The Love Poem of Feeling My Feelings (Wartime in Cangzhou) was written by Du Mu, and was selected as 520 volumes of all Tang poems 1. This five-character ancient poem is not difficult to construct properly in a poem because of its long time span and wide spatial scope, especially because there are many people and events in major historical events. When dealing with it, the author emphasizes the disaster caused by the separatist regime of the buffer region after the Anshi Rebellion, which seems to be handled properly, nuanced and handy.
The original "Poems of Feeling (During the Battle in Cangzhou)"
Lyrics (Cangzhou War)
Author: Tang Dumu
In the Sui Dynasty in Gao Wenhui, swords were raised to show their love for God.
Support Bandai, step by step Huang San.
The holy cloud follows God, and God still uses Wen Zhi.
Deze thinks about life and sinks his bones.
Riding on the tail of dustpan, the dusty thistle door rises.
Hu Bing killed Han soldiers, and their bodies were all over Xianyang.
Huang Xuan walked like a hero, laughing and talking.
The two rivers are connected, and the embers are immortal.
The top soldier, Qi Caiwei.
Close the ring and fight for a family.
The rebellious son married Sun Lu and hired Dongli in the West.
Anxious brothers, sing like palace cards.
Legal self-interest, etiquette prose contention.
Step by step, draw the house dragon mating.
Paper day name change, economic reward.
It's a thousand times, with a dazzling wall thousands of miles away.
I swear I will give money to my grandson, and my blood is absolutely gone.
Nine halls fight against god, and the four seas lose.
How seventy years, sweat is shy.
Han Peng is not reborn, Wei Ying is a ghost.
The fierce slave is just like a child's play.
I'm tired of being a saint, but it's the call of the day. Who shall I send it outside to?
There are hundreds of thousands of wasteland, and dikes are often feared.
Urgent enlistment, rich weapons.
Draw a picture because of it and make a profit at any time.
The flow of goods is extremely vague, and the net is gradually loose.
As soon as Yidi Day opened, Li Yuan was haggard.
I am far from peace, and I am tired of peace.
As for the last years of Zhenyuan, the wind was wild and beautiful.
Yuan and the son of heaven are extremely difficult to follow.
Yuanhe Tianzi, the wise man Tang Wu.
Mautz covered the palace and the seal was opened.
Team Wu took out his son and dreamed of the truth.
Thin clouds go far, Henan is flat.
With the beginning of Changqing, Zhao Yan finally died.
With a wife and a son, North Que will fight for it.
Therefore, if you care about your children and grandchildren, there is hope for your life today.
Rufu's throat is still narrow and his weight is not strong.
Without a magic weapon, the ship swallowed the net.
Bones add thistle to sand, and blood rises like a torrent.
Only clouds have signs, and security is invisible.
Five princes a day run away like birds.
Hard won, easy lost.
Walking is too easy, but it's still awkward.
The bitch in Kansai vowed to get a piece of meat.
Please list the facts, who will listen to me.
Swinging around and drying up, the sun and the moon compete for glory.
If you start the civil and military industries, you can clear your eyes.
In Ande, there is a sign of Miao nationality.
Seventy miles is a hundred miles, too.
I often get drunk while watching what I want to see.
A towering tongue insults a strong heart and calls it helplessness.
Talking about the rhyme of books burns Jia Sheng's legacy.
Notes on sentimental poems (during the war in Cangzhou)
1. In April of the second year of Tang Jingzong (826), Li Quanlue died and his son Li stayed. In May 1987, the imperial court took Li as our time to reclaim the sea, but refused to give an order. In August, the court asked. In April of the third year of Daiwa, Li was beheaded and Cangzhou was leveled. According to Miao Yue (Du Mu Chronicle), this poem was written after August of the first year of Yamato.
2. Gao Wen: Gao refers to Li Yuan; Wen is Li Shimin, Emperor Taizong, and his nickname is Wendi. Yes: it coincides with mine. Sui Dynasty: The last year of the Sui Dynasty.
3. Sword: Han once said, "I won the world with a three-foot sword. Isn't this fate?" For details, see Biography of Historical Records and Gaozu. Favoritism: obedience.
