From the song R&, this album abandons the route of dance music and Korean love songs in the traditional Korean idol group album, and becomes more diversified and international. The album involves reverse shooting, jazz, folk songs, R&; B and other popular styles, but what impressed me most was the extensive use of electronic music elements in this album. There are four songs with obvious traces of electronic sound, but please note that the electronic sound here refers to elements rather than styles. The real electronic sound style is so noisy that most people can't listen.
It is said that four songs were collected for a long time, and finally 12 was selected from 24 alternatives. Judging from the songs alone, the quality is really very high, completely exceeding the previous three Korean wave albums, especially the title song "Mantra", which can be selected by two schools at the same time and both are title songs, which shows the quality of this song.
From the above, it is not difficult to see that Li Xiuman attaches great importance to this album. Many people seem unable to accept this change in style. Some people even say that Dong X only made a fuss about clothes this time, and the music has gone downhill. This is really irresponsible. No matter from the quality of single, the multi-element application of arrangement or the internationalization of album, it has made great progress than before, and Dong X's singing has many bright spots. If we score by hearing, in the past,
In fact, it is not difficult for Dong X to make an album of the same level as the second album. With SM's position in Korea, the music received can be even better than the second album. However, if that happens, it can only be regarded as standing still or even going backwards. The consequences of aesthetic fatigue and the domestic vacuum caused by Dong X's long-term development in Japan can't be compensated by an unchanging traditional Korean assembly line product. If you want to continue to stand at the peak or even go further, Dong X must keep trying and breaking through and choose the fourth album.
MIROTIC, as the main theme, this album is more suitable than it. It seems that many people don't like this song, probably because its melody is not particularly catchy. In fact, appreciating a song should not be limited to melody. To evaluate the quality of a song, we should evaluate it from many aspects, such as melody, arrangement, aria, lyrics and stage effect, especially the title song. Stage effect is an important factor that can never be ignored, because neutral people don't buy CDs and listen to every song, so the effect of songs on the list largely determines the public's goodwill towards singers. In the past, Dong X chose SMP as the main theme, which could not be completely denied. But like SMP, it is more suitable for the tastes of ten generations of girls and teenagers, lacking freshness. More importantly, SMP pays too much attention to dancing and it is difficult to sing live, so it is usually lip-synching. After watching Dong X's live performance in Japan, Korean food is definitely unbalanced (this can be felt from PPL, which Han Fan jointly expressed his desire to listen to Dong X's live performance a few months ago), so it is obviously inappropriate to choose SMP as the main theme again.
If the mantra is the greatest charm of this song, it is the live effect.
Judging from the auditory effect, the appeal of regular heavy drums at the scene will definitely make people's cells come alive. The rhythm of the middle board ensures a relatively stable feeling and is not easy to make people feel noisy. European and American styles have a natural wild power, coupled with straightforward and infectious lyrics, the live effect is absolutely extraordinary. Repeated chorus in reverse time often makes people feel bored, but the mantra of the East X version adds a rap, which adds freshness. Five people together add thickness to the song, which is very atmospheric.
As far as the singer's interpretation is concerned, as I mentioned before, the biggest difficulty of the mantra song lies in the rhythm. Not only should you step on the stress on the drum correctly, but you should also show a sense of jumping between the stresses, that is, the light part can't be broken, so you should reflect the coherence implied in the jumping, and the stress should be heavy enough, otherwise it will sound soft and unbreakable, otherwise it will sound fragmented, so you should have a nasal sound. And the mantra song has a very high demand for breath. It is actually very difficult for everyone to try to sing the first sentence of the mantra for about 7 seconds. You are not allowed to breathe, so keep your weight well. In the interpretation of several people, I also said that I like Xiao Bing and Mizi best. Xiao Bing's voice has a natural "hardness", so it doesn't take much effort to drum. Mi's nasal sound is relatively heavy, and the light sound part is natural. Both interpretations are natural, a natural wildness and a natural sexiness. The mouse sentence is short, but I can hear that it is uncomfortable to sing. As I mentioned earlier, the range of the mouse is naturally narrow. This mantra of European and American singing really forced him. His voice can't be held in his throat, because it will appear too weak, but if it is completely released, it will appear thicker. Although the bass and harmony effects are still not satisfactory, this may be the reason why there are few lyrics in his mantras. Besides, when it comes to 2J, I think both of them didn't perform well enough, because they deliberately squashed their voices in order to show sexy taste, but they seem to have done it. However, they later used a more natural voice on LIVE, which sounded good. In addition, He Xiu sang softly on the heavy mantra drum, which also needs improvement.
In addition, there are some bright spots in the interpretation of several people. Almost every sentence of the cake is a surprise, and the treble of 2 minutes 15 seconds is completely prepared for the cake, and the live effect is also very shocking; Mi's pronunciation of B-segment crystal is like a ball rolling on the tip of the tongue, which is round and full of charm; The RAP of the mouse is clean and neat, and it feels very strong; 2J suddenly increased the intensity of singing at 2: 30, followed by a performance of the tonic, which used the consonant and the bottom notes of the other three people. Although it feels like the same tune, this song has an extra layer of meaning. 2.44 Repeat the same practice, but this time it is changed to the display of tonic and consonant, and the display of consonant is heavier than last time, thus creating a progressive effect. Because repeated chorus is most afraid of lack of layering, if you repeat it in the same way every time, you will definitely be tired if you don't listen to it three times. However, this progressive strength and level make the original monotonous chorus of the song very beautiful, so the mantra is repeated, but I don't feel tired.
