Model essay on literary graduation thesis 1: the value influence of China's modern literature sub-text.
Abstract: The auxiliary words beside the original text in a work are related words used to help understand the content. This kind of text is not only the background text of the original text, but also an integral part of the whole work. Modern literature in China occupies an irreplaceable position in literature. This paper analyzes the historical materials contained in sub-texts of modern literary works, and then discusses the important role and influence of sub-texts in modern literature.
Keywords: modern literature; Subtext; Value; affect
First, the origin of modern literature sub-text
In the history of China literature, pure literary works have always attracted much attention, which is also the key content of literary research. However, judging from the content of historical materials, the sources of literary historical materials are very extensive, including not only pure texts, but also auxiliary texts in literary works, such as diary texts, letters and yearbooks or chronologies [1]. In addition, modern literature is different from classical literature, and their historical materials are also different. Modern literature has added more new elements than classical literature, including the introduction of title page, text cover, advertising text and so on. After the appearance of such elements, literary texts are gradually divided into positive texts and negative texts, in which positive texts show the essential characteristics of works and negative texts show auxiliary information, which has historical characteristics. In view of this, the supplementary text can be used to explore various historical issues, and its historical materials are quite rich.
Second, the sub-text of modern literature contained in historical materials.
1. Preface and Postscript
Generally speaking, the position near the text is interspersed or surrounded by sub-articles. The purpose of this sub-text is to explain and clarify relevant information to readers. Therefore, historical materials can be obtained with the help of Ziwen. However, most auxiliary texts have no prominent information, and people need to refer to the main text and related materials to distinguish historical materials. The preface and postscript in the supplementary text contains a lot of historical materials. Many works of modern literature have prefaces and postscripts, which usually explain the history of literature, works, writers and other aspects, and can provide relevant historical materials for future generations. For example, the preface describes the turning point of Lu Xun's own experience, and the preface and postscript "No Wife Tired" explains the murder cases in Shanghai and Hangzhou at that time. In addition, the preface and postscript is the link between the work and the author of the preface and postscript. For example, Zhou Zuoren writes preface and postscript for the works of the students he teaches; Lu Xun often writes preface and postscript for left-wing writers. From the preface and postscript, we can see the conception of the work, the writer's thoughts and so on. By expressing these contents with preface and postscript, we can map out the creative background, publishing process, communication and other information.
2. Title page, inscription and quotation
Inscriptions, title pages and quotations have appeared in modern literature. These words are shorter than advertisements, shorter and pithy, and contain all kinds of historical information. The title page and quotations mostly come from some contents of classical poems and famous Chinese and foreign works, and the writing is close to "allusions". Introducing Chinese and foreign classic sentences into modern texts can not only change vivid situational language, but also reflect the contents of Chinese and foreign historical materials. For example, Quarrying is a work written by Yu Dafu, which quotes the poem "Articles hate life, but demons can haunt wanderers" (To Li Bai at the End of the Sky, Du Fu) [2] to express the author's own anger at Hu Shi. The title page of "Go to Publishing" borrowed from Zhuangzi &; Bull; The story of Keiko's association with Zhuangzi in Autumn Water is a metaphor for the relationship between Lu Xun and the author (Gao Changhong). This kind of text itself has the nature of historical materials, which makes it a "fusion agent" of historical materials at all times and in all countries. More historical information can be seen in the inscription written by the author. For example, "Green Page" is Su's work, and the title page inside reads "To Jianzhong-the commemoration of our wedding". This shows that Sue's married life was very sweet at the beginning of her marriage. In addition, quotations and inscriptions only appear in a certain version, and the rest are deleted, generally in order to identify the marks made by the version, and historical materials of the version of the work can also be obtained by virtue of the version marks.
