The modern Peking Opera drama "Taking Tiger Mountain by Outwits" is a classic drama that has experienced storms. Adapted and created by Shanghai Peking Opera Theatre, it has long been a famous drama. Among them, Yang Zirong, a radiant and lonely hero, is praised by later generations, and his vivid heroic image has already been deeply rooted in people's hearts. Tong Xiangling, a veteran of Tan School, successfully played the role in the play, which made him famous at home and abroad. In the play, he disguised himself as a bandit, Hu Biao, and took a secret contact map into a cave carved by habitual bandits sitting on a mountain. With his extraordinary courage and wisdom, he won the trust of bandits. On New Year's Eve, he and his comrades wiped out the bandits in Hu Weiting. On his way into the bandits' cave alone, he had a well-known classic aria, Through the Forest and the Snow Plain, which left an indelible impression on people with abundant passion, high-pitched voice and gripping melody and has been sung ever since. I remember that in the 1990s, when Beibinhe Park, the Municipal Bureau of Culture and the TV station jointly held the "Beijing Pingtan Fans Competition", five players came to the stage one night to sing this passage, each with its own style and momentum. No wonder the host said humorously, "Boy, I hit five tigers in a row tonight!" " "The profound connotation and artistic charm can be seen. Accompanied by a series of powerful "long hammers", the prelude is like a rainbow. The music is loud and clear, sometimes important and orderly, and sometimes urgent. With the melodious horn sound, the variation of the main theme of the play "Three Disciplines and Eight Notices" is played. Then the vivid sound of hooves from far to near, accompanied by waves after waves, advanced layer by layer, paving the way for the emergence of the protagonist. The exits of "Huang Er guide plate" and "crossing the sea" are like a different peak, which takes the lead. "Crossing the snowfield" is implicit and deep, and the word "Qi Chong" is euphemistic and delicate. At this time, when listening to the songs, the audience can enjoy the spectacular scenery of the vast snowfields and dense forests in the north, either through the display of the screen or through the flashing of the camera, which sets off the fearless and courageous heroism. Han Xiao, on the other hand, sings very sonorous, always extending in the high octave range, and sings cleanly with Yin Zhuo, which is unique in Beijing Opera, showing Yang Zirong's indomitable heroic complex. Every time they sing here, the actors are sure to get a "full house" and thunderous applause from the audience. Next, under the guidance of plucked music, accompanied by the sound of gongs and drums and a grand symphony, Yang Zirong rode out in a different costume, which made the audience shine at the moment, and the heroic image appeared on the stage in full wings. The vigorous horse-riding dance vividly shows the hero galloping in the snow forest. At this time, there is an unforgettable stills, that is, after Yang Zirong reined in the reins on the stage, went up the hill and so on, he suddenly jumped up with a whip in his right hand and left hand behind him, covered by a bright white sheepskin coat. When he jumped in the air, he turned and appeared, handsome in appearance and graceful in movements. Together with the tall and straight pine trees behind Yang Zirong, he looked very strong. As the accompaniment stopped abruptly, I saw a wave of the hero's hand, a clear whip, and the neighing of horses wrapped in gongs led to a cry of "Huilong." Express lofty sentiments, send lofty aspirations, face the mountains "cadence, concise and straightforward. The word "sea" in "The Original Board" and "May the Red Flag Everywhere" is euphemistic and implicit, and the true feelings are revealed. "Even if it is a sea of fire, also want to rush forward! "The song was firm and hit the floor, showing the hero's determination to go through fire and water for the people and the party. The words "hate" and "virtue" in "I wish flying snow could turn into spring water" were fresh and unique, which aroused the urgent hope of heroes to fight bandits for the people. In the middle of this sentence, the accompaniment symphony after "Dismantling the Board" and "Welcoming the Spring" played the sound of a beautiful stream like a cloud, which seemed to bring people into the beautiful artistic conception of beautiful spring and flowing water, making people fascinated. From the word "person" to the word "room", the tone of "room" rises step by step and becomes long and prominent until it returns to the word "room", which shows the hero's infinite yearning for a better world. The second half of Allegro Xipi is a great contribution of vocal music creators to Beijing Opera. The change from "Huang Er to Xipi" in long-tune vocal music is a breakthrough in the previous stylized vocal innovation unique to the master's mind, and expresses the hero's firm belief in fighting bandits with the compact rhythm of "Allegro Xipi". The word' party' is long and not delayed, highlighting the importance of the party. "Give me wisdom, give me courage and relax. Surround bandits and pretend to be bandits first, like a sharp knife stuck in a tiger mountain. I swear to sit on a mountain carving and be buried in a mountain stream. My ambition shakes the mountains, my ambition shakes the abyss. When you meet your comrades-in-arms, eat a hundred chicken banquets and smash the bandits' nest, you will teach them. "These extremely fast 68 words are like pouring large and small pearls into a plate of jade. The voice is crisp and the words are powerful, conveying the inner agitation of the heroes and the voice is touching." It's upside down "Then the music dispersed, the beat was extended freely, and the ups and downs reached a climax in one go, vividly expressing the hero's ambition. From Tong Xiangling's impassioned, high and low first song, to today's numerous schools and famous artists several decades later, the famous artists endowed this classic aria with different charm. I have tasted the generosity and simplicity of Yu Kuizhi, an old student of the popular Yang School; Appreciate Geng Qichang's euphemistic, exquisite, exciting and melodious music; I have also enjoyed the famous Shanghai-style old student Guan, whose voice is clear, loud and elegant. Their respective charms and different spirits make me crazy about it, and I can never get tired of listening to it, so as to appreciate the profound connotation and infinite charm of Beijing opera. Not only enriched and cultivated my cultural life, but also strengthened my confidence in carrying forward national art and letting the quintessence of the country be passed down from generation to generation.