Figuratively speaking, this style seems to be the object of many people's struggle, but the taste of this song with mantras can only be described in four words, that is, "complement each other." If you have to wrap it tightly, it will be stingy. How many girls will be braked by these five men when the unruly clothes are accompanied by the sexy lyrics of Datura? Moreover, I have talked a lot about the dance of mantras before, so I won't go into details.
To sum up, the scene of the mantra song is absolutely charming, and the mantra song as the main theme is absolutely deserved.
Wrong #, this song is the standard beauty at first sight. After listening to four episodes for the first time, I was most impressed by this song. This song feels like Germany, but it's different. If virtue reminds people of the medieval church and the coldness in the sunset, this song is a coldness in the shadow of the steel forest, and the arrangement is more modern. When WN first listened to me, she expressed a feeling of disappointment and anger. This anger is not hot, but cold. Later, I went to find the lyrics of WN and found that they were quite consistent with the emotions I heard. It's about the disappointment and anger of my suspicious and untrustworthy lover. Someone said before that listening to WN would make me feel depressed and even want to cry. This somewhat reflects the success of this song, which is emotional rendering and strong appeal. It is the first time that I have this feeling of catching people's ears.
WN's arrangement is the first song in this album that makes me feel that electronic music is very strong. The type of electric sound inside should belong to psychedelic electrons. In the prelude, the electronic musical instrument made by computer is cold and sharp, which runs through the whole song, giving people a very cold feeling. Later, the distinctive drums and telephone ringtones were added, and the voice began with this tone, so the sound of the program was more practical. There is no break between sentences from 18 seconds to 19 seconds. But deliberately suppressed the voice into a hoarse voice. In addition, I also used the same singing method in the 24th second, expressing a cold and disdainful taste. Amy then deliberately aggravated the nasal part. This kind of singing has evil spirits in it, and it is more natural and smooth to undertake programs. The next sentence of the cake completely uses his most natural voice, because the natural metallic feeling in his voice is very compatible with the cold electronic music, and it doesn't need to be treated deliberately like Xiu Mi. The performances of the three people are very appropriate, which should be said to be "appropriate". After the chorus arrangement, bass was added, and the harmony with performance as the main tone was more appropriate. Mi Hao is responsible for the fact that the bass area can't be the tonic, and the existing voice is too bright to highlight the tonic, because he has to undertake the task of reconciling everyone. The timbre of the cake is on the high side, and it is a more appropriate choice to show a hoarse voice here.
Hao gave me a big surprise as soon as he came up in section B. He used an aria that had never been used before, and emphasized the nasal part, because his vocal range was narrow, and it would be very tight to deal with the voice completely. However, if he uses nasal sounds, his voice burden will be much reduced. Even if his voice is actually drowned in his voice, it sounds full and doesn't feel soft. The turning point starts from 1: 23. However, it is worth noting that he emphasizes that nasal singing can not be used at any time, because nasal singing is not natural to him, so singing other songs will be deliberate, but it is very suitable for WN. In the next sentence, I tried to keep my voice down a little, using the air sound that Xiu is good at. After listening to Ma's sentence for about one minute and 29 seconds, that Ha's voice is obvious, which is very similar to Xiu's usual singing, that is, the air sound, but from one minute 36 to one minute 38, there is no bottom sound behind, and he is a little at a loss, so that sentence is a little too bright for him to sing alone, there is nothing wrong. His voice.
In the second paragraph, the chorus began to sound out of tune. This is to avoid boredom caused by a single rhythm. There are a few separate lines behind, with real voice at the beginning, but the last one that sinks is the standard air voice singing, which has a sense of ups and downs. It is not bad to sink.
Next, the most talked about rap "Being" these days is also a surprise this time. His rap in "Free Your Mind" is too soft, which is not suitable for RYM's strong rhythm. But in WN, where the electronic style is more obvious, his slightly soft and greasy voice is very suitable for rap, and his expression is better than the following 2U, especially the handling of the ending. He dragged on for a while and then his voice rose, which made him feel sticky and evil. This causes the sound of the back 2U to appear very low, which is always a little out of tune. The 2U RAP is not good this time, both of them are pronounced too neatly. In fact, the rap here will be better used in that sticky taste.
WN is a song that is very easy to hear in headphones. The electronic part is very interesting, and the most important thing is that it is more innovative. Psychedelic electronic music is not a very popular type. It is also a very creative attempt for Dong X to integrate it into songs.
