Contemporary writer, Huozhou, Shanxi. Born in 1946, graduated from China Renmin university 1968. He has been a reporter of Inner Mongolia Daily and Guangming Daily, and deputy director of the State Press and Publication Administration. He is a famous news theorist, essayist, popular science writer and political commentator. Currently, he is deputy editor-in-chief of People's Daily, doctoral supervisor of School of Journalism, Renmin University of China, member of the National Committee of Chinese Writers Association, executive director of the National Committee of China Journalists Association, and general consultant of primary and secondary school textbooks published by People's Education Publishing House. He has won many honorary titles such as National Youth Literature Award, Zhao Shuli Literature Award, National Excellent Popular Science Works Award and "Five Ones" Project Award of the Propaganda Department of the Communist Party of China.
Edit the main works of this paragraph
The main works are the novel "Popular Romance of Mathematics and Physics" written by Zhang Hui in the history of science; News trilogy "Corner without News", "The Vein of News Green Leaves" and "Thinking about News Principles"; In terms of prose creation, he has focused on landscape prose for nearly 20 years and won Liang Heng's works.
In the tradition of classical landscape articles, the style of writing is grass with water and stone with rhyme. In recent years, he has devoted himself to the prose of figures, especially the writing of historical celebrities. Hong Mao and Miki Sayaka have aroused great repercussions in the society. There are collections of essays such as Summer Sense and Qiu Si, Searching for a New Place, Red Classics, Notes on Famous Mountains and Rivers, Heroes and Ghosts, Everyone Can Be King, etc.: The way to be a man, Hukou Waterfall, and approaching politics. Nine volumes of Liang Heng's collected works; There are many essays such as Jinci, Summer, Hundred Years of Beauty, and Shooting All over the Railroad. Liang Heng's rational essay Hukou Waterfall was selected as the first semester text in no.1 middle school of shanghai. [ 1]
Edit this critical essay "Summer Sense"
essay
This is a lesson 13 selected by People's Education Publishing House for the seventh grade of nine-year compulsory education. What pervades the whole summer is a tense, warm and hurried melody. As if a pot of water on the stove was bubbling and finally boiling, the fine sandy grass on the hillside grew into thick hair, and the faint smoke on the forest belt condensed into a long black wall. Dancing bees and butterflies disappeared, but they got annoying cicadas, and the potential leaves kept ringing. The fiery red sun is baking a golden land, the wheat waves are rolling, beating the distant mountains, and the clouds in the sky are beating the cars on the highway, like waves rushing to the ships. Gold dominates everything in the world, and hot air floats across the fields, blowing the smell of mature wheat. After half a year's savings, the spirit of spring has become a majestic trend, rolling in the fields and rising between heaven and earth. Summer has arrived. The color of summer is golden. From the perspective of painting, this makes sense. The color of spring is cool and green, such as blue waves and tender bamboo, full of hope; The color of autumn is fiery red, such as sunset glow and red leaves, which indicates the extreme of things. Summer is just between the spring and autumn, naturally responding to this neutral yellow-the harvest is there but the hope is not exhausted. This is a peak season for connecting the past with the future and alternating life. You see, wheat has just been cut, cotton seedlings with seven or eight green leaves in the field, sorghum corn with megaphones in the air, and melon seedlings crawling on the ground all show great vitality in generate. At this time, they no longer grow slowly in the spring breeze and light rain, but flourish under the transpiration of summer heat, making a final sprint at the end of Xiang Qiu. The melody of summer is tense, and every nerve of people is tense. Looking at the farmers waving sickles in the field, they bent down and sweated like rain, thinking about cutting fast, cutting fast; Here comes the wheat, thinking about playing, playing. It is hard enough for them to get up early and go to bed late. They have to listen to the window paper when they wake up in the middle of the night, but the wind is very strong. Looking out of the window, the sky is overcast. When the wheat harvest is finished, it's time to breathe a sigh of relief. We should water the autumn seedlings at once. "There are fewer families in the month and more people in May", with summer and autumn on their shoulders. Regrettably, scholars of past dynasties have written many spring flowers and autumn moons, but there are few shadows of summer. Probably spring is warm and full of eyes, but summer is always immersed in bitter sweat. Leisure people naturally don't like this tense melody. I will praise this golden summer loudly between spring and autumn.
