The Son of Man is different from Weiyang Song in that it is a collection of short stories, which consists of many short stories. Luqiao left few works in his life. Weiyang Song was written on 1945. Luqiao is 26 years old. The Son of Man was written in 1975. Luqiao was 56 years old and spanned 30 years. Reading through these two works, Weiyang Song is an idealistic novel, and The Son of Man is a collection of short stories full of fantasy. Although the content and genre are different, it is not difficult to find that both works reflect the aesthetic pursuit of Luqiao, and at the same time, he expresses his ideal world and life sentiment incisively and vividly in these two books. Weiyang Song and The Son of Man are both idealistic novels. At this point, Weiyang Song and The Son of Man can be said to have achieved the ultimate. The ideal world described in these two works has the same characteristics: it has the fireworks of the secular world, but it is divorced from the secular world.
The son of man shifted the focus of attention from the joys and sorrows of the world to the fantasy fairy tale world. In "I can't forget love", when the baby was born, the little angels all gave gifts, but the little angels who sent "love" arrived late. According to Qin Yun in Chaos, a heartless prince, who was over 70 years old immediately after taking the medicine, spent 70 years of his life easily, and played a wonderful tune without going through the ups and downs of the world. "But he feels like a mirror. He has never experienced human feelings." The background of the story is the world in fairy tales, far from reality, but full of the warmth of the world and the secular excitement of China people's reality.
If Luqiao in Weiyang Song longs for eternal youth, then 30 years later, the ideal world constructed by Mr. Luqiao, 56, in Son of Man is different from that when he was young. In the meantime, Luqiao got the love of his life-Xue Mulian, and formed a family with her, taking children to play around the world, enriching his life experience and thoughts. Wang Yang was the first son of man. Roads and bridges can dilute the sense of time and space, and give people an endless sense of vastness with the endless Wang Yang. Wang Yang, a sailor of seventeen or eighteen, sailed through time and space and gained the wisdom endowed by time. But when he really sailed to the port, "he found that he didn't want to be a rational person because he couldn't bear to give up his fantasy." Expressed the idea that life is unwilling to limit itself. From the second story in Skin Peeping, we can also see that the old mage found the entrance to the soul: he found that the soul still looks different in age, some people are very old, and the soul wrapped in her body is still a baby, and those eyes are still naive.
It can be seen that Luqiao is no longer afraid of the aging of the face and body brought by time, nor is it afraid that time will take away youth. He pursues all the wisdom given by time, but still maintains a childlike innocence and childlike innocence.
There are also many controversies about Weiyang Song and The Son of Man. Many people will question weiyang song, saying that the university world described in it is unrealistic; The son of man doesn't know what to say. But this is Lu Qiao's writing style, and his novels focus on emotional appeal rather than stories. Optimistic forget the sorrow, healthy to forget the trauma.
Luqiao wrote in The Origin of Weiyang Song:
As long as these flowers don't fade, their dreams will be pinned. Like these dreams, these flowers are an indispensable part of their lives, and they love them.
? "Flowers" and "dreams" symbolize beauty and ideals, and Luqiao also expresses what is indispensable in his life: beauty and ideals. His life is a journey of pursuing love and beauty. From "Weiyang Song" to "The Son of Man", Luqiao has experienced many vicissitudes, rich life experience, and is no longer naive, but still innocent, and the pursuit of beauty and ideals will never die.
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