However, the disadvantage of WN is that it is still a little tired after listening for a long time. Compared with mantras, there is a little less layering, and the rhythm of the two songs is relatively simple. Actually, they shouldn't be together. It would be better if the arrangement order was slightly changed. Some people say that they really want to watch WN LIVE, but this song is actually not suitable for LIVE. Its mood is relatively cold, and it will appear very depressed on LIVE, and there is not much room for improvement. Electronic things are generally recorded in the best version, and the scene is not better than the recording, so WN is most suitable for listening with headphones.
"Crazy Love", this is the second song with obvious electronic style in four series, but different from WN's psychedelic electronics, this song should belong to House branch of electronic music. The first time I heard this song, I thought of pink bubble gum. This song should be nice and lively. I went to look for it and found that the lyrics are also quite cute.
The biggest advantage of CL is rhythm and arrangement. In rhythm, CL belongs to Allegro. An album must have several songs, otherwise people will be bored to death, and the rhythm of CL is the first main song with strong jumping, but unlike mantras, mantras have strong drums and require coherence between jumps. CL is not that difficult, as long as the sound jumps like a bean.
In arrangement, House's combination of electronic style and strings is very distinctive. Electronic sounds are generally cold, but some articles on the rhythm, together with lovely voices and warm and gorgeous strings, have a neutralizing effect and sound lively and light. I've never really liked balloons. That lovely song is easy to get bored with, and they have always been harmonious and don't sound clean enough. The place where CL harmony is used is more exquisite, and the cool tone of the string itself makes the song sound particularly refreshing. The fricative sound of the prelude should be the usual practice of DJ, and the electronically processed strings sound very playful.
In singing, the rap of Mizi's first sentence is actually better than "The Mouse Comes". It's not that there is anything wrong with the interpretation of rice, but that the beginning here is more suitable for the children's voice of mice. The first sentence of the cake is particularly amazing. His voice has always been solid and has a strong metallic texture, but his voice is the most naughty in CL, which has something to do with the characteristics of electronic sound. One of the characteristics of electronic sound is that it is easy to cover up the characteristics of human voice. The first sentence of the cake is completely sung in air, so it sounds completely different from his usual singing method. Although the cake in the balloon is trying to sing a lovely feeling, the occasional ending still reveals the metallic taste of his voice, but it is completely absent in CL, which is due to the electronic sound. There is also a particularly lovely place in the interpretation of the cake, that is, the number 1, which is really playful and the electronic processing behind it is also very fresh. Compared with the cake, the sound of the lake behind did not jump, showing the problem of natural voice characteristics, but Hao should criticize it. He sang at the top of his voice again. It turns out that in CL, he only needs to use the voices of children in balloons. He insisted on singing with WN, which felt like singing with his nose pinched, and there was a sense of disharmony between men who pretended to be lovely. It is rare to see a song that can show the banter in his voice. Next, the personal part is followed by a chorus that starts at about 1 min 15 seconds. If the personal part in front wants to express a feeling of naughty little waves, the harmony part will have the color of sea and sky, and the clear sky Wan Li sounds more atmospheric. In fact, rice's last sentence is not very jumping, but his sentence does not need a sense of jumping, but it is a sweet feeling, which is very suitable for rice. His words sound a bit lazy, sexy and sweet. . . )
The first sentence of the program in paragraph B is better than that in paragraph A, but it is still not as lovely as the cake. The pronunciation of the program is too clear and a bit biting, but the effect of that L O V E is still quite good. On the contrary, the swear words of the program bit out a little playful feeling in L O V E, and the people below were more disciplined, not bright, but there were no mistakes. However, it is said that the next issue of be's BEATS pronunciation is too explosive and completely joyful.
The period from about 2 minutes and 47 seconds is a very important part of the whole song. The sudden disappearance of accompaniment and simple vocals are to prevent boredom caused by sweet rhythm. Moreover, the alternation of single voice and harmony has a feeling of asking and answering, which adds a little sense of stability and hierarchy to this already lively song. The harmony and strings of many people in the back are very well combined, smooth and light, but the cake is 3 points 3 1. Finally, at the end of the song, the jumping song ends with a smooth and warm alto, which is more comfortable.
Generally speaking, the song CL plays the role of juice drink in the whole album. Originally, I wanted to say dessert, but CL doesn't have the sweet and greasy feeling of dessert, but it is completely refreshing, so people will be happier no matter how old they are. Just like a balloon, although it has been sung for thirty or forty generations, it sounds sweet and greasy. Another interesting thing about CL is its four-segment structure. Generally speaking, the front of each paragraph of a song is flat, followed by a chorus, but CL is indeed a chorus with two main songs, and there is a connecting segment between the two main songs, which is from 44 seconds to 59 seconds, and the second main song is from 59 seconds to 1 minute to 13 seconds. The first theme song uses the most electronic sounds and has the highest requirement for jumping. I describe the voice there as Sandy, which sounds the most playful and brilliant. The connecting passage between the two main songs is the alternation of liquid and sand. For example, the second theme in paragraph A is responsible for the harmony of the main theme, showing the sand and jumping parts, and then showing the main theme is responsible for the liquid, and Hao is responsible for the sand. This alternation is a very good design and avoids blind repetition. The second title song in the next 59 seconds was completely smooth, without jumping, but
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