The Book of Songs always has six meanings, and "wind" ranks first. It is the source of artistic appeal and the external expression of the author's emotional temperament. Therefore, when expressing feelings, the author should first pay attention to the style of the work; Nothing is more important than paying attention to the intensity of the work. Therefore, the strength of bones shapes words, just as bones support the human body; Emotions are as contagious as the body. Every word is tall and straight, and the bones are shaped; The expression is bright and clear, and the style of writing is prominent. If a work is rich in rhetoric but lacks character, then the literary talent will not be bright and the tone will not be loud. Therefore, if you want to be vivid, you must be full of energy and vigorous. Style is used in articles, just like a big bird flying high. Therefore, you should pay attention to the bones and make sentences with words. If we pay attention to the appearance of words, it is inevitable to express our feelings. The practice of writing is solid but not frivolous, and the use of phonology is dignified and not stagnant, which is the control of the style of the article. If the content is thin and rhetoric is piled up, it will be complicated and messy, which is a boneless performance; The thoughts and feelings are not full and smooth, and the expression is far-fetched and lacks vitality. This proves that there is no wind. Once upon a time, Xu Pan wrote a book "Gong Weijiu Wen Xi", the conception and layout all imitated the classics like "Shangshu", which made the gifted scholars at that time unable to stop. This is because Pan Wen is strong and powerful. Sima Xiangru's "Adult Fu" is known as Lingyun spirit because of its vigorous writing style, and it is a master of Ci and Fu. Being able to make this clear can make the article more perfect. This law cannot be violated, and creation should not pursue the complexity of literary talent. Therefore, Wei Wendi Cao Pi said: "The style of the article is mainly based on the author's temperament, and the clarity of temperament has its own body and cannot be forced." Therefore, when evaluating Xu Gan, he said "there is always a soothing temperament", and when evaluating Serina Liu, he said "there is always an elegant and natural temperament". Serina Liu also said: "Kong Rong is extraordinary, and indeed has a unique temperament. Words can hardly express his talent. " All this means paying attention to temperament and style. Pheasants are colorful, but they can't fly a hundred paces, because their muscles are too full and their strength is not enough; Falcon has no color, but it can fly high because it is strong and powerful. The talent of the article is similar. If literary talent lacks character, it is like a literary gathering; If you have grace but lack character, you are like a pheasant squatting in Wen Yuan. Only with brilliant literary talent can you fly high, and that is the phoenix in the article. As for writing according to the norms of Confucian classics, we should choose the writing method of history books, deeply understand the evolution of composition, and thoroughly understand the basic system and norms of various articles, so as to have novel ideas and decorate wonderful words. Knowing the basic system and standard requirements of the article, we can conceive new ideas that are not chaotic, and deeply understand the evolution of the composition situation, so we can write wonderful words that are not floating or impetuous. If you don't have style and refined rhetoric, but want to abandon the old norms and pursue novel creative methods, even if you have good intentions, it will lead to many failures. Can this wrong tendency be turned into the right path just by using strange words? "History of Fake Finished Products O" says: "Wording is more expensive than appropriateness, and we should not just pursue strangeness." This is to prevent the article from being superficial and untrue. However, there are many ways to write the article, and the author chooses according to his own preferences. Those who know how to write cannot teach others, and those who learn to write cannot learn from those who know how to write. Therefore, I am flashy, follow luxury, go with the flow, and don't know how to return to the right path. If we can establish a correct posture and make the article bright and full of vitality, then we can be healthy and the whole work will glow. If you can study these requirements carefully, you will not be far from mastering the way of writing. In short, the relationship between emotion and spirit, the combination of language and institutional style. Only when the style of writing is clear and vigorous can American literature gallop. Make the wind strong and the bones strong. Only in this way, talents will be vigorous and articles will be dazzling.

(Hint: Later generations have different opinions on how to understand the exact meaning of Liu Xie's "style and character". "Wind" means that works should be emotional, touching, lively, fast and hearty. "Bone" means that emotional works should be written concisely, with appropriate words and meanings, organized and powerful. The so-called "strength of character" is a distinctive, vivid, concise and vigorous style. This is Liu Xie's higher requirement or standard for writing style. I think wind is an artistic appeal that pays attention to the inner thoughts of works, and its performance is related to the inner temperament of the creative subject; Bone is the structure of the elements of the work, emphasizing the requirements for the structure of words. )