At the beginning of the Ming Dynasty, due to Zhu Yuanzhang's favor for the style of courtyard painting in the Southern Song Dynasty, flower-and-bird painting generally continued the style of meticulous painting in the Song Dynasty without any new breakthrough. Song Like Hui Zong, a native of Zhu Zhanji, was born in Xuanzong of Ming Dynasty. He was good at poetry and painting, especially flower-and-bird painting. During his reign, the styles of flower-and-bird painting in the Palace Painting Academy were diverse, including Bian, a meticulous painter who continued the gorgeous and elegant style of flower-and-bird painting in the Southern Song Dynasty, Sun Long, a boneless painter who came from Xu Xiye's painting style in the Northern Song Dynasty, an ink painter with bold brushwork and vivid modeling, and a painter who coexisted fine, elegant and fine. However, most of these styles and characteristics follow the flower-and-bird paintings of the Song Dynasty, and there is no fundamental breakthrough. The flower-and-bird paintings in this period were slightly inferior to those in Song Dynasty in artistic conception and style. In fact, the great breakthrough of flower-and-bird painting in Ming Dynasty only appeared after the middle period.

In the mid-Ming Dynasty, more and more literati participated in the creation of flower-and-bird paintings, and their creative style was very different from that of college paintings from the beginning, with Wu Pai as the most representative. Wu Pai's achievements are mainly in landscape painting. The representative figures are the "Four Masters of Wumen" who are good at figures, landscapes and flowers and birds, namely Shen Zhou, Wen Zhiming, Tang Yin and Chou Ying. Shen Zhou and Wen Zhiming mainly continued the tradition of literati painting in Song and Yuan Dynasties, which was simple but not relaxed. Tang Yin and Chou Ying mainly absorbed the style of courtyard painting in the Southern Song Dynasty, blended into the spiritual material of the times, and reflected the interest of the citizens at that time. On the basis of absorbing the achievements of predecessors, their flower-and-bird paintings have developed distinctive personality characteristics, which are quite influential in the history of art.

Strictly speaking, Wu Pai's flower-and-bird painting is a continuation of the previous generation, which has no significance of starting a school. However, the flower-and-bird paintings of a generation of disciples introduced to Wumen have yielded fruitful results in Chen Chun, Zhou Zhimian and others. Chen Chun studied painting in Yuan Dynasty in his early years, and then studied in Wen Zhiming, where he was good at flowers, birds and landscapes. He integrated calligraphy and landscape painting into flower-and-bird painting, skillfully expressed the forms of flowers and leaves, and the back of yin and yang by using the dry and wet shades and infiltration of ink and wash, and created a new style of freehand flower-and-bird painting. If Chen Chun's freehand brushwork of flowers and birds fully shows the characteristics of pen and ink and the sense of form of the picture, then Xu Wei's works give full play to the function of freehand brushwork of flowers and birds to express their feelings, pouring stones in their chests and expressing their passion. In terms of painting language style, he absorbed the advantages of literati paintings of Song and Yuan Dynasties, Lin Liang, Shen Zhou and Chen Chun, and also integrated the advantages of folk painters, and at the same time integrated his own wild brushwork into painting. Mei Lan's bamboo stones are endowed with a strong personality in his works, and he looks down on everything with a crazy and weird attitude. He was the first flower-and-bird painter to paint with the sacred porch. He used the good water absorption of Shengxuan to control the effect of ink infiltration and show his special charm. He also splashed ink as flowers and birds and expressed his anger with pen and ink. Xu Wei created a new style of freehand brushwork of flowers and birds, which influenced Badashan people, Shi Tao, Yangzhou Eight Eccentrics, Shanghai School and even Qi Baishi. His achievements surpassed those of Chen Chun, who was earlier than him, and later people called him "Ivy, Poplar".

1. The following statement about flower-and-bird painting in Ming Dynasty is incorrect.

A. During the reign of Emperor Xuanzong of the Ming Dynasty, the styles of flower-and-bird paintings in the Palace Painting Academy were diverse, but the artistic conception and style were slightly inferior to those in the Song Dynasty.

B. The flower-and-bird paintings of the "Four Houses of Wumen" have developed distinctive personality characteristics and made a major breakthrough on the basis of absorbing the achievements of previous masters.

C. Chen Chun's freehand flower-and-bird painting fully shows the characteristics of pen and ink and the sense of form of the picture, creating a new style of freehand flower-and-bird painting.

D. Xu Wei created a new school of freehand brushwork flower-and-bird painting, and his achievements surpassed Chen Chun, who was earlier than him, which had a far-reaching influence on later generations.

2. The following understanding and analysis of the original content, the correct one is

A. During the reign of Emperor Xuanzong of the Ming Dynasty, the flower-and-bird painting in the Palace Painting Academy only followed the style of flower-and-bird painting in the Song Dynasty, with no breakthrough.

In the middle of Ming Dynasty, Wu Pai's flower-and-bird painting achieved the highest achievement, because its creative style was original from the beginning.

C. Chen Chun learned Wen Zhiming's technique of expressing flowers and leaves with dry and wet shades and ink infiltration, and his painting style was simple, relaxed and without losing his statutes.

D. Xu Wei blended cursive script with freehand brushwork of flowers and birds, which well expressed his surging passion and resentment.

According to the original meaning, please summarize the reasons why the flower-and-bird painting in Ming Dynasty achieved fruitful results in your own words. (3 points)