4, steps: step by step, follow. The Biography of Cao Bao in the later Han Dynasty quoted the book "The Art of Filial Piety Hooking Life" as saying that "Huang San steps, five emperors leap, and three kings gallop". Huang San: It refers to the legendary Fuxi, Shennong and Suiren. The meaning of this sentence is that the achievements of Tang Gaozu and Emperor Taizong can be compared with those of Huang San.
5, heavy: drunk, that is, the people of Deze, so drunk as wine.
6. Shantou: Seven Stars, also known as Shantou. The ancients believed that the soldiers got up at the first jump. Baskets and tails: the names of the stars in the twenty-eight nights. The land is divided into white tails. This sentence refers to An Lushan's rebellion against Youyan in the last years of Tianbao, Emperor Xuanzong of Tang Dynasty.
7. Jimen: Qiu Ji, outside Deshengmen in Beijing today.
8. Hu Bing: refers to the rebels in the Anshi Rebellion.
9. Xianyang: Qin Dou, referring to Chang 'an.
10, Emperor Huang Xuan: It refers to Tang Suzong, who was named "Emperor Xiao Xuan, the Great Sage of Civilized Martial Arts". Go: Run. This is causative usage.
1 1, without [pρ]: Yi Gua name, meaning bite. Does opening up China mean turning around the dangerous situation?
12, flat connection: disk connection. Two rivers: Henan and Hebei.
13, embers germinate: embers of fire germinate again. I: stop.
14, Qi Chae Yeon Zhao Wei: Five country names in the Spring and Autumn Period and the Warring States Period, which respectively refer to Ziqing, Zhang Yi, Lu Long, Chengde and Weibo.
15, Gong Zheng (zhǐ): the second of the five tones of ancient music.
16, illegal intrusion: crossing the line.
17, late: the legendary horned dragon.
18, dragon mating: dragons' tails are intertwined. The head, the dragon, is an ornament of the palace and the flag.
19. official document: sign the official document. Replace: obsolete.
20. Dig the Lord.
2 1, (Ji Xian): greed. Search: An ancient unit of length, usually eight feet.
22. Pheasant: The ancient city wall is three feet long and one foot high.
23. hey: weak.
24, blood: children and grandchildren cut off.
25. Nine temples: Emperor Tiandi set up nine temples to worship his ancestors.
26. Medium: red. Sweating refers to sweating and blushing.
27. Han Peng: General Han Xin and Peng Yue in the reign of Emperor Gaozu.
28. Wei Ying: Emperor Taizong was a hero, British public servant Li Ji and patriotic public servant Li Jing.
29. Fierce Gate: When an ancient general was ordered to go to war, he chiseled a fierce gate to show his mortal heart.
30. There are many.
3 1, Sheng Lei: refers to the Tang emperors after Xuanzong.
32. Outside the door: outside the door. Refers to the general in charge of the army.
33, fear: worry, fear.
34. Weapons: In ancient times, soldiers were called weapons.
35. Wei: Destruction. Draw a rule: a unified system. Korea, "Xiao He is the law, if you draw a picture. Cao Can replaced it and stayed. " See Hanshu for details. Biography of Cao Can.
36. Traffic products: refers to the traffic products of officials. Monk: It's a mess.
37. snare: refers to the legal system. Relaxation: discrete relaxation.
38. Li Yuan: People.
39. hey: far.
40, bare: harassment. Trouble fee: cost.
4 1, Zhenyuan: year number of Tang Dezong.
42. indulgence: indulgence. Exquisite: gorgeous and luxurious.
43. Tai: The name of Yi means fluency, whether relative or not.
44. Yuanhe: the year number of Tang Xianzong.
45. thatch: thatched reeds used to build roofs. According to legend, Yao lived in a thatched cottage.
46. Seal: the envelope of the memorial. Burst: repair. According to legend, the collection of books in Wendi Palace is a curtain. See The Biography of Hanshu Dong Fangshuo.
47. Wu Brigade: Army.
48. Yong: Use. Yin dreamed of becoming a saint. Later, he found that the board was built on Fu Xian. Because he thought it was a surname, he took it as a photo. See Shi Shi Lei for details. Zhou Wenwang divined divination, knowing that he would be assisted, and then he had to fish in Jiang Shang of Weishui and become a teacher. See Historical Records Qi Taigong Family: This refers to the appointment of Pei Du and others by Xian Zong.
