Shinichi Hoshino is good at depicting the protagonist in relief by line drawing, "the emphasis is on the likeness, not the likeness", so that the characters can naturally show their own personality in dialogue and action. If you want to write mini-novels concisely and meticulously, you must master superb cutting skills. Shinichi Hoshino knows this well and often wins by surprise. To make a long story short, he cherishes ink like gold, and his feet are far away. The reason why Shinichi Hoshino's mini-novels can give people a brand-new and memorable artistic enjoyment is inseparable from his weighty "weight" at the end of his works. There are many mini-novels similar to fairy tales in hoshi shinichi. They are lively, interesting and educational, and are deeply loved by adults and children. Shinichi Hoshino's brush strokes have penetrated into every corner of real life, reflecting various social problems and contradictions.
Since 1959, Japanese writer and translator Du Zhudov officially introduced mini-novels popular in Europe and America to Japan, the number of Japanese writers writing in this literary style has increased year by year. But for more than 20 years, Shinichi Hoshino has always been far ahead in quantity and quality, as if enjoying the "patent right" in this field, and is regarded as "the originator of Japanese mini-novels". 1974, the Japanese trendy society published The Complete Works of Star Ambition, with a total volume of 18. By the end of 1983 and 10, Shinichi Hoshino had published more than 1000 works and became a world record creator.
A "micro-carving artist" who is good at carving on hair is not necessarily less painstaking than a sculptor who deals with statues tens of meters high. Similarly, writing mini-novels is not necessarily easier than writing great works. Hoshi shinichi's mini-novels are even called "haiku in novels" in Japan because of their conciseness, freshness, significance and poetry. There are absolutely no flowery words in his works, which are easy for Japanese primary and middle school students to understand. The formation of this simple style of writing is the result of the writer's painstaking management.
198 1 year, Toastmasters Japan founded the literary quarterly Mini-Novel Garden, and established the "Hoshino Shinichi Mini-Novel Literature Award" in this magazine, which is held once a year.
Xing Yi on the Road to Creation (complete works of modern literature, Xing Yi's works, commentary (Wan Zhi, Tian Quan)), Japanese trendy society, 1979 edition. ) wrote in the article, "I advocate that writing topics are not limited. But I set three principles for myself: first, never describe pornography or murder scenes; Second, don't follow the fashion, don't write works about current events and customs; Third, don't use modernist methods. " It is not easy for hoshi shinichi to keep such a serious writing attitude when the tendency of literature commercialization is becoming more and more serious and pornography and murder are flooding the Japanese literary world. Shinichi Hoshino's works can stand the test of time. Japanese writer Du Zhuduo said, "Even if you read his works ten years ago, you will never feel out of date." This is inseparable from his creative method. His works often don't involve specific places, environments, years, events and names, excluding those factors that may become outdated with the changes of the times. In Shinichi Hoshino's works, it is almost difficult to find detailed words describing portraits, and even the names of the protagonists are mostly replaced by letters such as N or S. Shinichi Hoshino once said in the article "Description of People": "Why don't my works use ordinary names? Because Japanese names have their particularity, readers can often judge the character and age of characters according to their names. Some names are known as gentlemen with status at first glance, while others remind people of charming beauty. This situation is not uncommon. " Shinichi Hoshino doesn't want readers to get some impression only by the name of the protagonist in the work, but to make the characters "live" and express their character with actions. Shinichi Hoshino believes that writers should speak through their works, and novels are not papers after all. Instead of writing a mysterious and unfathomable "heavenly book" for critics to explain seriously, it is better to give readers easy-to-understand, vivid and interesting works directly, so that readers can taste and judge for themselves.
1926 was born in a scientific family in Tokyo, Japan in September. My grandfather, Yide Xiaojing, is an anthropologist, my grandmother is Luo Zhenhuan, the younger sister of Leo Vincent, and my father is the manager of a pharmaceutical company. He studied in America, founded a pharmaceutical university and served as a senator.
1956 joined the UFO research society in order to avoid business failure.
1957, hoshi shinichi and Tomei of chaiye founded Cosmic Dust, the earliest sci-fi fan in Japan, and made outstanding contributions to Japanese sci-fi literature.
In the same year, he published his first novel, which was favored by many literary predecessors. His works were reprinted in the mystery novel magazine Gemstone edited by Edgar Vajpore at that time, and quickly rose to the literary world.
1960 won the honor of Naoki Award (there are four finalists for Naoki Award).
1974, the Japanese trendy society published The Complete Works of Star Ambition, with a total volume of 18. 1976 won the Japan Mystery Family Association Award.
198 1 year, Toastmasters Japan founded a quarterly literary magazine, Miniature Novel Garden, and established the "Hoshino Shinichi Miniature Novel Literature Award" in this magazine, which is held once a year.
By the end of 1983 and 10, Shinichi Hoshino had published more than 1000 works and became a world record creator.
1993, after he finished the extremely short workNo. 100 1, he announced that he would stop writing. After that, the condition deteriorated rapidly.
1997 died of interstitial pneumonia.