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How did Liu Xie weave the content structure of Wen Xin Diao Long?
The Chapter Structure of Wen Xin Diao Long

First of all, the first part:

1. fulcrum theory (on the origin of literature): Original Dao, sanctification, Jing Zong, Kevin·Z, Bian Sao, Kevin·Z and Bian Sao are all included in the "literary fulcrum", but they are not the general theory of Wen Xin Diao Long. Only the original Tao, sanctification and Jing Zong belong to the general theory. Among them, sanctification and Jing Zong actually have the same meaning, that is, learning the works of Confucian saints. Therefore, Liu Xie's general remarks only put forward two basic propositions, namely "this way" and "Jing Zong". 2. Stylistic theory

These twenty articles respectively discuss Sao, poetry, Yuefu, Fu, ode, wish, alliance, inscription, ode, obituary, tablet, mourning, essay, harmony, seclusion, history, biography, philosophers, theory, saying, imperial edict, policy, relocation and transformation. Liu Xie talked about the development and characteristics of each style, so these twenty articles are usually called stylistics. But these twenty articles are not only writing styles, but also summarizing the writing experience of various styles before Jin and Song Dynasties. (1), Thesis: Ming Poetry, Yuefu, Shi Fu, Ode, Ming Zhen, Mourning Monuments, Essays, Harmony (II), Essays, Historical Biography, hundred schools of thought, Discussion on "Style" The relationship between personality and style is discussed from the principles of "emotion expresses shape" and "from the inside out". "Character of Wind" is based on "lyric self-melancholy, which must start from the wind; In two aspects, "if you are thoughtful, you will have no bones before", which puts forward the unified requirements of emotion and words for creation; Tong bian advocates "communicating with emotion and responding with anger"; The "fixed situation" talks about the creative law of "three-dimensional because of emotion, that is, the body becomes the potential"; "Emotion" is more about the relationship between "emotional classics and rational latitude" and requires "consideration without complexity, eloquence without extravagance". The above articles are all discussed from different angles around the relationship between emotion and words. Seven articles, such as temperament, chapters, beautiful words, metaphor, exaggeration, things and calligraphy, mainly discuss some problems of rhetorical skills. The problems left over from the creative theory are hidden show, finger defects, nourishing the spirit, attaching to the meeting, mastering skills and finding a job. 2. Criticizing two articles, time series, story collection, companion, Cheng Qi, time series and job hunting, is both creative and critical. Time series comments on writers' works and their development from the aspects of political outlook and social atmosphere in past dynasties. Looking for "comments on the creation of The Book of Songs, Songs of the South, Han Fu and Modern Times from the aspects of natural scenery and changes of four orders. Comparing the two works, Time Series focuses on literary criticism, while Looking for Stories focuses on literary creation. The writer was evaluated from the aspect of creative ability, while Cheng Hao evaluated the writer from the aspect of moral cultivation. The preface is the preface of this book.