49. Boom: Thunder.
50. Henan: It refers to the Huaixi and Ziqing sections, both of which are in the former Henan Province. In the 12th year of Xian Zongyuan (8 17), Wuyuanji in Huaixi was pacified; Fourteen years in February, Li Ziqing and other Shidao.
5 1, evergreen: year number of Tang Muzong.
52. Zhao Yan: refers to the areas under the jurisdiction of Lu and Cheng Dejun. Rudder: Rudder, lift it. Hey, take the kid's belt. This refers to people holding an infant to submit. Book of the New Tang Dynasty Mu Zongji: In October of the fifteenth year of Yuanhe, Cheng Dejun's observation made Wang Chengyuan subordinate to the four states of Zhen, Zhao, Shen and Ji. In February of the first year of Changqing, Mr. Liu took Lubazhou as his teacher.
53. Dunwei: kowtow.
54. Ru: Eat. Fish bones.
55. Hey: The tabernacle.
56, swallowing a boat: refers to a big fish. There is a saying in Historical Records Biography of Corrupt Officials that "the fish that swallowed the boat escaped from the net" refers to the buffer region that rebelled against the imperial court.
57. Jiyuan: refers to the area around Jiyuan Gate where Lu is located. In July of the first year of Changqing (82 1), Lu Zhi's military forces imprisoned Zhu Kerong and made Zhang Hongjing rebel. See New Tang Book Mu Zongji.
58. Hutuo River: Hutuo River. In July of the first year of Changqing, Germany conspired to kill our army's jiedushidian, and rose up to revolt. See New Tang Book Mu Zongji.
59. Five princes: five envoys, namely Tang Weibo, Heng Hai, Zhao Yi, Hedong and Yiwu. On August 14th, the first year of Changqing (82 1), the court sent the above five soldiers to Wang Ting for help. See New Tang Book Mu Zongji.
60, scissors: narrow appearance. Shakansai: west of Tongguan. Du Mu, a 10,000-year-old native of Jingzhao, has not yet entered the official position, so he calls himself "Kansai Gay".
6 1, gap: open. Hongying: The sea.
Miao: In ancient times, there were two tribes: Miao and Miao. Yu Xia once conquered Miao and Xia Houdun once conquered Hu.
63. It is said that Shangtang is 70 Li, Zhou Wenwang 100 Li. See Mencius, Gongsun Chou.
64. Tao: Tibet. Tao Tongue: Stop it.
65. Qi: Gongmen.
66. Jia Sheng: Jia Yi in the Western Han Dynasty. When Wendi was in the reign of Wendi, he ignored Chen's political affairs, thinking that all things in the world can be done for crying, for crying, and for long breath. "See the biography of emperors.
Appreciation of Sentiment Poems (Cangzhou War)
The poem is titled with the original note: "When Cangzhou used troops." In 826 (two years), Li Quanlue, the Chinese ambassador to Henghai (now Cangxian County, Hebei Province), died of illness, and his son Li rebelled. The crusade against Li began in August 827 (the first year of Daiwa, literate Sect) and ended in April 829 (the third year of Daiwa). According to Miao Yue's textual research, this poem was written in 827 (the first year of Yamato) when the war just started. Du Mu was twenty-five years old. On the turning point of the rise and fall of the Tang Dynasty on the grounds of "An Shi Rebellion". After the Anshi Rebellion, the power of the central government in the Tang Dynasty weakened, and the powerful vassal generals held the emperor to make the princes fight, and the war continued, which disturbed the country and made the people miserable. Born in the late Tang Dynasty, Du Mu was worried about the disaster of the buffer region and the danger of the country. He wrote this masterpiece full of strong feelings with the blood of youth, lashed the arrogance of the buffer region, exposed the incompetence of the imperial court, drew a sunset picture of the western hills in the Tang Dynasty, and expressed his frustration of being helpless to serve the country and being empty. This is an important lyric poem with political theme in his early years, which is comparable to Du Fu's Northern Expedition and Li Shangyin's Hundred Rhymes in the Western Suburb, and is known as "the history of poetry".
