Folk chorus Flowers in the Garden, People's Music, No.6, 1982. The Voice of Mother and Child in National Music, China Music,No. 1983,No. 1. Listen to China percussion concert, China Music,No. 1985. A Survey of Yao Folk Songs in the Border Region of Guangxi, Hunan and Guangdong (the second author) China MusicologyNo. 1985+0. A preliminary study on the practice of Dong people's great song Xuan Gong, Music Research No.4, 1985. The structure and artistic function of "multi-sentence" singing in national music, Music Exploration,No. 1986,No. 1. On the systematic structure of national music phenomenon, China Musicology No.3, 1986. Methodological Thinking on Field Work, China Musicology, No.3, 1986. Acrobatic Music in Han Dynasty, China Music, No.4, 1986. China Minority Music Research, China Music Yearbook 1987. Research on Long Drum —— Exploration of Thin Waist Drum, China Musicology No.4, 1987. Popular songs and the essence of folk music they spread, People's Music, No.3, 1988. A comprehensive study on the systematic structure of national music phenomena, Music Research,No. 1989,No. 1. Style of Bai Musical Annals, China Musicology No.3, 1990. Moistening and Silent —— 1990 Summary of China Minority Music Research, 199 1 China Music Yearbook. A leap in historical accumulation —— A survey of the history and development of China's national instrumental music performance art, Music Research No.3, 199 1. From Desertness to Prosperity —— Forty Years' Research on Minority Music, China Musicology No.3 199 1. A Perspective on the Music and Cultural Composition of Bainama Branch, journal of the central conservatory of music 1993No. 1. Theory and method of field investigation data storage, China Musicology No.4, 1993. The display of literal norms of folk music works and their ownership of rights, People's Music,No. 1994 Z 1. Experience accumulation of field trip and re-understanding of scientific significance and function, China Music 1995No. 1. Types of field trips in ethnomusicology, China Music,No. 1996,No. 1. Rebirth in Inheritance —— Reflections on the Significance and Function of Gongchi Music, China Music,No. 1, 0997. Harvest season-1997 China minority music research, 1998 China music yearbook. Some Issues on the Compilation of Music History of China Minority Nationalities, People's Music,No. 1998,No. 1. The situation of "national music" in the modern new music environment, Journal of graduate department, China Academy of Fine Arts, 1998. China minority music research from 1998, China music yearbook from 1999. On the name and reality of Naxi ancient music —— Answer a reporter's question about people's music, People's Music,No. 1999,No. 1. Enjoying China's Rhyme and Spreading it to the World —— A Sacrifice to Peng Xiuwen, a Master of Chinese Music, China Music 1998 No.2.. Entering the Life Time and Space of Musicians —— Preface of Atlas of World Famous Musicians Art Education and Scientific Research, 1999. The academic thought transformation of China's national music theory research in the 20th century (I), Music Research, No.4, 2000. The academic thought transformation of China's national music theory research in the 20th century (II), Music Research,No. 1, 20065438. A century-long plan is like educating people, art education and scientific research, 200 1. Cultural Orientation of Music Basic Education, Proceedings of China International Scholars Forum on the Orientation of Music Research in the New Century, 2002. Four Illustrations of Musical History —— Description of Musical Images of Bone Flute, Bone Flute, Pottery Bell and Kui Yi, Journal of nanyang normal University, No.5, 2002. Preface to Yunnan Folk Music, Yunnan University Press, 2002. How to emphasize its practicability in ethnomusicology, Music and Performance,No. 1, 2003. The practical level of ethnomusicology theory, People's Music, No.2, 2004. Introduction to Ethnomusicology, China Academic Yearbook (Humanities and Social Sciences Edition), 2004. The Establishment of Minority Music Research in China in the 20th Century, Musicology in China, the third issue of 2004, the accumulation of training materials and the basic skills of literature research —— the conclusion written to the comprehensive record of minority music history in China in the 20th century, Music and Performance, the third issue of 2004. The Development of China Minority Music Research in the 20th Century (I),No. 1 issue of Huang Zhong in 2005. The Development of China Minority Music Research in the 20th Century (Ⅱ), No.2, Huang Zhong, 2005. Hear the sound of silk and bamboo —— Comment on the musical achievements of silk and bamboo in the south of the Yangtze River China Reading Newspaper, 2005-05- 1 1. Notes on pre-Qin silk and bamboo music, Music and Performance, No.2, 2005. A Brief Introduction to the Supplement and Revision of China Musicology, No.4, 2005, China Music Dictionary (Minority Music Part). Reflections on the Protection of Intangible Cultural Heritage —— On the Cultural Types of Traditional Music, People's Music,No. 1 2006. A probe into the music of silk and bamboo in Han, Wei, Jin, Southern and Northern Dynasties, symphony, 1, 2006. One Valley and Two Centers —— Origin and Formation of Silkworm and Bamboo in Jiangnan, Music Research, No.2, 2006. 36 and 36 Family, China Music, No.4, 2006. Historical Inheritance and Innovative Development of Jiangnan Silk and Bamboo Band, Music and Performance, No.4, 2006. Field investigation of art research, the first issue of art research in 2007. Social Tradition of Music Around Taihu Lake —— A Study on the Cultural and Historical Background of "Silk and Bamboo Flourishing" in Southern Jiangsu, China Music,No. 1, What is a "Music School" in 2007 —— On Traditional Music School and China Music School, People's Music, No.2, 2007. The Origin and Development of Silkworm and Bamboo Erhu in Jiangnan and the Tradition of Singing, Music and Playing, No.2, 2007. The Music Social Background of "Silk and Bamboo Flourishing" in South Jiangsu, People's Music, No.7, 2007. The Types and Sources of Bamboo and Silk Music in Jiangnan, China Music, No.3, 2007. What is effective protection? China Art Newspaper, July 27, 2007. A preliminary study on the compilation characteristics of Yan Music Band in Sui and Tang Dynasties, Journal of nanyang normal University,No. 10, 2007. Review on the Concept and Research of Bamboo Silk in Jiangnan, Hundred Artists,No. 1 issue, 2008. The Spread and Influence of Silk and Bamboo in Jiangnan, Music of China,No. 1, 2008. Tradition of "Kunqu Opera" and "Qin Music" played by Xiao Di, a stringed instrument in the south of the Yangtze River, China Music, No.2, 2008. The originality of the research materials —— Speech at the first "Doctor Forum of Musicology", No.3 of Music and Performance in 2008; "Building a Stage with Economy and Singing Opera with Culture" —— Investigation on "There is a Play Every Day" on the stage of "Foreigner Street" in Dali Ancient City (first author), China Music, No.4, 2008; Sihe and Sihe Family, Music Research, No.6, 2008; Silk and bamboo salad, people's music, 1, 2009; Think twice about the gains and losses, and you can learn from them —— Reflections on the inheritance of ethnomusicology theories and methods, journal of the central conservatory of music,No. 1, 2009; Investigation on "Three Societies in Southern Jiangsu" of Jiangnan Silk and Bamboo Music Society, No.3, 2009; "Wen Qu" Tradition on the Silk and Bamboo in the South of the Yangtze River, China Music, No.4, 2009, "Six Banners" and "Six Banners" Families-Identification of the Composition of the Music Family of the Silk and Bamboo in the South of the Yangtze River, Journal of Nanjing Art Institute (Music and Performance Edition), No.4, 2009; Conception and design of four logical levels in the study of musical species —— Basic strategies of bamboo silk research in Jiangnan, Symphony, No.4, 2009.