On the eve of the Revolution of 1911, Lu Xun returned to the motherland. First, I taught in Hangzhou Zhejiang Normal School as a chemistry and physiology teacher, and then I returned to my hometown of Shaoxing, where I served as an inspector and natural history teacher of the affiliated middle school of Shaoxing and an inspector (principal) of Shanhui Primary Normal School. On the one hand, he taught and educated people, on the other hand, he actively participated in the Revolution of 1911. He led the Sheyue literary group in his hometown and supported the establishment of The More Daily. 19 12 At the beginning of this year, Lu Xun was invited by Cai Yuanpei, the chief education officer, to work in the Ministry of Education of Nanjing Provisional Government. Soon after, he was transferred to Beijing with the Ministry of Education as the first section chief of the Social Education Department. At the same time, he has been employed as a part-time lecturer in some universities such as Peking University, Beijing Normal University and Beijing Women's Normal University.
After the victory of Russian October Revolution, Lu Xun was deeply encouraged. He wrote articles and ran magazines with many advanced intellectuals at that time, such as Li Dazhao and Chen Duxiu, which opened the prelude to the May 4th Movement in China. He stood at the forefront of anti-imperialism and feudalism, actively advocated new culture, new ideas and new morality, and lashed out at the old culture, old ideas and old morality for thousands of years. 19 18 published the diary of a madman, the first vernacular novel in the history of modern literature in China. Through symbolic artistic techniques, the novel mercilessly exposes the cannibalism of China's feudal society for thousands of years, and strongly accuses the feudal ethics and patriarchal clan system of evil. Since then, Lu Xun has created many novels, such as Kong Yiji, Medicine, The True Story of Ah Q, and a large number of essays, essays and comments with a completely uncompromising attitude, thus becoming the pioneer of the May 4th Movement and the founder of modern literature in China.
1in the summer of 926, Lu Xun left Beijing, which was occupied by the Beiyang warlords, and went south to Xiamen, where he became a professor in the Department of China Literature of Xiamen University and concurrently served as a professor at the National College. 1at the beginning of 927, Lu Xun moved to Guangzhou, the revolutionary center at that time, and served as the head of the Chinese Department of Sun Yat-sen University. At the same time, he served as the director of educational administration, engaged in education and literary creation, and engaged in new battles. In April of the same year, a counter-revolutionary coup took place, and Lu Xun stood the test of blood shed. He resigned because he failed to rescue the students. Facing the lessons of blood, Lu Xun's early social development concept has undergone profound changes. He made a severe analysis of his thoughts and corrected the "prejudice" that he only believed in evolution in the past. Since then, his thought development has entered a brand-new starting point.
In the mid-1920s, he participated in the establishment of Mangyuan Weekly, Yusi Weekly and the last famous literary society. 1927 Joined Sun Yat-sen University in Guangzhou at the beginning of the year, and served as the head of literature department and the dean of educational affairs. 1August, 927, became a professor at Xiamen University.
1927 10 In October, Lu Xun arrived in Shanghai and settled down from then on, devoting himself to the revolutionary literature movement. 1928, co-founded Liu Ben magazine with Yu Dafu. 193O, the Chinese Left-wing Writers Union was established. He is one of the founders and the main leader. He has successively edited important literary periodicals such as Germination, Sentinel, Ten Streets and Translation. He joined and led many revolutionary societies, such as China Left-wing Writers League, China Freedom Movement League and China Civil Rights Protection League. He edited the Sentinel, Running, Germination Monthly and other publications, United literary and art workers who led the revolution and progress, and waged tit-for-tat struggles with imperialism, feudalism, the Kuomintang government and its royal literati. He persisted in tenacious fighting and wrote hundreds of essays. These essays, such as daggers, are like throwing guns and have made special contributions to the anti-cultural "encirclement and suppression". He kept close contact with * * * producers and firmly supported the anti-Japanese national United front policy of * * * producers in China. He called himself a "fire thief", devoted himself to cultural exchanges between China and foreign countries and advocated the new woodcut movement. He cares about and cultivates young people and has devoted a lot of efforts to the growth of young writers.
193610 June19, Lu Xun died at the age of 55 in his apartment in Shanghai Xincun.
Lu Xun wrote a poem "Self-mockery", in which two lines are "looking at a thousand fingers coldly and bowing down as a willing ox", which is a true portrayal of his life.
Lu Xun wrote more than 8 million words of translation in his life. His works such as Scream, Wandering, Weeds, Morning Flowers, Evening Picking, etc. were reprinted in one edition and translated into English, Russian, German, French, Japanese, Esperanto and other languages, which are world-renowned. The complete works of Lu Xun are the precious spiritual wealth he left to the people of China and the people all over the world.
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