The whole poem 106 is divided into three paragraphs. The first paragraph (from "Sui Dynasty in Gao Wenhui" to "Enjoy the Bone Marrow") recalls the establishment of the Tang Dynasty and the politics of the early Tang Dynasty, and expresses infinite memories of the prosperous times. In just eight sentences, the poet made a high summary of the prosperous times of the early Tang Dynasty from two aspects: martial arts and accomplishment. In terms of martial arts, during the turmoil at the end of Sui Dynasty, Emperor Gaozu Li Yuan and Emperor Taizong Wen Li Shimin obeyed "God's will", fought and held swords, and decided the world in one fell swoop, thus creating an eternal inheritance in the Tang Dynasty. They really caught up with the ancient "Huang San" Fuxi, Shennong and Suiren. In terms of civilization, Emperor Taizong ruled the country with civilization after Gaozu, and the virtue of "Zhenguan rule" was deeply rooted in people's hearts, such as drunkenness. Although these words are very general, they are vivid and passionate. Among them, the word "sword" is extremely powerful, depicting the heroic martial arts of Gaozu and Taizong. Compared with Gaozu and Taizong, Huang San showed sincere respect in metaphor. The author began to write from the founding of the People's Republic of China and from the prosperous times. On the one hand, it creates a long and magnificent beginning for the whole poem, preparing for the generous and unrestrained narration later; On the other hand, it is also through the description of the prosperous times that the later declining times are compared and set off in advance. The beginning is vigorous originality.
The second paragraph (from "riding a dustpan tail" to "returning hazelnuts to the wild") tells the history of the separatist regime, the weakness of the imperial court and the deadly war in the 70 years after the "An Shi Rebellion". The author adopts the method of narrative plus discussion: the narrative is ups and downs, and the huge picture of history is constantly changing, but there are bright and dark, not chaotic; As he talked, he was full of passion, blood and tears flowed together, and the emotional waves seemed to be surging, but in fact they were deeply frustrated. This fully shows the author's solid pen power and exquisite conception. This part can be divided into three levels:
First of all, from "riding on the tail of dustpan" to "losing everything", this floor came to a powerful turning point immediately after the first quarter. Wu Wenzhi in the prosperous time has passed away, and the Anshi rebellion has begun. "Hu Bing killed the Han soldiers, and the bodies were all over Xianyang City (this refers to the capital Chang 'an)", so the national movement changed. Although "Huang Xuan" (Su Heng) put down the rebellion and once revived, it was once prosperous, followed by endless troubles in the buffer region, like ashes extinguished and rekindled, like grass buds sprouting. These buffer towns based on the "two rivers" (referring to the north and south of the Yellow River) are good at armored soldiers militarily, "Qi, Yan, Cai, Zhao and Wei", each according to its own side; In diplomacy, they married and colluded with each other, forming a trend of "uniting thousands of miles" and "dominating one family" and confronting the court; In the "legal system" (here refers to the system and etiquette), the punishment is designed by oneself, and the officials make their own decisions. "Unauthorized seizure" (officials make good use of the emperor system) is actually called loneliness in the south. At the beginning of this building, six sentences about "An Shi Rebellion" and Su Zongzhongxing were described, but the momentum was suppressed, but it was just a light topic. But wrote the arrogance of the buffer region, and the details were appropriate. In the 20 sentences of "Fan Zhen Ji", the author described their crimes from various aspects, using righteousness and sternness, full of anger, which contained deep sorrow and pain.
