Qu Yuan is a superstar in the country of poetry, far ahead of all other stars. It appeared in the history of China's poetry, and became the style admired by countless successors. Li Sao, his immortal work, has shocked people for thousands of years and has become the most exciting and "permanent charm" chapter in the history of China poetry and even the history of the world poetry. Great and excellent art has eternal vitality and is an endless treasure house of beauty. Goethe said: "An excellent work, no matter how you explore it, can't go deep into it." Yes, for many years, people have read Li Sao, known it, analyzed it and explored it. As long as it is serious and really eager, it seems that it never comes back empty-handed. It gives people the enlightenment of truth, the encouragement of goodness and the enjoyment of beauty. It is so perfect and rich, ancient and always new. "Clothes are outstanding all one's life." "Clothes are a poet, not a generation." "Those who leave Sao are still worried" is Sima Qian's explanation of the meaning of leaving Sao. "Qu Ping's work Li Sao is self-reproach." This is his interpretation of the motive force of poetry creation and the emotional tone of the long poem Li Sao. In order to revitalize the country, Qu Yuan practiced "American politics" and "tried his best to serve his monarch with loyalty and wisdom", but he was slandered for his loyalty. He is full of ambition to "save the monarch and rejuvenate the country", but he can't wake up the fatuous monarch. Seeing that Chu soldiers were hacked and killed, he was in danger. He was left out in the cold and there was no way to save the country. Can a patriot who cares about his country and people have no complaints? There is a cloud in the poem: "It is not difficult for me to leave my husband, which hurts the soul to practice numerology" and says: "I am also sad when I am sad; Hug like wisdom and hide tears, touch the waves of Yujin. Finally, she said: "Since I am not satisfied with the beauty of politics, I will live in Peng Xian's house!"! Li Sao is a sad and angry song written by a poet full of patriotic passion and blood and tears. It is heartbreaking and thrilling to read. Li Sao is a lyric poem written by Qu Yuan. Its name has a double meaning: as far as music is concerned, Li Sao may be the name of a popular song in Chu State. You Guoen said, "Songs of the South of China" has the article that "Fuxi drives arguments, and Chu only labors", and Wang Yi noted that "driving arguments and labors are both famous." "Lao Shang" and "Li Sao" are disyllabic words or homonyms. At the end of the Western Han Dynasty, the Fu family copied Qu Yuan's Nine Chapters, which was called Pan Prison Worry from harmony to harmony. "Prison" and "worry" are overlapping words, which Zhao Wei interpreted as "complaining". Later generations often say that venting grievances is "complaining", which is probably from here. "(Essays on Songs of the South) This statement is accurate. Qu Yuan's creation draws a rich source from the folk literature of Chu State. Since the content of his work is "writing Chu language, writing Chu sound, gathering Chu land and writing Chu objects" (Preface to the Song of Huang Yi), it is completely understandable that the name of his work is copied from the old topic of folk songs. Of course, this word is not meaningless. Sima Qian's Biography of Qu Yuan in Historical Records quoted Liu An as saying: "Those who write Li Sao are still' away from troubles'. "Li Sao" means "leaving sorrow", that is, the above-mentioned "labor business", "prison worry" and "grumbling" are synonyms for voice change and also express a kind of depressed mood. According to the legend in Historical Records, Qu Yuan wrote Li Sao with melancholy thoughts. The title of the manual is determined by the content of the work, and the musical meaning of the title is unified with the content of the work. " Parting from sorrow, parting from sorrow, working for a business, holding sorrow and complaining are all conjunctions composed of disyllabic or rhyming words, but they have a complete meaning. Ban Gu's Preface to Zan Sao said: "Leaving is bitter; Sao, worry also. I know that I have been worried about the speech. " Wang Yi's "Songs of Chu" said: "Leave, don't also; Sao, sorrow. "Obviously, it is a footnote to Sima Qian's sentence" Those who leave Sao are still worried ",but they misunderstood Sima Qian's original intention. In addition, Xiang Anshi's "Xiang's Family History" said: "Chu Yu": "Bad morality and righteousness are expensive for alienation. "Zhao Wei said:' Sao, worry; Leave, and so does the bank. "Gai Chu people's language has been like this since ancient times. Qu Yuan's Li Sao must have been given to stay away from the bank. " It is also to divide "Li" and "Sao" into two words. It is because the part of speech is unclear that the meanings of two words are combined into one meaning, so the understanding is different and there are many differences. The original name of this article was Li Sao, and it was called Li Sao Jing in Wang Yi's Songs of Chu in the Eastern Han Dynasty. His explanation is: "stay, don't return; Sao, sorrow; Meridian, diameter also. Say that you have exiled yourself, you are still worried about it, and you are still admonishing you with the wind according to the right path. " There is no doubt that this statement is far-fetched. "Jing", of course, means classic. Li Sao is Qu Yuan's masterpiece. Add a word "Jing" under Li Sao, as Hong Xingzu said, "The ancients quoted those who had no words in Li Sao, and later generations covered their words and respected them as Jing." In addition, some people call it Sao for short. For example, Liu Xie's Wen Xin Diao Long is a famous article called Distinguishing Sao. Some people even called Qu Yuan's works and later imitations of Qu Yuan "Sao Style". This also originated from Wang Yi, because in the chapter of Chu Ci, he called all the works that he thought were Qu Sao and all the works that imitated Qu Sao. Such as Jiuge, named "Nine Songs and Nine Debates of Li Sao", followed by "Nine Debates of Li Sao". Although these names have been together for a long time, they are illogical. Thirdly, this article is also called Li Sao Fu. This originated in the Han Dynasty, because the expression of "Han Fu" evolved from "Chu Ci", so in the eyes of Han people, all Qu Yuan's works belong to the category of "Fu". Sima Qian called Qu Yuan "Fu" (this biography), and Ban Gu recorded 25 pieces of Qu Yuan's works in Han Shu Literature and Art Annals, which was further called "Fu". In fact, "Fu" did not become a special literary form until the Han Dynasty. Because of the confusion between the concepts of "Ci" and "Fu" in Han Dynasty, it is inappropriate to call Qu Yuan's works "Fu".