Coincidentally, I am also working on the thesis of this novel. According to the information I have consulted, we can start from the following aspects: on the artistic characteristics of Midnight, on the value orientation of Midnight from the perspective of reception aesthetics, on Wu's cultural psychological structure, on the cultural roots of the motivation model of Midnight, on the rational conflict of Midnight, and on the internal contradiction between cultural vision and psychological structure. . . . . The others are too abstruse, so I won't list them. If you need anything, please ask.