Secondly, from "Nine Temples Fighting with Gods" to "It's extremely difficult to continue, Yuan and the Holy Son of Heaven", I made a little mistake after the last narrative, which directly expressed my feelings: the ancestors' gods ("Nine Temples", the emperor's ancestral temple) were blessed above, and the property of all parties was provided below. Why should we be ashamed for seventy years? I am really sorry for our ancestors and the people! This is not only the natural generation of feelings after describing the crimes of the buffer region at the previous level, but also the transition to the following description of the court situation. Then the author wrote the precarious situation of the imperial court from the following aspects: the generals in the Tang Dynasty were incompetent, the emperor was helpless, the military was passive, the political system was destroyed, and the people were even more miserable and heartbreaking. This is contrary to the flying momentum of the buffer written on the previous layer. Comparing the two, the future of the country has to be particularly worrying, because the buffer region is so strong and the court is so weak. So, the author once again sighed: "It's too far away from peace, it's really boring", which means that the days of peace are too far away, and the people are afraid of being harassed for a long time! These two sentences coincide with "how to be ashamed and sweaty in seventy years (sound gap, red)", and "as for the last years of Zhenyuan, romance (that is, ethos) is rampant", which deepens the sigh and makes the mood more depressed. Then the poet's pen suddenly broke: "Yuan and the son of heaven are hard to follow." Meaning: In the Yuan Dynasty and the Yuan Dynasty in Tang Xianzong, the country actually had a new transformation. His joy is beyond words. These two sentences and the first layer "Huang Xuan takes a hero, laughs in the middle, nothing" seem to have completed a small cycle in the ups and downs.
Thirdly, from "harmony and holiness, wisdom talks" to "cutting back to Hazelfish", this layer is closely connected with the upper layer by thimble technique, which is very natural. At the same time, the author's excitement and enthusiasm for calling for the word "Yuanhe Shengtian" is like being there, which is in sharp contrast with the sadness when describing the weakness of the imperial court and constantly turns up emotional waves. The author warmly praised the "holy son of heaven" who had suppressed the rebellion in the buffer region: he was very frugal, building a house with thatch and sealing bags as curtains (two quotations, comparing Emperor Yao and Emperor Wu of the Han Dynasty); He chose the right person, promoted the generals from the ranks and appointed talented people. In this way, the rebellion of Wu Yuanji and others in Huaixi, south of the Yellow River, was finally put down, and the situation once improved. During the reign of Mu Zong Changqing, the land of Zhao Yan was finally added. However, this kind of excitement is just a flash of lightning in the long night, which passes in an instant. The separatist regime in the buffer region was a scourge in the late Tang Dynasty. Temporary local calm still can't save the crisis situation in the Tang Dynasty. The author clearly saw this, so he continued to describe the new and larger-scale rebellion in the buffer zone after Mu Zong with great sadness. Unexpectedly, it is difficult to put down the rebellion, but once it falls, it is a piece of cake. Even the roads in Taihang Mountain are blocked, and the narrow roads are covered with hazelnuts! In these sad descriptions, with the violent turmoil of the national situation, the author's passion is also ups and downs. At this time, he turned from excitement to gloom, and his poems ended with landscape writing for the time being. In a desolate and cold place, he returned to endless grievances. Here, "bone and thistle gate sand" and "Cang Ran Tai Hang Road" complement each other with the "dust thistle gate rises" at the beginning of this paragraph, which makes the whole paragraph show a reciprocating trend and the structure is very tight. During the discussion, Wang Yang's pen gesture is bold and unrestrained, like a surging river, flowing down, full of irresistible majestic momentum.
The third paragraph (from "Kansai Cheap Man" to the end) is about self-reporting in the face of extinction. The first and second paragraphs are mainly narrative, but this paragraph is mainly about expressing feelings. The ups and downs of feelings are accelerating and the sorrow is getting deeper and deeper. From the very beginning, the author indicated that it was his duty to pacify the town, help the world and restore the prosperous Tang Dynasty initiated by Gaozu and Taizong. However, no one is willing to accept his counter-insurgency proposition. It can be seen that it is difficult to call the door and meet the confidant. However, the author still can't help stating his own opinions and showing persistent pursuit. At the same time, the angry tone also reveals the author's strong dissatisfaction with the current political corruption in the imperial court and the bureaucrats stealing peace. In the last six sentences, the author's anxiety and anger in the face of the defeated country reached its peak: "I am often drunk and worried." A towering tongue insults a strong heart and calls it helplessness. Talking about books and feeling poetry, burning Jia Sheng. "In the contradiction of wanting to do something but not doing anything, the author is extremely indignant. Thinking of the erosion of state affairs, he can only raise a glass to dispel his worries and suppress his inner injustice with drunkenness. However, if you don't talk about state affairs, you will humiliate your strong heart; If you go to see Emperor Chen, you will suffer from not getting help. Only by writing this poem full of resentment will no one read it and no one understand it. I had to burn it and give it to Jia Yi, who cried for state affairs in the Western Han Dynasty. These six sentences, "Running like nine ileums", turn around layer by layer, return to meandering, and run down again, with Cang Sang in the majestic, full of grief and indignation in the excitement, full of sadness in the extravagance, showing the pain of serving the country without a way, winding and profound, drawing a touching full stop for the whole poem, and leaving endless worries and thought-provoking, which is precisely "emotion".
