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Experience of learning the history of modern world design
Experience:

Through a semester's study of the history of modern design in the world, what we know best is the designer's thoughts and unusual things, which guide us to truly understand the subject of art design step by step. At first, I knew nothing about the history of design. Now I know the designs of all countries in the world, and I am deeply touched.

But what I think most is that we only know what is in books, and the key is to integrate theory with practice, that is, to constantly associate it in our own minds while studying. Why do others design like this, if it is ourselves? We should constantly reflect on ourselves. When we see something, we should be extremely sensitive to it.

And think about whether what you see can be used in design. Inspiration also depends on the usual accumulation. If you don't think about design, can you make a good design? But if you want to design a good work, you must also have a large number of knowledge systems. Because we should know more about the history of modern western design.

In my humble opinion, design should be based on people and the environment. I learned from the book that the pursuit of humanism is the greatest contribution of Finnish architect awar Avato to modernist design. Of course, it is still very useful today. Design should be people-oriented in essence. Then we need to know the customs of each country, as well as the design styles of each period, and understand various schools.

For example: Russian constructivism, supremacism. The theory of "absolute function priority" put forward by Misvandro is also enduring. Good art is the perfect combination of function and form. I used to think that art only needed inspiration, feeling and talent, so now with the passage of time, I think it is very important to understand the history of various art categories.

For example, to learn design, we should have a good understanding of the history of world design, especially the artistic design styles and characteristics in different periods in the world, and know the source of every work we see. When creating, don't be foolish and self-righteous for a long time, produce a work and discover it later. It turns out that someone did it in the last century, but he just didn't know it.

Of course, what we ask ourselves is to position ourselves at a higher level, pursue innovative works, and make works that no one has done before, which is of historical value. Personally, I think it may develop in the direction of animation in the future, so we should study the history of animation and the development history of the operating rules of the animation industry.

We also need to look at many works, including junk works, to see what junk works are and how they become junk works. Don't make your job the same as your predecessor.

In short, we should read the history of design, learn the history of world design, and finally surpass the history of design. These are my thoughts on studying the history of modern design art. ..

Extended data:

Principles of experiential writing:

First, the writing should be "scattered and scattered".

In writing style, it can be narrative and argumentative, lyrical and freehand prose, and concise poetry; In terms of writing techniques, you can freely choose basic expressions such as narration, description, explanation, discussion and lyric, as well as expressions such as metaphor and association according to the needs of ideological expression.

Second, the purpose of writing should be "pragmatic".

The vitality of learning experience lies in that it is based on reality. Only by being close to real life can the learning experience be targeted and contemporary, vivid and weighty, and arouse people's thinking from the outside to the inside. Be good at connecting with your work and life, and write your own knowledge, feelings and experiences.

Third, the theme should be "not much in substance".

"Even if there are 3,000 weak waters, I will only take one scoop of water." When writing your learning experience, you should read it carefully and stick to it as the starting point for in-depth elaboration. Don't be greedy, just want to write all your feelings with one learning experience. Polycentric means there is no center, so it is difficult to cover everything.

Fourth, the language style should be "concise and not exaggerated".

In order to express your thoughts and feelings more clearly and accurately, your study experience should be straightforward and concise. On the basis of simple language description and discussion, description and lyric methods can be adopted appropriately to enhance the appeal of the article.