Step 3 take notes
A few notes in the text were marked by the author himself, and most of them were added by later generations according to the text content. Therefore, notes can be regarded as exogenous and exogenous sub-texts, and these contents need to be put into the text to get a reasonable explanation. From the point of view of use, annotations can further explain and explain the details of the text. By reading the notes, readers can better grasp the deep meaning and internal meaning of the works. Annotations reveal the knowledge of writers and works, enabling readers to study works more systematically. It can be said that the breadth of annotations is beyond the scope of preface and postscript. There are two kinds of text comments: in-text comments and subheadings. Among them, subtitle includes version change, publication source, work background, title change, etc. Comments in the text contain more information.
Step 4: Image
The images in the works include illustrations, cover paintings and related photos. Illustrations and cover paintings can convey the relevant contents of the original text. As intuitive contents, they have strong visual and functional properties and are used to prove the historical value of literature. For example, The History of China Literature, Modern Literature in China, etc. Some modern periodicals also have graphic works. For example, the semi-monthly Gobi hosted by Ye Lingfeng contains a series of cartoons of Mr. Lu Xun, depicting the story of "cultural feud" between Ye Lingfeng and Lu Xun. In addition, the cover paintings and images attached at the beginning of the original publication are also rich in various historical materials. For example, the title page of the article "Grave" is interspersed with owls with folded wings and closed eyes, which is the projection and true portrayal of the author Lu Xun's present situation. The cover picture of "Field of Life and Death" was drawn by Xiao Hong, the author, showing the real situation of the continuous fall of the three northeastern provinces.
Thirdly, the role and influence of sub-text in the related research of modern literature.
1. Sub-text provides historical data for future generations to explore modern literature.
Sub-texts in literary works can show people various types of research historical materials, mainly including: ① historical relics, such as literati's remains, former residences, manuscripts, etc., which can be used to publish original cultural relics. (2) Historical texts, including yearbooks, chronicles, local chronicles, writings, genealogies, etc. (3) Pure literary texts, including novels, essays, poems and plays. ; (4) Some texts are between literature and history, also called "sub-texts" or "sub-literature", mainly including biographies, letters, personal diaries, travel notes, books, memoirs and so on. In addition, there are various forms of sub-texts, and some similar propaganda and communication texts can also be classified into them, such as preface and postscript, published words, published words, advertising planning, etc. [3]. Looking deeper, there are some "fragmented words" that are often overlooked, including pen names, quotations, title pages, inscriptions, pictures and texts, notes and so on. In fact, these auxiliary texts, which are easily overlooked by people, contain a lot of historical materials, and researchers should pay attention to the information research of these contents. At the same time, the text of the work is inextricably linked with the fragmented text. When discussing one of the contents, we should closely contact the content of the other text, so as to treat literary works comprehensively and give full play to the application value of the attached text.
2. Paratext is an indispensable part of modern literary history.
The form and content of sub-texts in modern literature are rich in historical resources. Studying sub-texts is similar to exploring historical essence, and the original features of modern literature can be found in sub-texts. For example, the preface to the collection of Diquan, the advertisements of Friends series and so on. In addition to the value of historical materials, supplementary texts are also important information for people to understand the text. By understanding auxiliary texts, readers can find more situational language and related information. When a work narrates a specific background, it often needs to be described in depth in a sub-text to introduce the author's growth experience and experience to readers, so that people can fully understand the narrative content of the text. Generally speaking, paratexts run through the whole development process of modern literature, and they participate in the evolution and development of literary history theory, ideological movement, community movement and genre dynamic history. In addition, you can also compile historical materials about modern literature advertisements, prefaces and postscripts.