brief introduction
Liang Heng's Handwritten Works
Summer Sense is selected from Liang Heng's Collected Works (People's Education Press, 2002). Summer is not a popular season in the works of poets and writers. Perhaps, the germination of spring flowers can give people a sense of regeneration, the beauty and harmony of spring can release people's emotions freely; Perhaps, the harvest in autumn can give people a mature sense of satisfaction, and the loneliness in autumn can give people a dripping vent; Therefore, people who chant the Spring and Autumn Period and dance with words and ink are almost like crucian carp crossing the river. What about summer? Maybe it's too hot, too dense and a little "too thick to melt", so it always gives people a sense of disharmony, overload and overload. If so, how can we get the psychological identity of the literati who are governed by the "happy principle" like ordinary people? How can you not be assigned a vacancy by them! Even if someone writes it, it will inevitably be written as "vicious gray sand array", "scalding pedestrians' faces", "dry and hot wind", "fierce scream", "dying like a fish" and "the earth is trembling in the heat" (quoted from the works of Mao Dun, Lao She, Gorky and romain rolland)-a feeling of summer as a symbol of depression in artistic content; Or, it can be written as "I feel heartless when I sleep every day" (Yang Wanli) and "I throw books in the afternoon for a long time" (Cai Que)-a summer feeling that reveals a sense of helplessness in my leisure.
writing
However, Comrade Liang Heng dares to do new and strange things, from what people say, "loudly praise the golden summer of spring and autumn." It should be noted that this kind of praise itself deserves our praise. The pure realm, rich elegance and lofty aesthetic feeling he created in this work, and his elegant language are even more impressive. Summer Sense is indeed a rare masterpiece in contemporary prose. The heat of summer will never be dull; It conveys the noise of summer without a trace of dryness. The persistent sound over the treetops reflects the bright colors of the summer scenery, sets off an atmosphere of "cicadas are silent in the forest", and also shows the richness, massiness and calmness of the summer earth. Therefore, the author has set a high-spirited and positive theme for the full text in the blend of sound and emotion and reality.
search one's heart
Then, the author put the perspective straight and moved the camera down, as if looking at the endless Yuan Ye, watching the rolling wheat waves "slapping the distant mountains, the clouds in the sky, slapping the cars on the expressway, like the waves surging over the ships." Here, what the author presents us is not a simple reduction of the real world, but a meaningful landscape, which is the flicker of external objects on the author's mind screen; In other words, it is a projection of the times reflecting the author's emotional beam. Then, a wave of hot air, "floating across the field", seems to be blowing "mature wheat fragrance" to the author and readers who are overlooking. This little dyeing is not only just right but also icing on the cake. Just as the contrast of cicada singing in front is the blend of sound and color, the touch dyeing here is the harmony of color and fragrance. If the previous contrast is a touch of atmosphere, then the touch here is a sign of affection-a sign of the richness and enrichment of life. After such meticulous preparation, the author deliberately leads the brushwork to the key point of the article-"the spirit of spring, which has been accumulated for half a year, has now become a majestic trend, rolling in the fields and rising between heaven and earth." This is the author's own summer feeling, which is a unique summer feeling that the author discovered, experienced and learned. From here, the author seems to naturally extend a subtle argument: "The color of spring is cool and green, such as blue waves and tender bamboo, full of hope;" The color of autumn is fiery red, such as sunset glow and red leaves, which indicates the extreme of things. Summer is just between spring flowers and autumn fruits, and naturally it should be neutral yellow. "This passage has unique sentences, unique words and clever parallelism, showing an antique and rare sense of interest, that is, a lyrical aesthetic feeling bred by the combination of beauty and deep feeling. This discussion focuses on the previous meaning, that is, occurrence, extension and deepening; In fact, it is also an abstract and incisive explanation of the essence of summer by a philosopher discovered, realized and learned by the author. So what does this quality mean? The author soon hit the nail on the head. It turns out that the "majestic momentum" accumulated in The Spirit of that Spring is exactly a great rush of "harvest there but hope is not exhausted", a rhythm of "connecting the past with the future and alternating life" from gestation to abundance, and a torrent of creative waves printed with huge letters of mankind. It is such a poem of strength, life and creation that the author enthusiastically eulogizes.