This five-character ancient poem is not difficult to construct properly in a poem because of its long time span and wide spatial scope, especially because there are many people and events in major historical events. When dealing with it, the author emphasizes the disaster caused by the separatist regime of the buffer region after the Anshi Rebellion, which seems to be handled properly, nuanced and handy. At the same time, the whole poem takes the historical process as the latitude and longitude, the emotional ups and downs as the latitude, the latitude and longitude interweave, the narrative, lyricism, scenery writing and political discussion are integrated into one furnace, and the author's passion is contained in it, which makes it look bold and sad and shocking to read. In addition, the poem is mainly prose, and many antithetical sentences are inserted, such as "stepping on the steps to fight for the angle, painting a house to mate with a dragon", "I can't find anything but salt, and there are thousands of pheasants piled on the wall", "The opening of the righteous emperor's day has made Li Yuan even more haggard" and "I wandered around and did a lot of work." Especially from "Your husband's throat is still narrow" to "easy to lose", except for the sentence "five princes a day", all of them are antithetical sentences, which are used to express the author's unspeakable anxiety and anger about the greater rebellion in the buffer region after the situation is slightly better, and it seems to be tactfully low and has received the effect of singing and sighing.
A Brief Introduction to the Author of "Poems of Feeling the Heart (During the Battle in Cangzhou)"
Du Mu (AD 803-852), born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi), was a poet in the Tang Dynasty. Du Mu is called "Xiao Du" to distinguish him from Du Fu. Also known as "Little Du Li" with Li Shangyin. Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan".
Du Mu's representative works include Jiangnan Chun, Bo Qinhuai and Guo Huaqing Palace. Du Mu is good at prose, and his "Epanggong Fu" is read by later generations. He wrote a lot of military papers, and also annotated Grandson. The Collected Works of Fan Chuan handed down from ancient times has twenty volumes, including four volumes of poetry, edited by his nephew Pei. There is also a volume of "Fan Chuan Waiji" and "Fan Chuan Bieji" supplemented by Song people. The Complete Tang Poetry contains eight volumes of Du Mu's poems. Poetry in the late Tang Dynasty was so soft that Mu Zhi corrected it with steepness. Its seven unique skills are far-reaching, and the factions in the late Tang Dynasty were independent. Mu Zhi is ambitious and eloquent, boasting about his ability to help the world. Icbc, cursive script. "Xuan He Shu Pu" says: "Grass and animal husbandry are vigorous and powerful, which set each other off with their articles." Dong Qichang's "Rong Tai Collection" says: "If I hear that Fei Qing and Du Fu are also famous after what I have seen", it says that their books are "rich in the charm of the Six Dynasties". The ink handed down from ancient times has Zhang Shihua. His works are very rich, mainly including Collected Works of Fan Chuan, Old Tang Book (147) and New Tang Book (166). Zhang Shi, cursive ink, was written at the age of 32 in the eighth year of Taihe (834). The post is a piece of hemp paper, 28.2 cm long and 162 cm wide, with 46 lines and 322 words in total. As can be seen from the whole poem volume, his calligraphy won the charm of the Six Dynasties. The original is now in the Palace Museum. This calligraphy work is magnificent and smooth. Because it is a manuscript of poetry, it is even more unpretentious. There are inscriptions, inscriptions and seals of Song, Yuan, Ming and Qing dynasties at the beginning and end of the volume. He has been awarded by Song Dynasty, Jia Sidao, Ming Xiangzi, Xiao Si, Qing Biao, Qianlong, Jiaqing, Neifu and Collection. There are records in Xuanhe Pu Shu, Rong Tai Collection, Splendid Life and Grand View Record. Du Mu is famous for his poems, so his title is covered by the title of his poems. This book was carved in Fa Tie, a monk. Photocopying can be done in Yan Guang Room and Showa Fa Tie Series.