Four. Concluding remarks
Since the formation of sub-texts and related texts in modern literature, literary works have been deeply refined. To study sub-texts, we should pay attention to the multi-directional excavation of their historical information, treat the value exploration of sub-texts with a rigorous academic attitude, and interpret them from the aspects of text annotations, content elaboration and historical connotation, so as to appreciate the humanistic value contained in sub-texts. When interpreting the text, researchers should adhere to the principle of "proceeding from the details and standing on the edge", strive to "restore" the original historical features in the works, examine the value elements of the text with innovative eyes, develop the information research resources in it, and consider the research significance of the text historical materials with dialectical thinking. Attached texts play an important role in modern literature. When studying literary texts, people should look at the problem from the perspective of connection and overall situation, instead of looking at the original text and the attached text in isolation, but integrate a lot of information from the attached text and comprehensively explore many works of modern literature, thus showing the special charm of literature.
References:
[1] Wang Yunpei, Liu Jincai. The New Development of Modern Literature Research &; Mdash& ampmdash Comment on Jin Hongyu's Text Perimeter &; Mdash& ampmdash Study on Subtext of Modern Literature in China [J]. Journal of Hainan Normal University (Social Science Edition), 2015,6 (28): 72-74.
[2] Zhang. Narrative Evolution and Rhetoric Strategies of Modern and Contemporary Literary History in China in the 20th Century &: mdash & mdash Investigation and Research Based on Paratext Catalogue [J]. Contemporary Rhetoric, 20 15,1(2): 76-82.
[3] Zhang. On the dimension, difficulty and limit of China's new literature text rewriting [J]. Dongyue Forum, 2014,35 (9):131-139.
Fan Wener: Modernity Connotation of China's Modern Literature.
Abstract: Under the overall pattern of modernity of modern literature, many writers have participated in the gradual improvement of the connotation of modernity of modern literature in their own unique ways. They expounded the modernity connotation of modern literature from different angles, hoping to improve the spiritual realm of the nation through the remolding of civilization, and then gradually enrich the modernity connotation of modern literature.
Keywords: modern literature; The connotation of modernity; National spirit; Human nature liberation
China's modern literature has certain advantages, which has a far-reaching influence on China's literary career and fully embodies the contradictions and conflicts in modern politics, economy and culture. The spiritual core of China's literary modernity is enlightenment, which is a re-examination of feudal system and traditional thought. It calls for the liberation of human nature, advocates the publicity of individuality, and also dominates the main development trend of modern literature in China. Mr. Zhou Shuren, a famous writer in China, devoted his life to the exploration of national thought and character. His article "Blessing" fully embodies the enlightenment trend of modern literature. This paper tells the whole story with "I" who hurried home from other places on Lunar New Year's Eve. As a "modern" outsider with a brand-new spiritual world and language system, facing a feudal and conservative Luzhen, my ideological education could not be integrated into it at all, and I even felt extremely sad and distressed at Luzhen's decadent thoughts, and "I" was accepted by Master Ruth who had long followed feudal ethics and thoughts. From Master Lu Si, we can see an image of an old man who is immersed in traditional culture and hostile to new things.
From the diligent and pedantic Xianglinsao, "I" saw a female image persecuted by traditional ethics and feudal patriarchal system. Sister Xianglin thinks that "I" is a well-informed person. So, she mysteriously asked me if there was a soul after death. I was surprised, surprised and puzzled. Why does a person who doesn't have enough food and clothes care about his own problems instead? What I see is sadness and disappointment, and all kinds of sighs when a kind and simple person is called "fallacy" after death. From the point of view of modern civilization, Master Lu Si and Mrs. Wei have good intentions, but their long-term immersion in feudal ethics is completely revealed.
