Yuyao and Shangyu are the main kilns of Yueyao. The birthplace is Cao 'e River (the kiln site may be in the middle and lower reaches ...) In the archaeological investigation over the years, more than 350 celadon kiln sites from the Eastern Han Dynasty to the Song Dynasty have been discovered, most of which are distributed on the slopes on both sides of the middle reaches of Cao 'e River, and Lianjiang and Shangpu in Zhang zhen are the most densely populated places. 1984 photo taken during the general survey of cultural relics (I suggest you buy porcelain sources upstairs). The author is Zhang. He found two ancient kiln sites in Huangsheshan and Yaoshan in Lianjiang Township. Now the recognized kiln sites should be Xiaoxiantan kiln site, Dayuanping kiln site, Anshan Sanguolong kiln site, Zhang Zishan kiln site group, Linghu kiln site, Feng Pu kiln site and Miaoqian kiln site. In the Tang Dynasty, Shanglin Lake in Cixi became the main producing area of Yue porcelain, but there were still some scales in Wantou, Qianjin Village and Shangpuling Lake in Shangyu. This is one of Cixi's: Shimanong kiln site: next to Baiyang Lake in Baiyang Village, Heming Town, just a few miles away from Shanglin Lake in the central production area of Yueyao and Duhu Lake in the south. This place has good porcelain clay and good traffic, and the porcelain produced can reach Ningbo Port. I seem to have forgotten why it was destroyed more than 90 years ago (but it seems that measures have been taken). Silongkou kiln site was built in the late Tang Dynasty and stopped burning in the early Southern Song Dynasty. It is one of the important kiln sites of Yueyao, belonging to Shanglinhu kiln area.

Without field investigation, we can't simply quote the specification.

Meaning (if you are attracted, you can find it yourself, I think it is very good upstairs): According to research, Yue Kiln began in Han Dynasty, earlier than the literature records began in Tang Dynasty. As early as the Jin Dynasty, Yue Kiln had become the leader of firing celadon in southern China. Porcelain fired in the Tang Dynasty is known as "rich colored porcelain" because of its exquisite shape and charming glaze color. In the Tang Dynasty, the so-called "nine autumn dew opens the kiln, winning a thousand peaks" is a high praise for Yue kiln celadon. According to Yuan Gui, Song Yaohui and Songshi, the Qian family contributed10.7 million pieces of Yue kiln celadon to the Song Dynasty. Therefore, in the early Song Dynasty, Yue Kiln still occupied an important position in the history of China porcelain. After the mid-Northern Song Dynasty, Yue Kiln gradually declined. The embryo quality and glaze color of Yue kiln celadon in the Three Kingdoms period were the same as those in the Eastern Han Dynasty. The fetal quality is fine, grayish white, hard and non-absorbent after sintering, and the glaze color is cyan. The main shapes are bowls, lamps, pots, pots, bowls, boxes, plates and other practical appliances, as well as funerary appliances such as stoves, wells, chicken cages, dog pens, cymbals and grinders. Common decorative patterns include chordal patterns, water ripples, oblique plaid patterns, beaded patterns and so on. In the Western Jin Dynasty, the tire color deepened, generally gray or dark gray, and the glaze color was cyan gray. In addition to the common utensils in the Three Kingdoms period, flat pots, chicken-headed pots, statues and lion candlesticks were added. During this period, the decorative patterns were mainly beaded patterns, but there were also other animal patterns and melon ridges, but the number was small. The general trend of the shape change of Yue kiln in the Six Dynasties was short and dignified in the early stage, and the Eastern Jin Dynasty began to develop in the direction of thinness and beauty, and the bottom changed from round foot to flat bottom. The Yue kiln porcelain in Tang Dynasty has fine tire quality, uniform glaze layer and rich feel, just as the literature said, "as ice as jade". The main vessel shapes in this period are bowls, plates, pots, poppies, bottles, cans, ear cups, cup holders, powder boxes, water pots, spittoons and so on 10. The main characteristics of vessel modeling are that the pot at the mouth of the pot has become a bell mouth, the bowl has changed from a deep belly to a shallow belly, and there are two kinds of jade bottom and short circle feet at the bottom. The chicken head pot is gone, replaced by a pot. After the late Tang Dynasty, bowls were more abundant, including jade bowls, shallow-bellied flat-bottomed bowls, lotus bowls, lotus leaf bowls and diamond-shaped flower bowls. There are turntables, inclined walls, flat chassis, open, jade-like chassis, sunflower petals and square disks. The ampulla is shaped like a melon, the bowl and pan mouth are shaped like sunflower petals and lotus petals, and the cup holder is shaped like a lotus leaf. In the Tang Dynasty, the decoration of Yue kiln was mainly based on painting flowers, as well as printing, engraving and carving. The lines of painting flowers are simple, and a few strokes will become a blooming lotus. Printing is mostly used at the bottom of bowls or plates. The picture is round, with Yunlong, Shouhe, flowers and so on. Yue Kiln in the early Song Dynasty followed the style of Yue Kiln in the late Tang Dynasty. In the past, people thought that the thin-line flower device of Yueyao was a work of the Five Dynasties. With the deepening of archaeological excavations, such artifacts were also unearthed in the ruins of the Song Dynasty and tombs in the early Song Dynasty, thus changing people's prejudice against Yue kiln artifacts in the early Song Dynasty.

What I want to say is: What is an amateur? I am a student who just finished the college entrance examination this year, not playing with toys. But my grandfather is an archaeologist, and I have been smoking with him since I was a child. You look down on people as much as those disciples of my grandfather! I don't want your reward points! ! ! Stop saying "amateurs go away"!

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/thread-22712-1-1.html will do.