The Third Generation of Poetry and Postmodernism, Contemporary Writers Review,No. 1994,No. 1.
Postmodern transformation of poetry after misty poetry, Tianjin literature 1993 10.
1990 s and the post-lyric discourse transformation of avant-garde poetry, Contemporary Literature No.4, 1996.
Cultural Transformation and Lyric Discourse in Our Times, Wide Angle of Art, No.6, 1996.
On the Fable Form and Cultural Symbolism of Early Vernacular Poetry, China Cultural Studies No.2, 1997.
Intellectuals' Writing: Thoughts and Poetry in the Era of Cultural Transformation, Everyone, No.4, 1997.
Modern Poetics: Theoretical Construction and Critical Practice, Contemporary Literature, No.5, 1997.
Modern magazine's pursuit of modernity and the modernization trend of China's new poetry, Research on Literary Theory,No. 1998,No. 1.
Conscience in a Serious Age:1The reflection and transcendence of symbolism in modernist poetry in the 1940s, Literary Review, No.2, 1998.
Rereading Modern Magazine and Talking about Modernist Poetic Thought, Journal of Peking University, No.5, 1998.
Four Theories of Modernism, Wide Angle of Art, No.2, 1998.
Pioneer's Mission and Significance, Exploration of Poetry, No.2, 1998.
On Style Revolution of Contemporary Prose, Journal of Xuzhou Normal University, No.3, 1998.
From Opposition to Integration of Chinese and Western Poetics, Journal of Peking University, No.5, 2000.
Thoughts and Poetry in the Era of Cultural Transformation, Wide Angle of Art, No.4, 2000.
Towards the Modernization of China's New Poetry, Academic, No.6, 2000.
Modernism: A Way to Explain the World, Wide Angle of Art, May 2000.
Mobile landscape of multicultural intersection, contemporary TV, 9,2000.
On the multicultural orientation of TV variety shows, China TV,No. 1 1, 2000.
Film Cultural Criticism: Reflection and Conception, Film Art, No.2, 200 1.
Deviation from pure poetry and enlightenment of literature and art, Research on Literary Theory, 200 1, 1.
Modernism in China's New Poetry in the 20th Century, Literary Studies, No.2, 200 1.
Modern magazine and the occurrence of modern urban poetry in China, Zhejiang Academic Journal, 200 1, 1.
Present situation and countermeasures of TV variety shows, contemporary TV, April 5438+0, 2006.
A modern freehand brushwork film —— On the freehand brushwork of Wong Kar-wai's films and the nationalization/modernization of China's films, Contemporary Film No.3, 200 1.
TV Variety Show: Historical and Ontological Features, China TV 20011.
On the Globalization, Modernization and Nationalization of China's Films, Wide Angle of Art, No.2, 2002.
Paradox and Choice —— Reflections on Nationalization/Modernization of China Film in the Context of Globalization, Film Art,No. 1, 2002, included in Globalization and the Fate of China Film and Television (Proceedings of the First China Film and Television Forum), Beijing Broadcasting Institute Press, 2002.
Concept Definition, Current Situation Crisis, Characteristics and Countermeasures —— On TV Variety Show, TV Art No.2, 2002.
Subjective consciousness, reflection on modernity, expression and abstraction of documentary, contemporary movies, 1, 2002.
Modernism: Name, Significance and Essence, Academic Research, No.2, 2002.
"Intermediary mentality", "Pure Poetry" and "Modern Values" —— On the ideological characteristics and cultural mentality of modernist poets, Social Science, No.7, 2002.
Spiritual Conversion, Self-transcendence and Language Consciousness —— Reading Xie Fei's film Yixi Zhuo Ma, published in Wide Angle of Art, No.4, 2002. At the same time, it was published in Silent River: Collected Works of Xie Fei Studies, China Film Publishing House, June 5-438+ 10, 2003.
Subjective consciousness, reflection on modernity, expression and abstraction of documentary, contemporary movies, 1, 2002.
Modernism: Name, Meaning and Essence, Academic Research, 1, 2002.
Introduction of Western Modernism and Expectation Horizon of New Literature, Vol.5,No. 1, Literary Review, Nanjing University Press, July 2002.
On the Object, Method and System of Art Studies, Journal of Hainan Normal University, No.5, 2002.
Film and television education in colleges and universities: challenges and missions, contemporary television, June 5-438+ 10, 2002.
The starting point of coming back —— On the realistic situation, spiritual course and "film strategy" of the new generation of directors after the Five Dynasties, in Conflict and Harmony: Globalization and Asian Film and Television (paper of the second China Film and Television Forum), Fudan University Press, August 2003. At the same time, it was published in The New Generation Film in Multilingual Environment (paper) published by Lin Xue Publishing House in May 2003.
Deviation from "Anxiety of Influence", Self-transcendence and Its Limits, Contemporary Film, No.2, 2003.
The Sixth Generation Directors in Cultural Transformation, Peking University's Lecture (III), Peking University Publishing House, May 2003.
The Sixth Generation Directors: Modernity Crisis and Youth Identity Anxiety, Wide Angle Art, No.2, 2003, reprinted in Rui (I), Tianjin Social Sciences Press, April 2003.
On the Theoretical Challenge of Modern Art and Postmodern Art, Zhejiang Social Sciences, No.6, 2003. At the same time, it was published in China Fine Arts Today, Beijing Publishing House and Beijing Fine Arts Photography Press in February 2002.
Film classification system is not just a film classification system, modern art, May 2003.
The twists and turns, the intersection of sadness and joy, contemporary TV, September 2003.
Hamlet Forever —— Contradictory mentality and ideological characteristics of modern intellectuals in China, Journal of Hainan Normal University, No.2, 2003.
Cultural and artistic transformation at the turn of the century: trend and characterization, Journal of Hainan Normal University, 5 (2003). At the same time, it was published in Frontier of Film and Television Culture, Beijing Broadcasting Institute Press, 2004.
On the Fourth Generation Directors and Modernity, Journal of Peking University, 1, 2004. At the same time, Growing Up with China-A Series of Studies on China Film Directors was published, China Film Publishing House, June 2003.
The Fable of "Home" and the Story of "Iron House", Peking University's Lectures (V), Peking University Publishing House, 2004.
Random thoughts on "The Legend of the Movie", TV Research, 7 issues in 2004.
On the "cultural research turn" of contemporary art research methods, Art Research, vol. 1, vol. 1, Lin Xue Publishing House, 2004.
On the Youth Culture of the Sixth Generation Film, Journal of Beijing Film Academy, No.3, 2004.