Spiritual culture is the best way to treat diseases. Shen Congwen believes that western culture corrupts people's virtue, weakens people's spirit and personality, and makes the nation lack vitality and vitality. Traditional national virtues and qualities exist only in humanity unaffected by modern civilization, and only in "humanity" and "hope" enshrined. Husband is such a human song. It is a very common custom for young husbands to let their wives sell themselves to support their families in western Hunan, but it is intolerable by modern civilization. By telling the story of young people visiting their wives in the city, we can show their process of numbness, ignorance and awakening. Husband is not only entertained by pimps when he enters the city, but also has no opposition and embarrassment in the eyes of modern people after meeting his wife's client. They got along relatively calmly, and finally the husband took his wife back to the country. If it is rigidly attributed to class conflict, it is better to regard it as a transformation of human demands in customs and old habits. When his wife secretly suppressed his breath when dealing with others, he felt ashamed and regretted, and his heart was no longer calm because of the conservation of water. After a series of psychological struggles and struggles, he finally made up his mind to take his wife back to the countryside, which was the last awakening of human nature. They have no freedom and dignity on that ship, and he can't even be gentle with his wife for a moment. It was such a simple dream that he suddenly woke up. On the boat, he was not only insulted and violated physically, but also betrayed his personality and dignity and trampled on his basic rights, which was the main reason why the young couple finally got up the courage to resist fate and customs.
Whether it's soil and water conservation, Lao Qi, or any of their husbands, they live naturally without affectation. Although there are all kinds of stereotypes and old habits that violate humanitarianism in this society, human nature will guide them to get rid of the tricks and bad habits of fate and finally put people on the right track. For this reason, Shen Congwen believes that such a cultural way far away from modern civilization and in line with human nature is the best medicine to cure the Chinese nation, so that people will not be hurt by the unfortunate consequences of modern civilization. Lu Xun and Shen Congwen's own cultural influence greatly influenced their cultural orientation. It is precisely because of Lu Xun's childhood study experience in Japan that Lu Xun developed a sense of identity with the value system of western countries. He thinks that as long as it is western, it is civilized and rational, which is worth imitating by China. The feudal culture in ancient China brought decadence to people and needed to be abandoned. We can't deny that there are indeed bad factors in feudal thoughts and systems, but we can't completely deny that there are still many of them worth carrying forward and inheriting.
"China's modernity originated from the national salvation movement. China people's desire for social modernization is greater than people's exploration of existence itself in modern situations, and they lack questioning and criticism of modernity itself. " Therefore, Zhou Shuren's "Scream in the Iron House" is intended to awaken the sleeping people in China, hoping to realize human modernization, so as to save our country from being in a desperate situation. However, Shen Congwen did the opposite. He gave up the vision that most readers hoped at that time, but touched the undercurrent of history with a detached vision and rationally decomposed civilization with keen insight. Therefore, Shen Congwen reflected and questioned modern civilization in the form of building a "Greek temple" dedicated to "human nature", and his literary ideal of diagnosing "national problems" and correcting "reality" was diligently pursued. Because of this, we can also understand Shen Congwen's attitude towards human nature from his reflexive characteristics of modernity. Through the above analysis, it is easier to grasp the nature, characteristics and functions of modernity in the category of world history.
The concept of modernity grew up in western culture, which belongs to the west first and then to the world. In various cultures, western culture has developed the concept of here and now, and in the long cultural journey, this concept has developed into a universal belief. There is a topic between _ _ _ culture and later humanitarian culture &; Mdash& ampmdash& ampmdash; Duality and Equiformal Logical Relationship. In Christ _ _ _ _, the concept of "where there is" is the explanatory basis of universal understanding. The humanitarian world since the Renaissance is just the opposite of the previous history. Everything in the west is fine. Only by getting rid of its dross, taking its essence and building a modern socialist civilization with China characteristics is the fundamental way out for our cultural development and can our culture have a long history.
References:
Zhang Li, Li Ji. On the Modernity Characteristics of Several Main Characters in The West Chamber [J]. Northern Literature (the second half), 20 10, (02):4 1.
[2] Jia Jingjing. Tracing back to the source of Mao Dun's literary view of "for life" [J]. Journal of Huaibei Vocational and Technical College, 20 1 1, (04): 16- 18.
[3] Liu Yonggang. Literature Research of Cloud School [C]//Compilation of Award-winning Achievements of Philosophy and Social Sciences in Liaoning Province in 2007-2008 206438+00.
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