Writing about the beauty of summer
Liang Heng
The summer praised by Comrade Liang Heng is a summer of rolling wheat waves and bursts of wheat fragrance, and a summer of "gold dominates everything in the world". Where is it this summer? Obviously, the author's emphasis is very clear. After that subtle discussion, he wrote: "You see, the wheat that has just been cut, the cotton seedlings with seven or eight green leaves in the field, the sorghum corn with megaphones in the sky, and the melon seedlings crawling on the ground all show exuberant vitality. At this time, their time in the spring breeze and light rain is not long, but under the transpiration of the hot summer, they are flourishing, and the end of Xiang Qiu is making a final sprint. " Here, the author's perspective seems to be getting closer and closer, and the lens has changed from grand to subtle. As a result, an interesting close-up jumped into our eyes. A word "pick" makes us almost feel the uniform and powerful breathing of cotton seedlings; A word "lift" makes us almost feel the joy of sorghum and corn shaking their heads; In a "crawling", we also felt the waist of the melon seedlings shaking and winding. It seems that everyone is seizing this wonderful time to show their talents and courageously "sprint" in the direction of self-improvement and sacred dedication day and night. In a word, the exquisite description makes us feel the elegance, tolerance and grace of people from these summer darlings. Flaubert once said, "No matter what you describe, there is only one verb that can make it vivid." . We must constantly think hard and find this word, and we must never use similar words to perfunctory it in order to avoid difficulties. "Comrade Liang Heng's passage is exquisitely crafted, and the author's bleak meaning is obvious. It is also a vivid practice of Flaubert's "one word theory". This passage not only strongly supports the artistic conception of the full text, but also enriches and strengthens the main image of Xia with gold as the keynote. Looking at everything described by the author, I'm afraid it's hard for us to think of the beautiful south of the Yangtze River, and it's hard to think of the endless grassland beyond the Great Wall. I'm afraid the first thing that comes to mind is the magnificent Yellow River Basin-800 Li Qinchuan, Sanjin Plateau and endless alluvial plain, which spans Hebei, Shandong and Henan. Yes, it is this dignified and heavy yellow land that has nurtured our nation and nourished the splendid civilization of China for thousands of years, and the author himself has been resident in Sri Lanka for many years as a reporter of the Central News. Therefore, he regards the summer in the yellow land as a typical object of his indulgence and praise, which not only has the meaning of being familiar with life, but also has deeper symbolic and metaphysical significance. Of course, the author of "Summer Sense" didn't just focus on the summer scenery, but let his perspective gradually enter the muscles from the surface, aiming at the real master of our planet-people. In summer, life is alternating, and at the end of crops, Xiang Qiu finally "sprints" in summer. This vigorous operation, of course, has the eternal generation mechanism of nature, but it can not be ignored that since human beings participated in it, it has mostly become the objectification of our will as the spirit of all things and a manifestation of human essential strength. Man is the real painter of summer colors; It is also a person, which sets off the tense melody of summer. " Those farmers waving sickles in the fields are bent and sweaty, thinking about cutting quickly; When Mads came on the court, he thought about playing fast, playing fast. ""When the wheat harvest is finished, it's time to breathe a sigh of relief, and we need to water the autumn seedlings at top dressing. "This passage seems to be written by the author casually, which is quite different from the meticulous seal cutting in front. On the surface, it even gives people a clumsy and shallow feeling. The language form of line drawing is actually in line with the simple content. If a series of adjectives are piled on these ordinary workers, it may be a beautiful creation. Therefore, it is reasonable for the author not to use lead China here.
artistic appeal
So, how to strengthen the artistic influence of works? The beauty of Comrade Liang Heng's application lies in the details. "Getting up early and going to bed late is enough for them. They have to listen to the window paper when they wake up in the middle of the night, but the wind is very strong; Looking out of the window, the sky is overcast. " These details come down in one continuous line with the narrative characteristics of quick cutting, quick beating, quick topdressing and quick watering, which constitute the overall style of this paragraph. At first glance, these details seem a bit trite, and repeated chewing is like making people feel its unique charm. In Listening to Window Paper and Looking out of the Window, the outline of summer tense melody is the fast rhythm of summer, and it is also the psychological lens introduced by the author through indirect expression. It externalizes the melodious melody of "every nerve is tense", and lets us see their eyes eager for harvest, their anxiety about harvest and the emotional rhythm of people ringing with the rhythm of summer in the imaginary space. In several details, it is extremely relaxed and vivid, bright and natural, vivid and vivid, and it is not an exaggeration to describe it as "seemingly the most unusual". It can be said that if it is changed to another detail, the charm of the work will be greatly weakened.
