihua's Traditional Opera Catalogue Works, Research on Traditional Opera, No.2, 2008.
Real Dummies: Song Jiangzhi's Behavior as a Hero, Literature and History Knowledge, No.9, 2008.
Real Dummies: Song Jiangzhi's Life Choice, Literature and History Knowledge,No. 10, 2008.
Real Dummies: Song Jiangzhi's Dark Character, Literature and History Knowledge,No. 12, 2008.
The Cultural Personality of Cai Bojie's Image in The Story of the Sick Plum Pipa, China Opera, No.2, 2008.
Never tire of learning: Family Literature Education for Adult Women in Ming and Qing Dynasties, Social Science Research, No.2, 2009.
Lin Shuli, Guo Yingde, China's Doctoral Dissertation in North America (2003-2008), China Opera Art, No.2, 2009.
Beauty and Beauty: The Role of Women's Literature Education, Journal of Culture, No.3, 2009.
A Review of Doctoral Dissertations on Classical Opera Studies in China, North America (1998-2008), Literature Research, No.9, 2009.
China's Interest in Overseas Sinology, People's Daily, February 8, 2009.
English Catalogue of Classical Opera Studies in China (1998-2008), Lin Shuli and Guo Yingde, Drama Studies, No.3, 2009, 1 20 10.
Small topic of great realm, China Culture News, 2065438+65438+100 on October 25th.
"China Taste" and the Study of China Classical Opera in North America, Drama Art,No. 1 issue, 20 10.
On the literary education of playwright Li Yu, Literary Heritage, No.3, 20 10.
On the Characteristics of Debate in Ming Dynasty, Journal of Beijing Normal University (Social Science Edition), No.3, 20 10.