Edit this essay evaluation.
Whether landscape prose or figure prose, Liang Heng's works are full of wisdom and insight, full of magnificent and profound thoughts. Full passion is contained in deep thinking, and the unique massiness avoids simple lyricism and confession, showing the charm of great prose. Most of Liang Heng's character essays are about outstanding figures and ghosts. Most of them are famous and well-known great men in the universe, and there are also literati who shocked the world and passed down from generation to generation. However, these figures, who span a thousand years and a hundred years, have come alive from the author's pen. In Liang Heng's prose, both sense and reason are emphasized, and the characters he wrote are all re-evaluated after thousands of years' summary, which is not the same. He reinterpreted a character from the deep level of human nature. In Liang Heng's character prose, most of the protagonists are somewhat tragic. From the aesthetic point of view, tragedy can be sublime. In his prose, Liang Heng can fly to the wild, think for thousands of years, think about what he wants and feel what he loves. Philosophy and real life are flesh and blood. This article describes the scenes of nature and people's life and work in summer, and brings us to a beautiful place. What inner feelings and experiences does he have to express? Comment on the Prose "The Feeling of Summer"
Edit this section of Yueyang Tower
Changsha 165438+ 10/3 (Reporter Tang Honghui) This morning, the second reading report meeting of the first "Sanxiang Reading Month" was held in Hunan Library. At the meeting, Liang Heng, a famous scholar and news theorist, gave a keynote speech entitled "Cultural Thinking and Political Wealth Left to Us", explaining how to be an official. "Fan Zhongyan's contribution to political civilization is mainly reflected in the word" worry "."Liang Heng thinks. The story of Yueyang Tower came into being in the Song Dynasty, when the feudal society in China was mature. The author was born with worry, and used his life and an era to interpret the word "worry". Fan Zhongyan's thought of worrying about the country has three worries, namely, worrying about the people, worrying about the monarch and worrying about politics. This is the political wealth left to us, and this is a problem that every politician has to face. Liang Heng further elaborated that Fan Zhongyan's thought of being close to the people is embodied in three aspects: doing things for the people, pleading for the people and eliminating disadvantages for the people. Among them, doing practical things for the people, in the current words, is "benefiting the people"; Pleading for the people is "loving the people"; Eliminating disadvantages for the people is "power for the people". "There is a personality spirit behind a politician's political behavior." At the report meeting, Liang Heng interpreted Fan Zhongyan's personality thought from three aspects. He believes that Fan Zhongyan has the spirit of independence, the rational spirit of seeking truth from facts and acting according to the truth and the spirit of sacrifice of being an official and not being a traitor. This report is jointly sponsored by the office of the leading group of Sanxiang Reading Month, the working committee of provincial organs, Xinxiang Review magazine and Hunan Library. Related links: Introduction to the Speaker Liang Heng Liang Heng, a native of Huoxian County, Shanxi Province, is a famous scholar and news theorist. He has served as a reporter for Inner Mongolia Daily and Guangming Daily, deputy director of the State Press and Publication Administration and deputy editor-in-chief of People's Daily. He is currently a deputy to the National People's Congress, a doctoral supervisor at the School of Journalism of China Renmin University, a distinguished director of the Chinese Writers Association, and a member of the National Committee of the Chinese Writers Association. He is the author of a collection of essays, Finding the Crossing, Shooting All over the Railroad, a novel in the history of science, a collection of writing and research, Heaven, and a collection of political essays, Inheritance and Transcendence. He has won the Youth Literature Award, the Zhao Shuli Literature Award, the National Excellent Popular Science Works Award, the National Good News Award and the Five One Project Award of the Propaganda Department of the Communist Party of China. There are nine volumes of Liang Heng's collected works. Had the feeling of Jinci, summer, looking for a ferry, looking for a ferry, where to cross? Many works, such as A Hundred Years of Beauty, Shoot the Rails All over, and The Castle Peak is Never Old, have been selected into Chinese textbooks for universities, primary schools and middle schools. Main academic contributions: news: put forward a new definition of news, four attributes of newspapers, 12 the difference between news and literature, and the "four-point intersection and unification law" between news and politics. In literature, he was the first to criticize Yang Shuo's prose mode: he advocated writing "great events, great feelings and great interests" and created political prose writing; This paper puts forward the "three levels" theory and the "five methods of writing" of "form, matter, emotion, reason and canon" Source: Red Net Author: Tang Honghui